This study demonstrates how Agnon combined traditional Hebrew lore, modern literary devices and, especially, highly crafted dream-sequences revealing subconscious motivations behind apparently fortuitous acts and decisions, thus creating a unique narrative form reflecting the "indeterminacy" of human behaviour.
Shmuel Yosef Agnon (1888-1970), winner of the Nobel Prize for Literature in 1966 and the undisputed master of the Hebrew novel, still remains largely an unknown or even misunderstood figure. Agnon's innovation was to construct an intricate dialectic between Hebrew tradition and the modern predicament, thereby producing a very distinctive mode of modernist narrative. Agnon deployed a technique of rich allusiveness drawn from traditional Hebrew lore and language using free-association, especially by means of imaginative dream-sequences designed to unveil the ambivalent but fateful meanings in the apparently inconsequential events and thoughts which determine the lives of his characters. This book explores the methods and materials of Agnon's art so as to provide the English reader with insight into his unique fictional world, and it proposes a fresh approach to the reading of Agnon which will also be of interest to those familiar with his work and the crucial literature on it.
The study addresses a number of issues, among them the importance that manuscripts and text editing have in our comprehension of fiction; how Agnon composed some of his short works, lending them an indeterminacy and force to serve as comments on the human condition. In addition, the final chapters demonstrate several approaches to the interpretation of A Guest for the Night from thematic, linguistic, and intratextual perspectives.
Agnon’s Story is the first complete psychoanalytic biography of the Nobel-Prize-winning Hebrew writer S.Y. Agnon. It investigates the hidden links between his stories and his biography. Agnon was deeply ambivalent about the most important emotional “objects” of his life, in particular his “father-teacher,” his ailing, depressive and symbiotic mother, his emotionally-fragile wife, whom he named after her and his adopted “home-land” of Israel. Yet he maintained an incredible emotional resiliency and ability to “sublimate” his emotional pain into works of art. This biography seeks to investigate the emotional character of his literary canon, his ambivalence to his family and the underlying narcissistic grandiosity of his famous “modesty.”
“As a result of the historic catastrophe in which Titus of Rome destroyed Jerusalem and Israel was exiled from its land, I was born in one of the cities of the Exile,” S. Y. Agnon declared at the 1966 Nobel Prize ceremony. “But always I regarded myself as one who was born in Jerusalem.” Agnon’s act of literary imagination fueled his creative endeavor and is explored in these pages. Jerusalem and the Holy Land (to say nothing of the later State of Israel) are often two-faced in Agnon’s Hebrew writing. Depending on which side of the lens one views Eretz Yisrael through, the vision of what can be achieved there appears clearer or more distorted. These themes wove themselves into the presentations at an international conference convened in 2016 by the Yeshiva University Center for Israel Studies in New York City, in honor of the fiftieth anniversary of Agnon’s Nobel Prize. The essays from that conference, collected here, explore Zionism’s aspirations and shortcomings and the yearning for the Land from afar from S. Y. Agnon’s Galician hometown, which served as a symbol of Jewish longing worldwide. Contributing authors: Shulamith Z. Berger, Shalom Carmy, Zafrira Cohen Lidovsky, Steven Gine, Hillel Halkin, Avraham Holtz, Alan Mintz, Jeffrey Saks, Moshe Simkovich, Laura Wiseman, and Wendy Zierler
Agnon's Moonstruck Lovers explores the response of Israel’s Nobel laureate S. Y. Agnon to the privileged position of the Song of Songs in Israeli culture. Standing at a unique crossroads between religion and secularism, Agnon probes the paradoxes and ambiguities of the Zionist hermeneutic project. In adopting the Song, Zionist interpreters sought to return to the erotic, pastoral landscapes of biblical times. Their quest for a new, uplifting, secular literalism, however, could not efface the haunting impact of allegorical configurations of love. With superb irony, Agnon's tales recast Israeli biblicism as a peculiar chapter within the ever-surprising history of biblical exegesis.
Educational Theory and Jewish Studies in Conversation: From Volozhin to Buczacz, by Harvey Shapiro, PhD, brings together two different fields of study--modern Jewish studies and contemporary educational theory--to provide new theoretical frameworks for their interaction. Although Jewish studies and education programs at secular universities have joined denominational and transdenominational institutions of higher learning in adopting a dual or parallel course structure, there has been little scholarly attention given to the basis for doing so. Shapiro provides alternative theoretical frameworks for the relationship between Jewish studies and educational theory and discusses different ways of developing and articulating these relationships between disciplines. Shapiro shows what is at stake when students and faculty think and communicate together across discourses--in particular, between the fields of education and Jewish studies. Presenting an alternative to conventional notions of interdisciplinarity, this book's import extends to virtually all relationships between the humanities and professional education when these different discourses illuminate and challenge one another.
Starting with a discussion on the elements of the genre of alternative (counterfactual) history and on its place between the poles of historical determinism and relativism, this book develops a literary theory of the historical alternativeness principle and applies it to the reading of The City with All That is Therein (Ir u-mloa) – one of the most important and less-studied books of the greatest Israeli writer, Nobel Prize winner S.Y. Agnon (1887-1970). The investigation reveals that this principle is by no means inherent solely in modernism and postmodernism, but lies at the very basis of the reading process, particularly at the levels of plot and character origination, and historical and historiographical conceptions that underlie the author’s imagination. The book is intended for all who are interested in modern literature and theory.