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Author: Alexander Alberro
Publisher: University of Chicago Press
Published: 2017-05-25
Total Pages: 320
ISBN-13: 022639395X
DOWNLOAD EBOOKIntroduction: spectatorship after abstract art -- Concrete art, and invention -- Time-objects -- Subjective instability -- The instituting subject -- Conclusion
Author: Ariel Jiménez
Publisher: The Museum of Modern Art
Published: 2008
Total Pages: 396
ISBN-13: 9780870707100
DOWNLOAD EBOOKAlfredo Boulton (1908-1995) was Venezuela's foremost cultural and aesthetic observer of the 20th century. An art critic, cultural historian and photographer, he was highly influential in the development of modernist art and discourse, and of cultural self-definition, in Venezuela and the surrounding region. Boulton's diverse contributions serve as a point of departure in this remarkable selection of art-historical and critical texts by many of the prominent Latin American thinkers of this period, figures whose works and ideas helped to shape the face of contemporary Venezuela. Through the manifestos, correspondences and critical writings of these notable voices of the day, this anthology traces Venezuela's struggle toward modernity and toward a successful, autonomous identify on the international cultural scene. In addition to historical writings, the volume includes newly written critical and explanatory essays by contemporary scholars, providing context and insight to these significant texts that have become constant reference points for generations of artists, critics and art historians.
Author: Lisa Blackmore
Publisher: University of Pittsburgh Press
Published: 2017-07-22
Total Pages: 264
ISBN-13: 0822982366
DOWNLOAD EBOOKIn cultural history, the 1950s in Venezuela are commonly celebrated as a golden age of modernity, realized by a booming oil economy, dazzling modernist architecture, and nationwide modernization projects. But this is only half the story. In this path-breaking study, Lisa Blackmore reframes the concept of modernity as a complex cultural formation in which modern aesthetics became deeply entangled with authoritarian politics. Drawing on extensive archival research and presenting a wealth of previously unpublished visual materials, Blackmore revisits the decade-long dictatorship to unearth the spectacles of progress that offset repression and censorship. Analyses of a wide range of case studies—from housing projects to agricultural colonies, urban monuments to official exhibitions, and carnival processions to consumerculture—reveal the manifold apparatuses that mythologized visionary leadership, advocated technocratic development, and presented military rule as the only route to progress. Offering a sharp corrective to depoliticized accounts of the period, Spectacular Modernity instead exposes how Venezuelans were promised a radically transformed landscape in exchange for their democratic freedoms.
Author: Reuben Zahler
Publisher: University of Arizona Press
Published: 2013-12-19
Total Pages: 352
ISBN-13: 0816599084
DOWNLOAD EBOOKMurder, street brawls, marital squabbles, infidelity, official corruption, public insults, and rebellion are just a few of the social layers Reuben Zahler investigates as he studies the dramatic shifts in Venezuela as it transformed from a Spanish colony to a modern republic. His book Ambitious Rebels illuminates the enormous changes in honor, law, and political culture that occurred and how ordinary men and women promoted or rejected those changes. In a highly engaging style, Zahler examines gender and class against the backdrop of Venezuelan institutions and culture during the late colonial period through post-independence (known as the “middle period”). His fine-grained analysis shows that liberal ideals permeated the elite and popular classes to a substantial degree while Venezuelan institutions enjoyed impressive levels of success. Showing remarkable ambition, Venezuela’s leaders aspired to transform a colony that adhered to the king, the church, and tradition into a liberal republic with minimal state intervention, a capitalistic economy, freedom of expression and religion, and an elected, representative government. Subtle but surprisingly profound changes of a liberal nature occurred, as evidenced by evolving standards of honor, appropriate gender roles, class and race relations, official conduct, courtroom evidence, press coverage, economic behavior, and church-state relations. This analysis of the philosophy of the elites and the daily lives of common men and women reveals in particular the unwritten, unofficial norms that lacked legal sanction but still greatly affected political structures. Relying on extensive archival resources, Zahler focuses on Venezuela but provides a broader perspective on Latin American history. His examination provides a comprehensive look at intellectual exchange across the Atlantic, comparative conditions throughout the Americas, and the tension between traditional norms and new liberal standards in a postcolonial society.
Author: John Stephen Morrill
Publisher: Oxford University Press
Published: 2004-07-15
Total Pages: 236
ISBN-13: 9780197263129
DOWNLOAD EBOOKThis is an intriguing collection of reflections on the stability and instability of the ways in which we organize knowledge, and on how far the academic community can and should be involved in the shaping of public policy. To mark its centenary in 2002 the British Academy, the national academy for the humanities and social sciences, organized a programme of lectures on the current state of various disciplines and their future prospects. The authors of the eight essays and four commentaries are drawn from Britain, Europe and the United States.
Author: Jenni Maria Lehtinen
Publisher: MHRA
Published: 2013
Total Pages: 192
ISBN-13: 1907322795
DOWNLOAD EBOOKVenezuela's preeminent educator, politician, and most important author Rómulo Gallegos (1884-1969) left a lasting imprint on how Venezuelans conceive of their national history and identity. Jenni Lehtinen offers the first full-length study of Gallegos's later Venezuelan novels, 'Canaima' (1935), 'Pobre negro' (1937), and 'Sobre la misma tierra' (1943), which have been up to now eclipsed by the critical attention devoted to 'Doña Bárbara' (1929). By combining close-readings organized around national allegory and narrative structure with discussions about Gallegos's socio-political essays, the study reveals previously ignored, radical developments in the Venezuelan author's ideologies. Through her bold reinterpretation of the later novels, Lehtinen reveals Gallegos as a far more innovative writer than has been traditionally appreciated. Jenni Lehtinen completed her doctoral studies in Spanish American literature at Wolfson College, University of Oxford, where she has held various teaching posts and lectured on Nation and Narration.
Author: Cristina Soriano
Publisher: University of New Mexico Press
Published: 2018
Total Pages: 336
ISBN-13: 0826359868
DOWNLOAD EBOOKWinner of the 2019 Bolton-Johnson Prize from the Conference on Latin American History This is a book about the links between politics and literacy, and about how radical ideas spread in a world without printing presses. In the late eighteenth and early nineteenth centuries, Spanish colonial governments tried to keep revolution out of their provinces. But, as Cristina Soriano shows, hand-copied samizdat materials from the Caribbean flooded the cities and ports of Venezuela, hundreds of foreigners shared news of the French and Haitian revolutions with locals, and Venezuelans of diverse social backgrounds met to read hard-to-come-by texts and to discuss the ideas they expounded. These networks efficiently spread antimonarchical propaganda and abolitionist and egalitarian ideas, allowing Venezuelans to participate in an incipient yet vibrant public sphere and to contemplate new political scenarios. This book offers an in-depth analysis of one of the crucial processes that allowed Venezuela to become one of the first regions in Spanish America to declare independence from Iberia and turn into an influential force for South American independence.
Author: Harold A. Trinkunas
Publisher: Univ of North Carolina Press
Published: 2011-01-20
Total Pages: 312
ISBN-13: 0807877034
DOWNLOAD EBOOKUnlike most other emerging South American democracies, Venezuela has not succumbed to a successful military coup d'etat during four decades of democratic rule. What drives armed forces to follow the orders of elected leaders? And how do emerging democracies gain that control over their military establishments? Harold Trinkunas answers these questions in an examination of Venezuela's transition to democracy following military rule and its attempts to institutionalize civilian control of the military over the past sixty years, a period that included three regime changes. Trinkunas first focuses on the strategic choices democratizers make about the military and how these affect the internal civil-military balance of power in a new regime. He then analyzes a regime's capacity to institutionalize civilian control, looking specifically at Venezuela's failures and successes in this arena during three periods of intense change: the October revolution (1945-48), the Pact of Punto Fijo period (1958-98), and the Fifth Republic under President Hugo Chavez (1998 to the present). Placing Venezuela in comparative perspective with Argentina, Chile, and Spain, Trinkunas identifies the bureaucratic mechanisms democracies need in order to sustain civilian authority over the armed forces.
Author: Maureen G. Shanahan
Publisher: University Press of Florida
Published: 2016-07-06
Total Pages: 305
ISBN-13: 0813055970
DOWNLOAD EBOOKOne of Latin America's most famous historical figures, Simón Bolívar has become a mythic symbol for many nations, empires, and revolutions, used to support wildly diverse--sometimes opposite--ideas. From colonial Cuba to Nazi-occupied France to Soviet Slovenia, the image of "El Libertador" has served a range of political and cultural purposes. Here, an array of international and interdisciplinary scholars shows how Bolívar has appeared over the last two centuries in paintings, fiction, poetry, music, film, festivals, dance traditions, city planning, and even reliquary adoration. Whether exalted, reimagined, or fragmented, Bolívar's body has taken on a range of different meanings to represent the politics and poetics of today's national bodies. Through critical approaches to diverse cultural Bolivarianisms, this collection demonstrates the capacity of the arts and humanities to challenge and reinvent hegemonic narratives and thus vital dimensions of democracy.
Author: María C. Gaztambide
Publisher: University Press of Florida
Published: 2018-12-19
Total Pages: 257
ISBN-13: 1683400763
DOWNLOAD EBOOKThe work of the 1960s Caracas-based art collective El Techo de la Ballena (The Roof of the Whale) was called “subversive” and “art terrorism” and seen as a threat to Venezuela’s national image as an emerging industrial power. This volume details the historical and social contexts that shaped the collective, exploring how its anti-art aesthetic highlighted the shortcomings of the country’s newfound oil wealth and transition to democracy. Every element used by these radicalized artists in their avant-garde exhibitions—from Informalist canvases to torn book pages and kitsch objects to cattle carcasses and scatological content—issued a critique of Venezuela’s petroleum-driven capitalism and the profound inequality left in its wake. Embracing chaos, the artists contradicted the country’s politically sanctioned view of modernity, which championed constant progress in the visual arts and favored geometric abstraction and kinetic art. El Techo’s was a backward—a retrograde—modernity, argues María Gaztambide, discussing how its artists turned against the norm by incorporating anachronistic postures, primeval symbols, colonial Latin American print culture, and “guerilla” art tactics. Artists in this group tested limits to provoke what they saw as a numbed local public through shocking displays of criticism and frustration. Today, as Venezuela undergoes another dramatic series of sociopolitical changes, El Techo de la Ballena serves as a reminder of the power of art in resisting the status quo and effecting change in society.
