Albert Gleizes

Albert Gleizes

Author: Peter Brooke

Publisher: Yale University Press

Published: 2001-01-01

Total Pages: 354

ISBN-13: 9780300089646

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Gleizes was also one of the few French painters of the 1920s to recognise nonrepresentational painting as the logical development of Cubism." "His work as a painter is accompanied by an immense body of theoretical work, addressing the question posed so starkly by Duchamp and Picabia: why should we paint? What is the justification for the work of art? Over his life he touches on many spheres of human activity - religious, political and cultural history, physics and the philosophy of work.".


European Painting and Sculpture, Ca. 1770-1937, in the Museum of Art, Rhode Island School of Design

European Painting and Sculpture, Ca. 1770-1937, in the Museum of Art, Rhode Island School of Design

Author: Rhode Island School of Design. Museum of Art

Publisher: University of Pennsylvania Press

Published: 1991

Total Pages: 296

ISBN-13: 0911517553

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This documents the distinguished collection of European art—from the late eighteenth through the early twentieth centuries—that forms a significant part of the collections belonging to the Museum of Art, Rhode Island School of Design. This book includes stunning canvases by Gericault, Delacroix, Degas, Manet, Monet, Cezanne, Renoir, Picasso, and Matisse. What makes the collection so noteworthy are the extraordinary works by unknown artists and the unknown works by known artists.


Movement, Manifesto, Melee

Movement, Manifesto, Melee

Author: Milton A. Cohen

Publisher: Lexington Books

Published: 2004-09-14

Total Pages: 385

ISBN-13: 0739157922

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The years before World War I were a fertile period for artists in Europe and the United States who were challenging aesthetic convention in music, writing, and the visual arts. These early pioneers of modernism sometimes preferred to work alone, but just as often they were associated with groups whose boundaries were permeable and freely changing. While these individual groups_including the Futurists, Imagists, Blue Rider, and the Second Vienna School_have been thoroughly studied, scholars of the period have often neglected the formative and pervasive interactions of these groups across geographic and artistic boundaries. Providing a historical taxonomy of this influential milieu, Milton Cohen demonstrates how these groups were largely responsible for the artistic innovation and nearly all the avant-garde agitation and major events of these years. With concluding appendices intended for scholars and specialists, this engagingly written book will be useful not only for classroom use and scholarly research, but will appeal to anyone interested in reading a fresh approach to the history of early modernism.


Biocentrism and Modernism

Biocentrism and Modernism

Author: OliverA.I. Botar

Publisher: Routledge

Published: 2017-07-05

Total Pages: 287

ISBN-13: 135157373X

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Examining the complex intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to the development of Modernism. While many historians have framed this movement as being mechanistic and "against" nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. The essays in Biocentrism and Modernism contend that it is no accident that Modernism arose at the same time as the field of modern biology. From nineteenth-century discoveries, to the emergence of the current environmentalist movement during the 1960s, artists, architects, and urban planners have responded to currents in the scientific world. Sections of the volume treat both philosophic worldviews and their applications in theory, historiography, and urban design. This collection also features specific case studies of individual artists, including Raymond Duchamp-Villon, Paul Klee, Wassily Kandinsky, and Jackson Pollock.


Decentring the Avant-Garde

Decentring the Avant-Garde

Author: Per Bäckström

Publisher: Rodopi

Published: 2014-01-15

Total Pages: 328

ISBN-13: 9401210373

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Decentring the Avant-Garde presents a collection of articles dealing with the topography of the avant-garde. The focus is on different responses to avant-garde aesthetics in regions traditionally depicted as cultural, geographical and linguistic peripheries. Avant-garde activities in the periphery have to date mostly been described in terms of a passive reception of new artistic trends and currents originating in cultural centres such as Paris or Berlin. Contesting this traditional view, Decentring the Avant-Garde highlights the importance of analysing the avant-garde in the periphery in terms of an active appropriation of avant-garde aesthetics within different cultural, ideological and historical settings. A broad collection of case studies discusses the activities of movements and artists in various regions in Europe and beyond. The result is a new topographical model of the international avant-garde and its cultural practices.


Frameworks, Artworks, Place

Frameworks, Artworks, Place

Author: Tim Mehigan

Publisher: BRILL

Published: 2008-01-01

Total Pages: 260

ISBN-13: 9401205566

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How space – mental, emotional, visual – is implicated in our constructions of reality and our art is the focus of this set of innovative essays. For the first time art theorists and historians, visual artists, literary critics and philosophers have come together to assay the problem of space both within conventional discipline boundaries and across them. What emerges is a stimulating discussion of the problem of embodied space and situated consciousness that will be of interest to the general reader as well as specialists working in the fields of art history and art practice, literature, philosophy and education.