A child's worst nightmare is to be abandoned by those who care for him or her. That is what happened to Evie and Billy McNeil on Evie's sixth birthday. The two frightened children are taken to Pinetree Orphanage where they learn to survive among other children who share abandonment, abuse and neglect. How can these children survive in this often hostile new world and how can they become happy, healthy productive adults? Can gentle Carrie Lovell's love outweigh the dreaded Etta Jean Spyder and her paddle and sharp tongue? The characters in this book are the children, the parents, orphanage personnel, case workers, doctors, lawyers, teachers and others...
From the pages of history and the personal accounts of those who endured the Battle of Franklin, Tamera Alexander weaves real-life love letters into a story of unlikely romance first kindled amid the shadows of the Civil War. “Beautifully-drawn characters and rich history in With This Pledge work seamlessly to demonstrate that Christ’s love and romantic love can triumph even in our darkest moments.” —Lynn Austin, bestselling author Elizabeth “Lizzie” Clouston’s quietly held principles oppose those of the Southern Cause—but when forty thousand soldiers converge on the fields of Franklin, Tennessee, the war demands an answer. The Carnton home where she is governess is converted into a Confederate field hospital, and Lizzie is called upon to assist the military doctor with surgeries that determine life or death. Faced with the unimaginable, she must summon fortitude, even as she fears for the life of Towny, her fiancé and lifelong friend. As a young soldier lies dying in Lizzie’s arms, she vows to relay his final words to his mother, but knows little more than the boy’s first name. That same night, decorated Mississippi sharpshooter Captain Roland Ward Jones extracts a different promise from Lizzie: that she intervene should the surgeon decide to amputate his leg. Lizzie is nothing if not a woman of her word, earning the soldiers’ respect as she tends to the wounded within Carnton’s walls. None is more admiring than Captain Jones, who doesn’t realize she is pledged to another. But as Lizzie’s heart softens toward the Confederate captain, she discovers that his moral ground is at odds with her own. Now torn between love, principles, and promises made, she struggles to be true to her heart while standing for what she knows is right—no matter the cost. From the pages of history and the personal accounts of those who endured the Battle of Franklin, Tamera Alexander weaves the real-life love letters between Captain Roland Ward Jones and Miss Elizabeth Clouston into a story of unlikely romance first kindled amid the shadows of war. “Alexander’s With This Pledge dusts off the archives and breathes life into the Battle of Franklin: believed to be the most brutal battle in the Civil War. Through Tamera Alexander’s indomitable heroine, Lizzie Clouston, who transforms from governess to nurse out of necessity, we find ourselves contemplating our own inner strength should we also be faced with the unthinkable. Tamera Alexander’s With This Pledge is not only historical fiction at its finest, but its most compelling.” —Jolina Petersheim, bestselling author of How the Light Gets In “Tamera Alexander has once again given readers a beautifully written story full of strong characters and tender romance—all while staying true to the actual history of the people and events she describes. From the horrors of war to the hope of blossoming love, Lizzie and Roland’s story will live in my heart for a very long time.” —Anne Mateer, author of Playing by Heart
Monica Phillips is the leading lady of New Horizon Ministries. She's beautiful, confident and has the perfect figure. Women want to be her, and men want to be with her. But she learned to care nothing about others' opinions - the only thing that counted was her man, Pastor Xavier Phillips. Until now. Lady Phillips is tired of competing with the congregation for her man's attention. She decides to give in to her own desires and seek pleasure wherever she can find it. When she falls for new congregation member and NBA basketball star Bryce Sinclair, will she risk it all for passion?
It's about keeping the faith. Growing up poor in 1953 in the Appalachian Mountains of West Virginia doesn't bother Lydia Hawkins. She treasures her tight-knit family. There's her loving mama, now widowed; her whip-smart younger brother BJ, who has cystic fibrosis; and wise old Gran. But everything falls apart after Gran and BJ die and Mama is jailed unjustly. Suddenly Lydia has lost all those dearest to her. Moving to a coal camp to live with her uncle William and aunt Ethel Mae only makes Lydia feel more alone. She is ridiculed at her new school for her outgrown homemade clothes and the way she talks, and for what the kids believe her mama did. And to make matters worse, she discovers that her uncle has been keeping a family secret—about her. If only Lydia, with her resilient spirit and determination, could find a way to clear her mother's name. . . .
During the Harlem Renaissance, several literary periodicals encouraged African American women to submit poetry, short stories, essays, or other literary contributions for publication. Opportunity magazine was one such periodical that made immeasurable contributions to the careers of many female African American writers. This anthology collects all of the short stories published in Opportunity by African American women during the magazine's 25 years of publication. It includes works by both well-known authors (Zora Neale Hurston, Marita Bonner) and more obscure writers. There is also an additional African tale translated by Violette de Mazia, a white woman known for promoting African American art. It also includes an introduction which contextualizes the short stories historically in light of the overall development of African American writing.
With contributions by Barbara Banks, Sheila Bock, Susan Eleuterio, Jillian Gould, Phillis Humphries, Michael Owen Jones, Alicia Kristen, William G. Lockwood, Yvonne R. Lockwood, Lucy M. Long, LuAnne Roth, Rachelle H. Saltzman, Charlene Smith, Annie Tucker, and Diane Tye Comfort Food explores this concept with examples taken from Atlantic Canadians, Indonesians, the English in Britain, and various ethnic, regional, and religious populations as well as rural and urban residents in the United States. This volume includes studies of particular edibles and the ways in which they comfort or in some instances cause discomfort. The contributors focus on items ranging from bologna to chocolate, including sweet and savory puddings, fried bread with an egg in the center, dairy products, fried rice, cafeteria fare, sugary fried dough, soul food, and others. Several essays consider comfort food in the context of cookbooks, films, blogs, literature, marketing, and tourism. Of course what heartens one person might put off another, so the collection also includes takes on victuals that prove problematic. All this fare is then related to identity, family, community, nationality, ethnicity, class, sense of place, tradition, stress, health, discomfort, guilt, betrayal, and loss, contributing to and deepening our understanding of comfort food. This book offers a foundation for further appreciation of comfort food. As a subject of study, the comfort food is relevant to a number of disciplines, most obviously food studies, folkloristics, and anthropology, but also American studies, cultural studies, global and international studies, tourism, marketing, and public health.
Regardless of his own sexual orientation, L. Frank Baum’s fictions revel in queer, trans, and other transgressive themes. Baum’s life in the late 1800s and early 1900s coincided with the rise of sexology in the Western world, as a cascade of studies heightened awareness of the complexity of human sexuality. His years of productivity also coincided with the rise of children’s literature as a unique field of artistic creation. Best known for his Oz series, Baum produced a staggering number of children’s and juvenile book series under male and female pseudonyms, including the Boy Fortune Hunters series, the Aunt Jane’s Nieces series, and the Mary Louise series, along with many miscellaneous tales for young readers. Baum envisioned his fantasy works as progressive fictions, aspiring to create in the Oz series “a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nightmares are left out.” In line with these progressive aspirations, his works are often sexually progressive as well, with surprisingly queer and trans touches that reject the standard fairy-tale narrative path toward love and marriage. From Ozma of Oz’s backstory as a boy named Tip to the genderless character Chick the Cherub, from the homosocial adventures of his Boy Fortune Hunters to the determined rejection of romance for Aunt Jane’s Nieces, Queer Oz: L. Frank Baum's Trans Tales and Other Astounding Adventures in Sex and Gender shows how Baum utilized the freedoms of children’s literature, in its carnivalesque celebration of a world turned upside-down, to reimagine the meanings of gender and sexuality in early twentieth-century America and to re-envision them for the future.
Religious gaffes are served up in a family-friendly style in this riotous collection of bona fide stories and puns related to traditions of worship. Amusing anecdotes of comical church incidents are featured, as are examples of Christians who have been given the boot for poorly chosen words uttered in front of their congregations. A section on cemeteries looks at bizarre, witty, and often brazenly frank tombstone inscriptions such as "He was so cold natured / Warm in life he was not. / Now it is believed he's very warm, / In a place where it's very hot!"—and, if possible, the people and stories behind them.
