"Before leaving England he placed his finger on a map of Egypt at the point now known to fame as Tel-El-Kebir, and said 'That is where I shall beat Arabi'". No Victorian was a greater hero for a longer period than Sir Garnet Wolseley (1833-1913). The leading British general of the second half of the nineteenth century, he personally took part in a significantly influenced every campaign between the Crimea and the Boer War. To Disraeli he was ‘Our Only General’, while to many soldiers and to the public at large he epitomised the virtues they most admired: exceptional personal bravery and an unshakeable belief in the virtues of the British Empire. The phrase ‘All Sir Garnet’ was a guarantee that everything was under control. Seen from another angle, Wolseley’s career reflects a number of weaknesses. To control a global empire Britain had a powerful navy but only a small army. Its ability to deploy a force of limited size throughout the world, almost always against untrained and underequipped native armies, gave the dangerous and ultimately disastrous illusion that Britain was as formidable by land as it was by sea.
Field Marshal Lord Wolseley was an eminent Victorian, one of a handful of late nineteenth-century military men whose reputation transcends his age. He served the British empire in Burma, India, China, the Crimea, Canada, Asante, Egypt, South Africa and the Sudan. He excelled as a regimental soldier, staff officer, army commander and reformer and eventually commander-in-chief. Yet there has been no substantial work on Wolseley for a generation and a reassessment based upon a fresh look at the man and his achievements is long overdue. That is why Stephen Mannings perceptive military biography, which sets Wolseley firmly in the context of his period and seeks to strip away the legend that developed during his lifetime, is so timely and important. Each of Wolseleys campaigns is examined in vivid detail and there are graphic descriptions of the major battles in which he took part, either as an officer or a general. His performance as a commander, from his great success during the expedition against the Asante to his failure to rescue Gordon from Khartoum, is critically assessed to see if he deserves his brilliant reputation. His efforts as an army reformer are examined too, in particular whether he could have done more to prepare Britain for war against the Boers. Stephen Mannings incisive account of Wolseleys career will be fascinating reading for anyone who is interested in the British army in the nineteenth century, in colonial warfare and in the exploits of one of Queen Victorias most admired generals.
Sargrenti is the name by which Major General Sir Garnet Wolseley, KCMG (1833 – 1913) is still known in the West African state of Ghana. Kofi Gyan, the 15-year old boy who spits in Sargrenti’s eye, is the nephew of the chief of Elmina, a town on the Atlantic coast of Ghana. On Christmas Day, 1871, Kofi’s godfather gives him a diary as a Christmas present and charges him with the task of keeping a personal record of the momentous events through which they are living. This novel is a transcription of Kofi’s diary. Elmina town has a long-standing relationship with the Castelo de São Jorge da Mina, known today as Elmina Castle, built by the Portuguese in 1482 and captured from them by the Dutch in 1637. In April, 1872, the Dutch hand over the unprofitable castle to the British. The people of Elmina have not been consulted and resist the change. On June 13, 1873 British forces punish them by bombarding the town and destroying it. (It has never been rebuilt. The flat open ground where it once stood serves as a constant reminder of the savage power of Imperial Britain.) After the destruction of Elmina, Kofi moves to his mother’s family home in nearby Cape Coast, seat of the British colonial government, where Sargrenti is preparing to march inland and attack the independent Asante state. There, Melton Prior, war artist of the London weekly news magazine, The Illustrated London News, offers Kofi a job as his assistant. This gives the lad an opportunity to observe at close quarters not only Prior but also the other war correspondents, Henry Morton Stanley and G. A. Henty. Kofi witnesses and experiences the trauma of a brutal war, a run-up to the formal colonialism which would be realized ten years later at the 1885 Berlin conference, where European powers drew lines on the map of Africa, dividing the territory up amongst themselves. On February 6, 1874, Sargrenti’s troops loot the palace of the Asante king, Kofi Karikari, and then blow up the stone building and set the city of Kumase on fire, razing it to the ground. Kofi’s story culminates in his angry response to the British auction of their loot in Cape Coast Castle. The loot includes the solid gold mask shown on the front cover of the novel. That mask continues to reside in the Wallace Collection in London. The invasion of Asante met with the enthusiastic approval of the British public, which elevated Wolseley to the status of a national hero. All the war correspondents and several military officers hastened to cash in on public sentiment by publishing books telling the story of their victory. In all of these, without exception, the coastal Fante feature as feckless and cowardly and the Asante as ruthless savages. The Boy who Spat in Sargrenti’s Eye tells the story of these momentous events for the first time from an African point of view. It is told with irony and with occasional flashes of humor. The novel is illustrated with scans of seventy engravings first published in The Illustrated London News. This book won a Burt Award for African Literature which included the donation by the Ghana Book Trust of 3000 copies to school libraries in Ghana. In 2016, at the annual conference of the African Literature Association held in Atlanta, GA, it received the ALA’s Creative Book of the Year Award. Manu Herbstein has done what the best cultural historians of Africa should do: that is, read between the lines of the colonial archives to imagine what it was like to be an African alive at that time, witnessing and interpreting events. Prof. Stephanie Newell, Yale University Manu Herbstein’s The Boy who Spat in Sargrenti’s Eye is a masterwork of historical fiction. Trevor R. Getz, Ph.D. San Francisco State University
TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
The definitive work on the subject, this Dictionary - available again in its eighth edition - gives a full account of slang and unconventional English over four centuries and will entertain and inform all language-lovers.
An “evocative and entertaining” biography of the nineteenth century circus performer who became a global phenomenon (Neil Harris, author of Humbug). When P. T. Barnum met twenty-five-inch-tall Charles Stratton at a Bridgeport, Connecticut hotel in 1843, one of the most important partnerships in entertainment history was born. With Barnum’s promotional skills and the miniature Stratton’s comedic talents, they charmed a Who’s Who of the nineteenth century, from Queen Victoria to Charles Dickens to Abraham Lincoln. Adored worldwide as “General Tom Thumb,” Stratton played to sold-out shows for almost forty years. From his days as a precocious child star to his tragic early death, Becoming Tom Thumb tells the full story of this iconic figure for the first time. It details his triumphs on the New York stage, his epic celebrity wedding, and his around-the-world tour, drawing on newly available primary sources and interviews. From the mansions of Paris to the deserts of Australia, Stratton’s unique brand of Yankee comedy not only earned him the accolades of millions of fans, it helped move little people out of the side show and into the limelight.
A catch phrase is a well-known, frequently-used phrase or saying that has `caught on' or become popular over along period of time. It is often witty or philosophical and this Dictionary gathers together over 7,000 such phrases.
