"A series of verses, in English and Spanish, about the movement and moods of water around the world and the ways in which water affects a variety of landscapes and cultures."--Provided by publisher.
This book addresses the technical, health, regulatory, and social aspects of ground water withdrawals, water use, and water quality in the metropolitan area of Mexico City, and makes recommendations to improve the balance of water supply, water demand, and water conservation. The study came about through a nongovernmental partnership between the U.S. National Academy of Sciences' National Research Council and the Mexican Academies of Science and Engineering. The book will contain a Spanish-language translation of the complete English text.
From a tribute to Frida Kahlo to advice from an Aztec goddess, award-winning Chicana poet Pat Mora explores the intimate and sacred spaces of the borderlands. "Ms. Mora's poems are poudly bilingual, an eloquent answer to purists who refuse to see language as something that lives and changes".
Whilst living in the Balearic island of Ibiza, an island renowned for the healing properties of its water, world-renowned photographer, Hugh Arnold, was moved to follow a new direction in his work. Inspired by the limitless possibilities of the three-dimensional, weightless medium of underwater photography, he embarked upon a 12-month adventure that would see him travel the world to explore man’s relationship with the sea. Arnold began his journey in Australia, but cold Antarctic currents, poor visibility, box jellyfish and sharks all conspired to push Arnold further afield to Fiji where he shot until storms made diving impossible. Then, lured by the Tuna rearing pens in Gozo, an island off Malta, he travelled there to complete his mission. The result is this luxurious 368-page book, which takes us on a journey to explore the ocean, and ourselves, in a totally new way. It is an evocative and breath-taking volume that reflects the ocean as a feminine element, captured in Arnold’s stunning images of underwater nudes. Immersed in the playfulness and sensuality of water, the swimmers, Nika Lauriatis and Polina Barbasova, express the cycles of Woman through fluidity of movement: the womb’s embrace, growth, discovery, sexuality, and of course, beauty. Arnold’s work provokes and invokes. It arouses reflection and understanding of man’s connection to a greater and larger world.
Yanga, a young African prince, was preparing to rule his Senegambian kingdom when Portuguese slavers captured and condemned him to a life of toil and torture in colonial Mexico. But Yanga never gave up, leading an uprising of self-liberated Africans and establishing the first free territory in the Americas. Based on a true story, this action-packed work of historical fiction recalls Yanga's incredible journey from warrior prince to enslaved plantation worker to freedom fighter. Meet Mexico's Greatest African Hero, the man brought the Spanish Imperial forces to its knees.
A wide-ranging consideration of water’s plenitude and paucity—and of our relationship to its many forms Water is quotidian, ubiquitous, precious, and precarious. With their roots in this element, the authors of Water’s Edge reflect on our natural environment: its forms, textures, and stewardship. Born from a colloquium organized by the editors at the Institute at Brown for Environment and Society, the anthology features a diverse group of writers and artists from half a dozen countries, from different fields of scholarship and practice: artists, biologists, geologists, poets, ecocritics, actors, and anthropologists. The contributors explore and celebrate water while reflecting on its disturbances and pollution, and their texts and art play with the boundaries by which we differentiate literary forms. In the creative nonfiction, poetry, and visual art collected here, water moves from backdrop to subject. Ashley Dawson examines the effects of industrial farming on the health of local ecosystems and economies. Painter Kulvinder Kaur Dhew captures water’s brilliance and multifaceted reflections through a series of charcoal pieces that interlace the collection. Poet Arthur Sze describes the responsibility involved in the careful management of irrigation ditches in New Mexico. Rather than concentrating their thoughts into a singular, overwhelming argument, the authors circulate moments of apprehension, intimation, and felt experience. They are like tributaries, each carrying, in a distinctive style, exigent and often intimate reports concerning a substance upon which all living organisms depend.