Alsop and Stormer continually explore form colour function social and behavioural issues in their architecture. This monograph illustrates William Alsop's strength as an architect as well as an artist.
The 15th Passive and Low Energy Architecture (PLEA) conference considered the issues of sustainability and environmental friendliness at the city scale. Some 150 papers address the many and varied questions faced by architects and planners in reducing the impact on the environment of cities and their buildings.
This volume offers both an introduction to and an insight into key contemporary architects as well as giving a snapshot of the varied nature of architecture today. For each architect there are details of their life and work and illustrations of their most representative and iconic buildings.
The aesthetic movement that is the subject of this book gathers the objectives of designers who are constructing a new, complex and eclectic modernity. Maximalism has affected all disciplines and prompted them to merge with each other, even creating new projects.
London is a living architectural exhibition. This handy pocket guide: * aids navigation of the city’s greatest sights with a clear map-based format * features more than 260 buildings, with full notes and references * provides a superb full colour photographic record of the capital London's Contemporary Architecture is a practical and highly illustrated guide to the best modern buildings. Now in its fourth edition, this location-based book has been fully updated to cover the latest additions to the London skyline. This guide looks at London district by district. It identifies the buildings most worth visiting and offers essential information about the selected architectural gems. Packed with fascinating informative commentary and useful location maps, it also includes examples of London's finer older buildings that are found near to the key contemporary sites.
States have long been active in commissioning architecture, which affords one way to embed political projects within socially meaningful cultural forms. Such state-led architecture is often designed not only to house the activities of government, but also to reflect political-economic shifts and to chime with a variety of ‘internal’ and ‘external’ publics as part of wider discourses of belonging. From the vantage point of sociology, this context necessitates critical engagement with the role of leading architects’ designs and discourses relative to politicized identity projects. Focusing on the mobilization of architecture in periods of social change, The Sociology of Architecture uses critical sociological frameworks to assess the distinctive force added to political projects by architects and their work. Through engagement with a range of illustrative examples from contested contemporary and historical architectural projects, Paul Jones analyses some of the ways in which architects have sought to position their architecture relative to state projects and wider publics. A central objective of the book is to situate major architectural projects as a research agenda for sociologists and others interested in the relationship between power, culture, and collective identities. Adopting a critical approach to such questions, The Sociology of Architecture frames architecture as a field of contestation over symbolic and material resources, which in turn provides an entry point for questioning the inextricably political ways in which collective identities are constructed, maintained and mobilized.
It is some of the recent branches of science and biomathematics which provide a platform for a theory of aesthetics which transcends the subjective without undermining subjectivity." "Beauty is not arbitrary; there is a logic which informs its infinite variety of manifestations. It is not enough just to know what we like; the experience of beauty is that much richer when we know why we like it."--Jacket.
Focusing on Cardiff, the capital city of Wales in the UK, this book reflects on a contemporary small European city – its development, characteristics, and present struggles. Following a century in which it was dubbed the world’s ‘coaltropolis’, the decline in demand for coal meant that Cardiff endured an acute process of de-industrialisation. In seeking to address this and the related high levels of unemployment, it has experienced a process of cultural and social reinvention since the 1980s, and more significantly after Wales turned into a devolved nation in the late 1990s. Cardiff’s development from a small port into a capital city is examined and special attention is paid to the city’s cultural and social transformation in recent decades that has relied on the expansion of specific cultural clusters and tourism, which have been decisive for the transformation of its cultural identity and in shaping the city’s individual and collective memories and identities. Cardiff epitomises a quintessential case of urban reinvention, cultural regeneration, and social transformation, lying between two apparently contradictory paradigms: the need to respond to global demands and the effort to maintain its cultural distinctiveness and Welsh roots. Therefore, it sets the scene for a wider reflection on small cities, especially in the European setting, and what generally characterises these cities: their liveability, cultural creativity and community empowerment, as well as the fact that they facilitate mobility and social interaction. These worldly cities, the book contends, present interesting opportunities and challenges at the urban, economic, social and cultural levels that rely on more human-scale, people-based approaches to cities, thus defying existing urban hierarchies and categorisations.