They ride horses, rope calves, buck broncos, ride and fight bulls, and even wrestle steers. They are Black cowboys, and the legacies of their pursuits intersect with those of America’s struggle for racial equality, human rights, and social justice. Keith Ryan Cartwright brings to life the stories of such pioneers as Cleo Hearn, the first Black cowboy to professionally rope in the Rodeo Cowboy Association; Myrtis Dightman, who became known as the Jackie Robinson of Rodeo after being the first Black cowboy to qualify for the National Finals Rodeo; and Tex Williams, the first Black cowboy to become a state high school rodeo champion in Texas. Black Cowboys of Rodeo is a collection of one hundred years of stories, told by these revolutionary Black pioneers themselves and set against the backdrop of Reconstruction, Jim Crow, segregation, the civil rights movement, and eventually the integration of a racially divided country.
All it takes is one night to change a cowboy’s life… Barrel racer Celia Lawson knows better than to tangle with bull rider Kyle Gilchrist. The sexy cowboy’s love ‘em and leave ‘em ways have earned him a reputation on the rodeo circuit, and he’s always seen her as his best friend’s kid sister. But after one wild, tequila-fueled night, Celia wakes up to find out she’s gotten herself hitched—to a man she never should have married! When Celia insists on an annulment, Kyle has no good reason to say no—except he isn’t ready to let go of his new bride. But then Kyle inherits a sprawling Wyoming ranch, and seizes the opportunity to enlist Celia’s help. She agrees to lend a hand—with two conditions: He has to get up to speed as a rancher within six months; then they’ll get a divorce. And their marriage will be in name only. Kyle gives in to Celia’s demand, yet he's ready to prove to her he has what it takes to turn their one night rodeo into a lifetime of love….
Out of nowhere, Walker Cody swoops in and saves Paula Olsen's toddler son from a dog bite. Before she can properly thank him, the handsome Iraq War veteran fades into the crowd. Walker's in training to retake his World Champion Bulldogger title. The practice rides are bruising, but still don't knock thoughts of a certain beautiful young widow and her little boy out of his head. And Paula's shocked to realize she has a bad case of Pervasive Walkeritis. Survivors' guilt and ghosts from their pasts stand between them. Walker's need to prove himself on the rodeo circuit runs deeper than bragging rights. But can Paula risk her healing heart on a troubled man who deliberately puts himself in danger?
The triumphant true story of the native Hawaiian cowboys who crossed the Pacific to shock America at the 1908 world rodeo championships Oregon Book Award winner * An NPR Best Book of the Year * Pacific Northwest Book Award finalist * A Reading the West Book Awards finalist "Groundbreaking. … A must-read. ... An essential addition." —True West In August 1908, three unknown riders arrived in Cheyenne, Wyoming, their hats adorned with wildflowers, to compete in the world’s greatest rodeo. Steer-roping virtuoso Ikua Purdy and his cousins Jack Low and Archie Ka’au’a had travelled 4,200 miles from Hawaii, of all places, to test themselves against the toughest riders in the West. Dismissed by whites, who considered themselves the only true cowboys, the native Hawaiians would astonish the country, returning home champions—and American legends. An unforgettable human drama set against the rough-knuckled frontier, David Wolman and Julian Smith’s Aloha Rodeo unspools the fascinating and little-known true story of the Hawaiian cowboys, or paniolo, whose 1908 adventure upended the conventional history of the American West. What few understood when the three paniolo rode into Cheyenne is that the Hawaiians were no underdogs. They were the product of a deeply engrained cattle culture that was twice as old as that of the Great Plains, for Hawaiians had been chasing cattle over the islands’ rugged volcanic slopes and through thick tropical forests since the late 1700s. Tracing the life story of Purdy and his cousins, Wolman and Smith delve into the dual histories of ranching and cowboys in the islands, and the meteoric rise and sudden fall of Cheyenne, “Holy City of the Cow.” At the turn of the twentieth century, larger-than-life personalities like “Buffalo Bill” Cody and Theodore Roosevelt capitalized on a national obsession with the Wild West and helped transform Cheyenne’s annual Frontier Days celebration into an unparalleled rodeo spectacle, the “Daddy of ‘em All.” The hopes of all Hawaii rode on the three riders’ shoulders during those dusty days in August 1908. The U.S. had forcibly annexed the islands just a decade earlier. The young Hawaiians brought the pride of a people struggling to preserve their cultural identity and anxious about their future under the rule of overlords an ocean away. In Cheyenne, they didn’t just astound the locals; they also overturned simplistic thinking about cattle country, the binary narrative of “cowboys versus Indians,” and the very concept of the Wild West. Blending sport and history, while exploring questions of identity, imperialism, and race, Aloha Rodeo spotlights an overlooked and riveting chapter in the saga of the American West.
W.K. Stratton chronicles one season of the pro rodeo and bull-riding tours, tracing the history of the rodeo and profiling some of its greatest riders and ropers.
". . . After viewing and reviewing these remarkable photographs, and especially the portraits, one is stirred by a sense of hidden memory, some air of childhood, the smell of cut fodder corn or late summer heat or dust devils in the evening wind - - or something even older and bloodier. Because rodeo is not entirely what it seems. We feel instinctively that any contact between man and animal is exciting but also dangerous. So, like marriage, death, birth, or sex, it is restrained by a network of customs, a set of rules that permits the peril, but corrals it into theater. One has only to examine closely the marvelous detail of Norman Mauskopf's more intimate prints, not merely photographs, but observations deeply seen and deeply felt, and note the ceremonial costumes, the traditional facial masks and torn-off jeans of the clowns, and the hat-over-heart patriotism, to realize that these are not just cowboy games. Mauskopf has uncovered something more profound and instinctive. . ."--Ben Maddow, Los Angeles 1985 (Introduction to "Rodeo").
"What would rodeo look like if we took it as a record, not of human triumph and resilience, but of human imperfection and stubbornness?” asks animal historian Susan Nance. Against the backdrop of the larger histories of ranching, cattle, horses, and the environment in the West, this book explores how the evolution of rodeo has reflected rural western beliefs and assumptions about the natural world that have led to environmental crises and served the beef empire. By unearthing behind-the-scenes stories of rodeo animals as diverse individuals, this book lays bare contradictions within rodeo and the rural West. For almost 150 years, westerners have used rodeo to symbolically reenact their struggles with animals and the land as uniformly progressive and triumphant. Nance upends that view with accounts of individual animals that reveal how diligently rodeo people have worked to make livestock into surrogates for the trials of rural life in the West and the violence in its history. Western horses and cattle were more than just props. Rodeo reclaims their lived history through compelling stories of anonymous roping steers and calves who inspired reform of the sport, such as the famed but abused bucker Steamboat, and the many broncs and bulls, famous or not, who unknowingly built an industry. Rodeo is a dangerous sport that reveals many westerners as people proudly tolerant of risk and violence, and ready to impose these values on livestock. In Rodeo: An Animal History, Nance pushes past standard histories and the sport’s publicity to show how rodeo was shot through with stubbornness and human failing as much as fortitude and community spirit.
In this study, historian Michael Allen examines the image of the rodeo cowboy and the role this image has played in popular culture over in the 20th century. He sees rodeo as a significant American folk festival and the rodeo cowboy as the surviving avatar of a nearly vanished authentic figure - the real cowboy, who embodies the skills and values of traditional western rural culture.
"A can't-put-it-down modern Western." —Kirk Siegler, NPR Longlisted for the PEN/ESPN Award for Literary Sports Writing The Last Cowboys is Pulitzer Prize-winning reporter John Branch’s epic tale of one American family struggling to hold on to the fading vestiges of the Old West. For generations, the Wrights of southern Utah have raised cattle and world-champion saddle-bronc riders—many call them the most successful rodeo family in history. Now they find themselves fighting to save their land and livelihood as the West is transformed by urbanization, battered by drought, and rearranged by public-land disputes. Could rodeo, of all things, be the answer? Written with great lyricism and filled with vivid scenes of heartache and broken bones, The Last Cowboys is a powerful testament to the grit and integrity that fuel the American Dream.
