The controversial, bestselling book (37,500 hardcover copies sold) that helps define the debate about one of the most important and hotly contested issues facing America: immigration.
A wordless wonder of a picture book, reminiscent of David Wiesner and Chris Van Allsburg. An unforgettable subway ride in an alien world filled with truths of our own.
In this sweeping work, Elliott Young traces the pivotal century of Chinese migration to the Americas, beginning with the 1840s at the start of the "coolie" trade and ending during World War II. The Chinese came as laborers, streaming across borders legally and illegally and working jobs few others wanted, from constructing railroads in California to harvesting sugar cane in Cuba. Though nations were built in part from their labor, Young argues that they were the first group of migrants to bear the stigma of being "alien." Being neither black nor white and existing outside of the nineteenth century Western norms of sexuality and gender, the Chinese were viewed as permanent outsiders, culturally and legally. It was their presence that hastened the creation of immigration bureaucracies charged with capture, imprisonment, and deportation. This book is the first transnational history of Chinese migration to the Americas. By focusing on the fluidity and complexity of border crossings throughout the Western Hemisphere, Young shows us how Chinese migrants constructed alternative communities and identities through these transnational pathways.
A collection of 36 extraordinary stories originally told on stage, featuring work by writers, entertainers, thinkers, and community leaders. Spanning comedy and tragedy, Alien Nation brilliantly illuminates what it’s like to be an immigrant in America. America would not be America without its immigrants. This anthology, adapted from storytelling event “This Alien Nation,” captures firsthand the past and present of immigration in all its humor, pain, and weirdness. Contributors—some well-known, others regular (and fascinating) people—share moments from their lives, reminding us that immigration is not just a word dropped in the news (simplified to something you are “for” or “against”), but a world—rich with unique voices, perspectives, and experiences. Travel from the Central Park playground where “tattle-tales” among nannies inspire Christine Lewis’s activism to an Alexandrian garden half a century ago courtesy of writer André Aciman. Visit a refugee camp in Gaza as described by actress and comedian Maysoon Zayid, and follow Intersex activist Tatenda Ngwaru as she flees Zimbabwe with dreams of meeting Oprah. Witness efforts from comedian Aparna Nancherla's mother to make Aparna less shy, and Orange is the New Black's Laura Gómez makes an unlikely connection in a bed-and-breakfast. Compelling and inspirational, Alien Nation is a celebration of immigration and an exploration of culture shock, isolation and community, loneliness and hope, heartbreak and promise—it’s a poignant reminder of our shared humanity at a time we need it greatly, and a thoughtful, entertaining tribute to cultural diversity.
Alien Nation: a ground-breaking and thought-provoking television program that was part science fiction, part hard-hitting police drama, and that took on tough social issues. Now comes the breathtaking sequel to the cliffhanger that ended the show.
In a future closer than we know, hordes of extraterrestrial aliens have become familiar members of our society. Sykes, veteran L.A. policeman, and Jetson, alien, join forces to face a menace meaner than the meanest streets of their beat. Based on the screenplay by Rockne S. O'Bannon and James Cameron.
Challenging the accepted view of Gothic literature as subversive, shows how the conventions of the genre gave shape to a sense of English nationality during the century when British imperial power was attaining its greatest reach. Examines the work of Ann Radcliffe, De Quincey, Charlotte Bronte, Matthew Arnold, Wilkie Collins, and Bram Stoker. Annotation copyrighted by Book News, Inc., Portland, OR
Detective Matthew Sikes and his Newcomer partner, George Francisco, inquire into the disappearance of journalist Micky Cass, who had gone undercover as a Newcomer to expose a campaign of discrimination against the Tenctonese--Novelist.
Nativism - an intense opposition to immigrants and other non-native members of society - has been deeply imbedded in the American character from the earliest days of the nation. Dating from the Alien and Sedition controversy of 1798 to California's recent Proposition 187, nativism has long been a driving force in policy making, a particular irony in a country founded and populated by immigrants.
Alien-Nation and Repatriation examines the emergence and transformations in representations of national identity in Anglophone Caribbean literary traditions. Beginning with the short fiction of C. L. R. James, Alfred Mendes, and Albert Gomes, this study examines the extent to which gender, migration, and female sexuality frame the earliest representations of Caribbean identity in literature by West Indian authors. The study develops chronologically to examine the works of George Lamming, Paule Marshall, Erna Brodber, M. Nourbese Philip, and Elizabeth Nunez. Alien-Nation and Repatriation emphasizes the processes of alienation that marginalize women from discourses of citizenship and belonging, both of which are integral aspects of nationalist literature. This text also argues that for Caribbean women writers engaged in discourses on citizenship, 'return' is not focused on reclaiming the nation-state. Instead Saunders argues that closer examinations of discourses on Caribbean identity reveal the ways in which the female body has been disciplined, through form and content, into silence in colonial and post-colonial Caribbean literary traditions.