Our American Artists
Author: Samuel Greene Wheeler Benjamin
Publisher:
Published: 1879
Total Pages: 126
ISBN-13:
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Author: Samuel Greene Wheeler Benjamin
Publisher:
Published: 1879
Total Pages: 126
ISBN-13:
DOWNLOAD EBOOKAuthor: Ann Lee Morgan
Publisher: Oxford University Press
Published: 2007-07-18
Total Pages: 512
ISBN-13: 0198029551
DOWNLOAD EBOOKWith the advent of abstract expressionism in the 1940s, America became the white hot center of the artistic universe. Now, in The Oxford Dictionary of American Art and Artists, the first such volume to appear in three decades, Ann Lee Morgan offers an informative, insightful, and long overdue resource on our nation's artistic heritage. Featuring 945 alphabetically arranged entries, here is an indispensable biographical and critical guide to American art from colonial times to contemporary postmodernism. Readers will find a wealth of factual detail and insightful analysis of the leading American painters, ranging from John Singleton Copley, Thomas Cole, and Mary Cassatt to such modern masters as Jackson Pollack, Romare Bearden, and Andy Warhol. Morgan offers razor-sharp entries on sculptors ranging from Alexander Calder to Louise Nevelson, on photographers such as Berenice Abbott, Man Ray, Walker Evans, and Ansel Adams, and on contemporary installation artists, including video master Bill Viola. In addition, the dictionary provides entries on important individuals connected to the art scene, including collectors such as Peggy Guggenheim and critics such as Clement Greenberg. Morgan also examines notable American institutions, organizations, schools, techniques, styles, and movements. The range of coverage is indeed impressive, but equally important is the quality of analysis that appears in entry after entry. Morgan gives readers a wealth of trustworthy and authoritative information as well as perceptive, well-informed criticism of artists and their work. In addition, the book is thoroughly cross-referenced, so readers can easily find additional information on any topic of interest. Beautifully written, filled with fascinating historical background and penetrating insight, The Oxford Dictionary of American Art and Artists is an essential one-volume resource for art lovers everywhere.
Author: Henry Theodore TUCKERMAN
Publisher:
Published: 1867
Total Pages: 662
ISBN-13:
DOWNLOAD EBOOKAuthor: Marian Wardle
Publisher: UPNE
Published: 2011
Total Pages: 212
ISBN-13: 1611680212
DOWNLOAD EBOOKThe first major study to examine the artistic output of Robert Walter Weir and his two sons, John Ferguson Weir and Julian Alden Weir
Author: Paul H. Mattingly
Publisher: Rowman & Littlefield
Published: 2019-07-16
Total Pages: 281
ISBN-13: 1683931955
DOWNLOAD EBOOKAn American Art Colony demonstrates the social dimension of American art in the twentieth century, paying special attention to the role of fellow artists, nonartists and the historical context of art production. This book treats the art colony not as a static addendum to an artist’s profile but rather as an essential ingredient in artistic life. The art colony here becomes a historical entity that changes over time and influences the kind of art that ensues. It is a special methodology of the study that collective features of three generation of artists help clarify how artists engage their audiences. Since many of these artists worked within the cultural confines of metropolitan New York and its magazine industry, they cultivated subjects that were recognizable by ordinary citizens. Early on, they drew from the emergent suburban life of their neighbors for their artistic themes. Gradually these contexts become more formally institutionalized and their subjects gravitated away from themes of ordinary life to themes more exotic, expressionistic and fanciful. A key methodology for this study consisted of an analysis of collective biographies of 170 participating artists. The theme of modern art explains here how abstraction was suborned to public images, widening the very meaning of the term modern.
Author: Gerald M. Ackerman
Publisher: www.acr-edition.com
Published: 1994
Total Pages: 298
ISBN-13: 9782867700781
DOWNLOAD EBOOKBetween 1843 and 1922, American artists travelled to the Near East and North Africa, painting all that they discovered. Edwin Lord Weeks and Frederick Bridgman are amongst the most famous but there was also Francis Bacon, Samuel Colman, Swain Gifford and
Author: Helene Barbara Weinberg
Publisher: Metropolitan Museum of Art
Published: 1994
Total Pages: 400
ISBN-13: 0870997009
DOWNLOAD EBOOKAn examination of the continuities and differences between American Impressionism and Realism. Copyright © Libri GmbH. All rights reserved.
Author: Henry Theodore Tuckerman
Publisher:
Published: 1867
Total Pages: 660
ISBN-13:
DOWNLOAD EBOOKAuthor: Adelaide Alice Adams
Publisher:
Published: 1936
Total Pages: 280
ISBN-13:
DOWNLOAD EBOOKAuthor: Timothy J. Standring
Publisher: Yale University Press
Published: 2021-01-01
Total Pages: 130
ISBN-13: 0300254458
DOWNLOAD EBOOKA revelatory look at an underexplored chapter of American art, which took place not on American soil but in France In the late nineteenth and early twentieth centuries, American artists flocked to France in search of instruction, critical acclaim, and patronage. Some, including James McNeill Whistler, John Singer Sargent, and Mary Cassatt, became highly regarded in the French press, advancing their careers on both sides of the Atlantic. Others, notably William Merritt Chase, John Twachtman, Childe Hassam, and Thomas Wilmer Dewing--part of the association known as The Ten--found success working in the style of the French Impressionists, while Henry Ossawa Tanner, Cecilia Beaux, and Elizabeth Jane Gardner focused on genre and history subjects. This richly illustrated volume offers a sophisticated examination of cultural and aesthetic exchange as it highlights many figures, including artists of color and women, who were left out of previous histories. Celebrated scholars from both American and French institutions detail the complex history and diverse styles of these expatriate artists--styles ranging from conservative academic modes to Tonalism--and provide original perspectives on this fertile period of creativity, expanding our understanding of what constitutes American art.