"The figure of the alien is at the heart of science fiction and has helped us to understand and explore interactions with other cultures and the possibilities of life beyond both the modern configuration of the nation-state and the natural order of life on earth. Alien Imaginations brings together canonical and contemporary works in the cinema and literature of science fiction, transnationalism, and globalization in order to examine the role of the alien as well as the realities of migration, labor, and life in the twenty-first century. The essays in this collection discuss films such as District 9, Avatar, and Code 46, as well as novels by H.G. Wells, Philip K. Dick, or Ray Bradbury. As we continue down the road to a global economy and culture, Alien Imaginations offers a critical reflection upon our 'imagined realities' while also turning to speculative fiction and cinema to provide us with examples of resistance, if not a utopian horizon"--
I Wish I Was An Alien This is the second instalment from the book series "I Wish I Was". This time we have a young child who loves aliens and wishes he could be an alien even if just for the day, to go on all the wonderful and exciting adventures he can go on. He has an exciting imagination and his one wish is to become an alien so that he can do all the cool things that aliens do like fly up to mars and hoover in the sun. This is the second children's book written by L.W. Abela with endearing text and bold, beautiful expressive illustrations. Children will love looking at the vibrant colours in this book. This is the perfect bedtime story. I Wish I Was An Alien: A funny yet touching tale reminding us how incredible and pure a child's imagination can be. Perfect for kids Aged 3-5.
This book explores how fin de siècle Britain and Britons displaced spatially-charged apprehensions about imperial decline, urban decay and unpoliced borders onto Jews from Eastern Europe migrating westwards. The myriad of representations of the ‘alien Jew’ that emerged were the product of, but also a catalyst for, a decisive moment in Britain’s legal history: the fight for the 1905 Aliens Act. Drawing upon a richly diverse collection of social and political commentary, including fiction, political testimony, ethnography, travel writing, journalism and cartography, this volume traces the shifting rhetoric around alien Jews as they journeyed from the Russian Pale of Settlement to London’s East End. By employing a unique and innovative reading of both the aliens debate and racialized discourse concerned with ‘the Jew’, Hannah Ewence demonstrates that ideas about ‘space’ and 'place’ critically informed how migrants were viewed; an argument which remains valid in today’s world.
The search for extraterrestrial intelligence (SETI) represents one of the most significant crossroads at which the assumptions and methods of scientific inquiry come into direct contact with—and in many cases conflict with—those of religion. Indeed, at the core of SETI is the same question that motivates many interested in religion: What is the place of humanity in the universe? Both scientists involved with SETI (and in other areas) and those interested in and dedicated to some religious traditions are engaged in contemplating these types of questions, even if their respective approaches and answers differ significantly. This book explores this intersection with a focus on three core points: 1) the relationship between science and religion as it is expressed within the framework of SETI research, 2) the underlying assumptions, many of which are tacitly based upon cultural values common in American society, that have shaped the ways in which SETI researchers have conceptualized the nature of their endeavor and represented ideas about the potential influence contact might have on human civilization, and 3) what sort of empirical evidence we might be able to access as a way of thinking about the social impact that contact with alien intelligence might have for humanity, from both religious and cultural perspectives. The book developed as a result of a course the author teaches at the University of Texas at Austin: Religion, Science, and the Search for Extraterrestrial Intelligence.
An indispensable resource, this book provides wide coverage on aliens in fiction and popular culture. The wide impact that the imagined alien has had upon Western culture has not been surveyed before; in many cases the essays in Aliens in Popular Culture are the first written on the topic. The book is a compendium of short entries on notable uses of aliens in popular culture across different media and platforms by almost 90 researchers in the field. It covers science fiction from the late nineteenth century into the twenty-first century, including books, films, television, comics, games, and even advertisements. Individual essays point to the ways in which the imagined alien can be seen as a reflection of different fears and tensions within society, above all in the Anglo-American world. The book additionally provides an overview for context and suggestions for further reading. All varieties of readers will find it to be a comprehensive reference about the extra-terrestrial in popular culture.
How and when does there come to be an "anthropology of the alien?” This set of essays, written for the eighth J. Lloyd Eaton Conference on Fantasy and Science Fiction, is concerned with the significance of that question. "[Anthropology] is the science that must designate the alien if it is to redefine a place for itself in the universe,” according to the Introduction. The idea of the alien is not new. In the Renaissance, Montaigne’s purpose in describing an alien encounter was excorporation--mankind was the "savage” because the artificial devices of nature controlled him. Shakespeare’s version of the alien encounter was incorporation; his character of Caliban is brought to the artificial, political world of man and incorporated into the body politic "The essays in this volume . . . show, in their general orientation, that the tribe of Shakespeare still, in literary studies at least, outnumbers that of Montaigne.” These essays show the interrelation of the excorporating possibilities to the internal soundings of the alien encounter within the human mind and form. This book is divided into three parts: "Searchings: The Quest for the Alien” includes "The Aliens in Our Mind,” by Larry Niven; "Effing the Ineffable,” by Gregory Benford; "Border Patrols,” by Michael Beehler; "Alien Aliens,” by Pascal Ducommun; and "Metamorphoses of the Dragon,” by George E. Slusser. "Sightings: The Aliens among Us” includes "Discriminating among Friends,” by John Huntington; "Sex, Superman, Sociobiology,” by Joseph D. Miller; "Cowboys and Telepaths,” by Eric S. Rabkin; "Robots,” by Noel Perrin; "Aliens in the Supermarket,” by George R. Guffey; and "Aliens 'R’ U.S.,” by Zoe Sofia. "Soundings: Man as the Alien” includes "H. G. Wells’ Familiar Aliens,” by John R. Reed; "Inspiration and Possession,” by Clayton Koelb; "Cybernauts in Cyberspace,” by David Porush; "The Human Alien,” by Leighton Brett Cooke; "From Astarte to Barbie,” by Frank McConnell; and "An Indication of Monsters;” by Colin Greenland.
How the tropes of science fiction infuse and inform avant-garde poetics and many other kindred arts This insightful, playful monograph from Golston does exactly what it advertises: modeling poetics based on how poetry (and some parallel artistic endeavors) has filtered through a century-plus of science fiction. This is not a book about science fiction in and of itself, but it is a book about the resonances of science-fiction tropes and ideas in poetic language. The germ of Golston's project is a throwaway line in Robert Smithson's Entropy and the New Monuments about how cinema supplanted nature as inspiration for many of his fellow artists: "The movies give a ritual pattern to the lives of many artists, and this induces a kind of 'low budget' mysticism, which keeps them in a perpetual trance." Golston charts how the demotic appeal of sci-fi, much like that of the B-movie, cross-pollinated into poetry and other branches of the avant garde. Golston creates what he calls a "regular Rube Goldberg machine" of a critical apparatus, drawing on Walter Benjamin, Roman Jakobson, and Gilles Deleuze. He starts by acknowledging that, per the important work of Darko Suvin to situate science fiction critically, the genre is premised on cognitive estrangement. But he is not interested in the specific nuts and bolts of science fiction as it exists but rather how science fiction has created a model not only for other poets but also for musicians and landscape artists. Golston's critical lens moves around quite a bit, but he begins with familiar enough subjects: Edgar Rice Burroughs, Mina Loy, William S. Burroughs. From there he moves into more "alien" terrain: Ed Dorn's long poem Gunslinger, the discombobulated work of Clark Coolidge. Sun Ra, Ornette Coleman, and Jimi Hendrix all come under consideration. The result of Golston's restless, rich scholarship is the first substantial monograph on science fiction and avant-garde poetics, using Russian Formalism, Frankfurt School dialectics, and Deleuzian theory to show how the avant-garde inherently follows the parameters of sci fi, in both theme and form.
Imagining Outer Space makes a captivating advance into the cultural history of outer space and extraterrestrial life in the European imagination. How was outer space conceived and communicated? What promises of interplanetary expansion and cosmic colonization propelled the project of human spaceflight to the forefront of twentieth-century modernity? In what way has West-European astroculture been affected by the continuous exploration of outer space? Tracing the thriving interest in spatiality to early attempts at exploring imaginary worlds beyond our own, the book analyzes contact points between science and fiction from a transdisciplinary perspective and examines sites and situations where utopian images and futuristic technologies contributed to the omnipresence of fantasmatic thought. Bringing together state-of-the-art work in this emerging field of historical research, the volume breaks new ground in the historicization of the Space Age.
Studies on foreignness have increased substantially over the last two decades in response to what has been dubbed the migration/refugee crisis. Yet, they have focused on specific areas such as regions, periods, ethnic groups, and authors. Predicated on the belief that this so-called “twenty-first century problem” is in fact as old as humanity itself, this book analyzes cases based on both long-term historical perspectives and current occurrences from around the world. Bringing together an international group of scholars from Australia, Asia, Europe, and North America, it examines a variety of examples and strategies, mostly from world literatures, ranging from Spain’s failed experience with consolidation as a nation-state-type entity during the Golden Age of Castile, to Shakespeare’s rhetorical subversion of the language of fear and hate, to Mario Rigoni Stern’s random status at the unpredictable Italian-Austrian borders, to Lawrence Durrell’s ambivalent approach to noticing the physically visible other, to the French government’s ongoing criminalization of hospitality, to Sandra Cisneros’s attempt at straddling two countries and cultures while belonging to neither one, to the illusive legal limbo of the DREAMers in the United States. We are not born foreigners; we are made. The purpose of the book is to assert, as denoted by the title, this fundamental premise, that is, the making of strangers is the result of a deliberate and purposeful act that has social, political, and linguistic implications. The ultimate expression of this phenomenon is the compulsive labeling of people along artificial categories such as race, gender, religion, birthplace, or nationality. A corollary purpose of the book is to help shed light worldwide on one of the most pressing issues facing the world today: the place of “the other” amid fear-mongering and unabashedly contemptuous acts and rhetoric toward immigrants, refugees and all those excluded within because of race, gender, national origin, religion and ethnicity. As illustrated by the examples examined in this book, humans have certainly evolved in many areas; dealing with the “other” might not have been one of those. It is hoped that the book encourages reflection on how the arts, and especially world literatures, can help us navigate and think through the ever-present crisis: the place of the “stranger” among us.
The subject of aliens is not a new one and has been around for a really long time now. We talk about it all the time. News and articles about the possibility of alien visits or attacks are everywhere. Perhaps this has become so common that people have started to shrug it off, thinking this is just one of those science fiction topics that media loves to sensationalize. If all of a sudden we have an alien encounter one day, are we psychologically prepared for this? Like many of you even I think we are not. In fact we might be in a state of shock as they might turn out to be completely different from any of our imaginations about them. But if we are prepared for anything, then such an alien encounter might not be shocking. The objective of this book is to prepare its readers psychologically to deal with the subject of aliens and the first alien encounter. In other words aiming to prepare humanity with the cope of a possible shock upon an impending alien encounter. There are a lot of mysteries in this world that might have some paranormal behavior associated to them, but they are kind of scattered and appear here and there. In other words although these mysteries have been documented well enough by a lot of people from time to time, but they do not appear related. This book attempts to bring together these mysteries and relate them with one possible explanation that is common, the alien connection. Also it is trying to bring this subject out from the confines of a circle of scientists, subject experts and enthusiasts to a common person. So this book is for a common man by a common man.
