This expanded edition of the highly acclaimed investigation of Zen teaching in America, by the founder and editor of America's first Buddhist magazine, lays bare the issues at the heart of the Zen mission. Through in-depth portraits of five American Zen masters, Tworkov creates a trenchant sociological picture of an important strand of American spiritual life. 27 photos.
This is an essential collection of contemporary American Zen poetry from thrity poets whose work is shared through biographical statement, Zen statement, photo, and five or more poems each. It's a book that can help you awaken to your natural self.
One Bird, One Stone is a distinctly American take on the ancient tradition and practice of Zen Buddhism. Drawn from the archives of major Zen centers in America and interviews with some of the most seminal figures of American Zen, including Philip Kapleau, Bernie Glassman, and Walter Nowick, One Bird, One Stone presents the notable encounters between teachers and students, the moments of insight and wisdom, the quotable quotes, and the humor of Zen as it has flowered in America over the last hundred-plus years.
The thesis of this work is that in both modern Japanese philosophy and American pragmatism there has been a paradigm shift from a monological concept of self as an isolated "I" to a dialogical concept of the social self as an "I-Thou relation," including a communication model of self as an individual-society interaction. It is also shown that for both traditions all aesthetic, moral, and religious values are a function of the social self arising through communicative interaction between the individual and society. However, at the same time this work critically examines major ideological conflicts arising between the social self theories of modern Japanese philosophy and American pragmatism with respect to such problems as individualism versus collectivism, freedom versus determinism, liberalism versus communitarianism, and relativism versus objectivism.
In A Glimpse of Nothingness, celebrated mystery novelist Janwillem van de Wetering offers a sequel to his earlier memoir, The Empty Mirror, which concerned the author's experiences at a Zen monastery in Japan in the middle 1960s. Originally published in 1975, A Glimpse of Nothingness chronicles van de Wetering's time at the Moon Springs Hermitage in Maine. The book offers a complete and compelling description of the Zen path pursued by one sensitive Westerner who began his quest by seeking for the sense of it all-and who eventually came to realize at least a part of it. The follow-up to this book is van de Wetering's Afterzen.
When a young American Buddhist monk can no longer bear the pop-psychology, sexual intrigue, and free-flowing peanut butter that he insists pollute his spiritual community, he sets out for Japan on an archetypal journey to find True Zen. Arriving at an austere Japanese monastery and meeting a fierce old Zen Master, he feels confirmed in his suspicion that the Western Buddhist approach is a spineless imitation of authentic spiritual effort. However, over the course of a year and a half of bitter initiations, relentless meditation and labor, intense cold, brutal discipline, insanity, overwhelming lust, and false breakthroughs, he grows disenchanted with the Asian model as well. Two Shores of Zen weaves together scenes from Japanese and American Zen to offer a timely, compelling contribution to the ongoing conversation about Western Buddhism's stark departures from Asian traditions. How far has Western Buddhism come from its roots, or indeed how far has it fallen? www.ShoresOfZen.com
David Chadwick, a Texas-raised wanderer, college dropout, bumbling social activist, and hobbyhorse musician, began his study under Shunryu Suzuki Roshi in 1966. In 1988 Chadwick flew to Japan to begin a four-year period of voluntary exile and remedial Zen education. In Thank You and OK! he recounts his experiences both inside and beyond the monastery walls and offers insightful portraits of the characters he knew in that world—the bickering monks, the patient abbot, the trotting housewives, the ominous insects, the bewildered bureaucrats, and the frustrating English-language students—as they worked inexorably toward initiating him into the mysterious ways of Japan. Whether you're interested in Japan, Buddhism, or exotic travel writing, this book is great fun. To learn more about the author, David Chadwick, visit www.cuke.com.
The fourth edition of World Religions in America continues its lauded tradition of providing students with reliable and nuanced information about America's religious diversity, while also reflecting new developments and ideas. Each chapter was updated to reflect important changes and events, and current statistics and information. New features include a timeline of key events and people for each tradition, sidebars on major movements or controversies, personal stories from members of various faiths, a theme-based organization of subjects, more subheads, three new chapters exploring America's increasing religious diversity, and suggestions for further study.
This is the first book on East-West comparative thought to critically analyze the Zen Buddhist model of self in modern Japanese philosophy from the standpoint of American pragmatism.