Typical of Walter's poems are the vibrant splashes of color, the driving meters, and the whirlpool of lush images. Even more striking are his references to a shared, pan-national human culture and his highly developed word-play. --J.M. Daniel.
Magnificent Houses in Twentieth Century European Literature is a collection of great and imaginative essays that explore the theme of magnificent and aesthetically interesting houses in twentieth century European literature. It focuses especially on important works by Thomas Mann, Evelyn Waugh, J.R.R. Tolkien, and Siegfried Lenz, while also discussing other significant houses in modern European literature.
Glances at a poetics of error / Marc Porée -- Truth broken in prismatic hues : false prophets, ambiguous testimonies and poetic truth in the works of Robert Browning / François Crampe -- Take a closer look, or the system of error in Elizabeth Bishop's poetry / Christine Savinel -- That day I'll be in step with what escaped me: senses and the rhythm of error in the work of Seamus Heaney / Fanny Quément -- Error/mirror: how to generate fiction / Jean-Jacques Lecercle -- Has Mr. Utterson the right to err? / Jean-Pierre Naugrette -- Literature and the sensation of error / Catherine Lanone -- Henry James's 'Theatre of error and renouncement': Guy Domville and the novels of the experimental period / Dennis Tredy -- Errare Americanum est: on errors in American fiction / Isabelle Alfandary -- 'Language never errs': a Saussurean study of some mistakes in James Joyce's works / Sylvain Belluc -- The 'forced' choice of error: the question of error in Sorrentino's writing / Juliette Nicoloni -- Comic mistakes and intimate errors in Jonathan Coe's fiction / Laurent Mellet -- Jonathan Franzen's tragi-comedy of errors / Béatrice Pire.
Drawing on secondary works in archaeology, art history, folklore, ethnohistory, ethnography, and literature, the authors maintain that the mask is the central metaphor for the Mesoamerican concept of spiritual reality. Covers the long history of the use of the ritual mask by the peoples who created and developed the mythological tradition of Mesoamerica. Chapters: (1) the metaphor of the mask in Pre-Columbian Mesoamerica: the mask as the God, in ritual, and as metaphor; (II) metaphoric reflections of the cosmic order; and (III) the metaphor of the mask after the conquest: syncretism; the Pre-Columbian survivals; the syncretic compromise; and today's masks. Over 100 color and black-&-white photos.