"Exhibition Dates: Addison Gallery of Americon Art, Phillips Academy, Andover, Massachusetts, April 25-July 31, 2015. Crystal Bridges Museum of American Art, Bentonville, Arkansas, October 10, 2015-January 4, 2016."
Sarah Burns tells the story of artists in American society during a period of critical transition from Victorian to modern values, examining how culture shaped the artists and how artists shaped their culture. Focusing on such important painters as James McNeill Whistler, William Merritt Chase, Cecilia Beaux, Winslow Homer, and Albert Pinkham Ryder, she investigates how artists reacted to the growing power of the media, to an expanding consumer society, to the need for a specifically American artist type, and to the problem of gender.
En bog om efterretningstjenesten, dens betydning for samfundet og udformning af den nationale og internationale sikkerhedspolitik, om efterretningstjenestens natur, etik og psykologi samt dens anvendelse ved udformning af strategi, våbenudvikling og -kontrol.
This volume presents a collection of writing by the foremost art critic of the modern movement as it emerged in the United States after the 1913 Armory Show. McBride wrote for The New York Sun and the literary journal The Dial.
"Alfred Maurer (1868-1932) was a prolific artist who explored numerous early twentieth century styles. Among the first American artists who went to Paris in the early 1900s to experience the new artistic movements arising there, he was particularly influenced by Henri Matisse's bold, dramatic use of color and was one of the first Americans to embrace fauvism in his art." "From his early traditional portraits to his fauvist still lifes and landscapes to his striking, eccentric nude figures. Maurer's diversity of style and subject is remarkable. Featuring a lucid, probing essay by Daphne Anderson Deeds, this lavishly illustrated book draws from the single largest public collection of Maurer's paintings and works on paper to reveal the impressive range of this significant artist's work."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting. With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.