Seven Types of Ambiguity

Seven Types of Ambiguity

Author: William Empson

Publisher: New Directions Publishing

Published: 1966

Total Pages: 276

ISBN-13: 9780811200370

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Examines seven types of ambiguity, providing examples of it in the writings of Shakespeare, Wordsworth, and T.S. Eliot.


A Culture of Ambiguity

A Culture of Ambiguity

Author: Thomas Bauer

Publisher: Columbia University Press

Published: 2021-06-08

Total Pages: 244

ISBN-13: 0231553323

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In the Western imagination, Islamic cultures are dominated by dogmatic religious norms that permit no nuance. Those fighting such stereotypes have countered with a portrait of Islam’s medieval “Golden Age,” marked by rationality, tolerance, and even proto-secularism. How can we understand Islamic history, culture, and thought beyond this dichotomy? In this magisterial cultural and intellectual history, Thomas Bauer reconsiders classical and modern Islam by tracing differing attitudes toward ambiguity. Over a span of many centuries, he explores the tension between one strand that aspires to annihilate all uncertainties and establish absolute, uncontestable truths and another, competing tendency that looks for ways to live with ambiguity and accept complexity. Bauer ranges across cultural and linguistic ambiguities, considering premodern Islamic textual and cultural forms from law to Quranic exegesis to literary genres alongside attitudes toward religious minorities and foreigners. He emphasizes the relative absence of conflict between religious and secular discourses in classical Islamic culture, which stands in striking contrast to both present-day fundamentalism and much of European history. Bauer shows how Islam’s encounter with the modern West and its demand for certainty helped bring about both Islamicist and secular liberal ideologies that in their own ways rejected ambiguity—and therefore also their own cultural traditions. Awarded the prestigious Leibniz Prize, A Culture of Ambiguity not only reframes a vast range of Islamic history but also offers an interdisciplinary model for investigating the tolerance of ambiguity across cultures and eras.


Ambiguity and Narratology

Ambiguity and Narratology

Author: Simon Grund

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2024-10-21

Total Pages: 284

ISBN-13: 3111502619

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As a well-known phenomenon in everyday communication, ambiguity has increasingly become the subject of interdisciplinary research in recent years. However, within this context, it has been observed that words or expressions situated within the artistic framework of storytelling have not yet been at the centre of research interest. This book aims to bridge this gap by examining the phenomenon of ambiguity from the perspective of narratology – understood as a general theory of narration and narrative communication. The volume pursues two goals: Firstly, it seeks to demonstrate that the interdisciplinary combination of linguistics, cultural history and narratology enriches the field of literary studies significantly. This focus not only highlights how narrative techniques often rely on everyday language conventions, but also explores how various textual features, narrative devices, or even entire storylines can be affected by phenomena (or lead to experiences) of ambiguity. These ambiguities often serve as poetic strategies that are deliberately set in the communicative process of text and reader to achieve certain narrative goals. Secondly, ambiguity – as a characteristic of (narrative) communication – seves as a linking element across different fictional (and factual) text types and genres throughout time and cultures. The collected essays cover a wide range of narrative texts, from Roman comedy to funerary reliefs, from historiographical writings to utopian tales, from Goethe’s novels to contemporary fantasy literature. In its broad approach, the volume thus contributes to the project of diachronic narratology, which, like the research on ambiguity in literary and cultural studies, has recently gained increasing momentum. The combined consideration of ambiguity and narratology not only raises awareness of phenomena of ambiguity in narrative texts but also encourage reflection on the theoretical foundations of narrative, particularly on the methods and devices used to describe these ambiguous structures. Overall, the volume represents an exploration of a relatively unexplored interdisciplinary field, aiming to stimulate further research.


Eve Out of Her Ruins

Eve Out of Her Ruins

Author: Ananda Devi

Publisher: Deep Vellum Publishing

Published: 2016-08-22

Total Pages: 155

ISBN-13: 1941920411

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With brutal honesty and poetic urgency, Ananda Devi relates the tale of four young Mauritians trapped in their country's endless cycle of fear and violence. Eve out of Her Ruins is a heartbreaking look at the Mauritius tourists don't see, and an exploration of the construction of personhood at the margins of society.


Ambiguity Machines

Ambiguity Machines

Author: Vandana Singh

Publisher: Small Beer Press

Published: 2018-02-13

Total Pages: 305

ISBN-13: 1618731424

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Philip K. Dick Award finalist Praise for Vandana Singh: “A most promising and original young writer.”—Ursula K. Le Guin “Lovely! What a pleasure this book is . . . full of warmth, compassion, affection, high comedy and low.”—Molly Gloss, author of The Hearts of Horses “Vandana Singh’s radiant protagonist is a planet unto herself.”—Village Voice “Sweeping starscapes and daring cosmology that make Singh a worthy heir to Cordwainer Smith and Arthur C. Clarke.”—Chris Moriarty, Fantasy & Science Fiction “I’m looking forward to the collection . . . everything I’ve read has impressed me—the past and future visions in ‘Delhi’, the intensity of ‘Thirst’, the feeling of escape at the end of ‘The Tetrahedron’...” —Niall Harrison, Vector (British Science Fiction Association) “...the first writer of Indian origin to make a serious mark in the SF world ... she writes with such a beguiling touch of the strange.” —Nilanjana Roy, Business Standard In her first North American collection, Vandana Singh’s deep humanism interplays with her scientific background in stories that explore and celebrate this world and others and characters who are trying to make sense of the people they meet, what they see, and the challenges they face. An eleventh century poet wakes to find he is as an artificially intelligent companion on a starship. A woman of no account has the ability to look into the past. In "Requiem," a major new novella, a woman goes to Alaska to try and make sense of her aunt’s disappearance. Singh's stories have been performed on BBC radio, been finalists for the British SF Association award, selected for the Tiptree award honor list, and oft reprinted in Best of the Year anthologies. Her dives deep into the vast strangeness of the universe without and within and with her unblinking clear vision she explores the ways we move through space and time: together, yet always apart.


Ambiguity in Emily Brontë's Wuthering Heights

Ambiguity in Emily Brontë's Wuthering Heights

Author: Lisa Ebert

Publisher:

Published: 2020-10

Total Pages: 274

ISBN-13: 9783506704955

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Since its publication, Emily Brontë?s Wuthering Heights has given rise to an unusual plurality of interpretations, leading to the impression that the novel somehow resists interpretation. The author offers a new reading of the novel that takes this effect into account by investigating its reason: ambiguity is a thematic focal point and structural key element of the novel. This study is concerned with the ambiguity of Wuthering Heights which arises through a complex interplay of distinct but interdependent ambiguities of perception, narration, and the narrated world. In particular, it shows how specific ambiguous utterances (e.g. a clash of implicatures and presuppositions) are linked with each other and contribute to the global ambiguity of the text. In this way, not only the function of ambiguity for understanding Wuthering Heights is explored but also the function of Wuthering Heights for understanding ambiguity. The book should thus be of interest not only to Brontë scholars and Victorianists but also to literary scholars and linguists in general.


The Autobiography of Miss Jane Pittman

The Autobiography of Miss Jane Pittman

Author: Ernest J. Gaines

Publisher: Bantam

Published: 2012-10-24

Total Pages: 274

ISBN-13: 030783025X

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“Grand, robust, a rich and big novel.”—Alice Walker, The New York Times Book Review “In [Jane Pittman], Ernest Gaines has created a legendary figure. . . . Gaines’s novel brings to mind other great works: The Odyssey, for the way his heroine’s travels manage to summarize the American history of her race, and Huckleberry Finn, for the clarity of [Pittman’s] voice, for her rare capacity to sort through the mess of years and things to find the one true story of it all.”—Newsweek Miss Jane Pittman. She is one of the most unforgettable heroines in American fiction, a woman whose life has come to symbolize the struggle for freedom, dignity, and justice. Ernest J. Gaines’s now-classic novel—written as an autobiography—spans one hundred years of Miss Jane’s remarkable life, from her childhood as a slave on a Louisiana plantation to the Civil Rights era of the 1960s. It is a story of courage and survival, history, bigotry, and hope—as seen through the eyes of a woman who lived through it all. A historical tour de force, a triumph of fiction, Miss Jane’s eloquent narrative brings to life an important story of race in America—and stands as a landmark work for our time.


A History of Ambiguity

A History of Ambiguity

Author: Anthony Ossa-Richardson

Publisher: Princeton University Press

Published: 2021-12-14

Total Pages: 488

ISBN-13: 0691228442

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Ever since it was first published in 1930, William Empson’s Seven Types of Ambiguity has been perceived as a milestone in literary criticism—far from being an impediment to communication, ambiguity now seemed an index of poetic richness and expressive power. Little, however, has been written on the broader trajectory of Western thought about ambiguity before Empson; as a result, the nature of his innovation has been poorly understood. A History of Ambiguity remedies this omission. Starting with classical grammar and rhetoric, and moving on to moral theology, law, biblical exegesis, German philosophy, and literary criticism, Anthony Ossa-Richardson explores the many ways in which readers and theorists posited, denied, conceptualised, and argued over the existence of multiple meanings in texts between antiquity and the twentieth century. This process took on a variety of interconnected forms, from the Renaissance delight in the ‘elegance’ of ambiguities in Horace, through the extraordinary Catholic claim that Scripture could contain multiple literal—and not just allegorical—senses, to the theory of dramatic irony developed in the nineteenth century, a theory intertwined with discoveries of the double meanings in Greek tragedy. Such narratives are not merely of antiquarian interest: rather, they provide an insight into the foundations of modern criticism, revealing deep resonances between acts of interpretation in disparate eras and contexts. A History of Ambiguity lays bare the long tradition of efforts to liberate language, and even a poet’s intention, from the strictures of a single meaning.