In After Palmares, Marc A. Hertzman tells the rise, fall, and afterlives of Palmares, one of history’s largest and longest-lasting maroon societies. Forged during the seventeenth century by formerly enslaved Africans in what would become northeast Brazil, Palmares stood for a century, withstanding sustained attacks from two European powers. In 1695, colonial forces assassinated its most famous leader, Zumbi. Hertzman examines the remarkable ways that Palmares and its inhabitants lived on after Zumbi’s death, creating vivid portraits of those whose lives and voices scholars have often assumed are inaccessible. With an innovative approach to African languages, and paying close attention to place as well as African and diasporic spiritual beliefs, Hertzman reshapes our understanding of Palmares and Zumbi and advances a new framework for studying fugitive slave communities and marronage in the African diaspora.
2022 Pulitzer Prize Finalist in Fiction A NPR BOOKS WE LOVE 2021 Selection A New York Times “Biggest New Books Coming Out in September” Selection · A New York Times Book Review Editors Choice Pick · A Guardian “50 Biggest Books of Autumn 2021” Selection · An Esquire “Best Books of Fall 2021” Selection · A Buzzfeed “Best Books Coming Out This Fall” Selection · A Bustle “Most Anticipated Books of September 2021” Selection · A LitHub “22 Novels You Need to Read This Fall” Selection · A Kirkus Reviews “16 Best Books to Read in September” Selection · A Root September “PageTurner” “This story shimmers. Shakes. Wails. Moves to rhythms long forgotten . . . in many ways: holy. [A] masterpiece.”—The New York Times Book Review The epic rendering of a Black woman’s journey through slavery and liberation, set in 17th-century colonial Brazil; the return of a major voice in American literature. First discovered and edited by Toni Morrison, Gayl Jones has been described as one of the great literary writers of the 20th century. Now, for the first time in over 20 years, Jones is ready to publish again. Palmares is the first of five new works by Gayl Jones to be published in the next two years, rewarding longtime fans and bringing her talent to a new generation of readers. Intricate and compelling, Palmares recounts the journey of Almeyda, a Black slave girl who comes of age on Portuguese plantations and escapes to a fugitive slave settlement called Palmares. Following its destruction, Almeyda embarks on a journey across colonial Brazil to find her husband, lost in battle. Her story brings to life a world impacted by greed, conquest, and colonial desire. She encounters a mad lexicographer, desperate to avoid military service; a village that praises a god living in a nearby cave; and a medicine woman who offers great magic, at a greater price. Combining the author’s mastery of language and voice with her unique brand of mythology and magical realism, Jones reimagines the historical novel. The result is a sweeping saga spanning a quarter century, with vibrant settings and unforgettable characters, steeped in the rich oral tradition of its world. Of Gayl Jones, the New Yorker noted, “[Her] great achievement is to reckon with both history and interiority, and to collapse the boundary between them.” Like nothing else before it, Palmares embodies this gift.
As a poet, playwright, novelist, short-story writer, and critic, Gayl Jones has always resisted labels in her quest to find a liberating voice for black women and herself. With a poet's lyricism and a musician's ear for rhythm, she continually seeks new ways to confront the barriers, traumas, insecurities, and prejudices oppressing black women, and, by extension, all women. After the Pain: Critical Essays on Gayl Jones is the first comprehensive collection of essays dedicated solely to the exploration of Jones's work. Ranging from analyses of her use of language and music to reevaluations of her representation of sexuality and gender roles to examinations of the oft-overlooked connections between Latin America and African Americans, each of these essays investigates Jones's desire to continually complicate the process of identity formation.
This Briefs advances a theoretical approach that recognizes social movements as contingent enterprises. It explores the endurance of social movements over time, by developing analytical tools to study how social movement heterogeneities are simultaneously acknowledged and articulated together, through collective narration and practices. With a unique empirical analysis of one particular narrative – the story of Brazil’s Landless Movement – this Briefs portrays a narrative revisited and revised by movement participants, a story revived through enactment. This Briefs addresses the increasing academic audience seeking to study, and theorize, the multi-colored phenomena of resistance and social movements.
Full of medical folklore and healing tales, Remedios presents the history of the many women--and cultures--who have met at the crossroads of the islands of Puerto Rico. Beginning with the First Mother in sub-Saharan Africa more than 200,000 years ago, Aurora Levins Morales takes readers on a journey through time and around the globe. We learn of Juana de Asbaje, author of the "Reply to Sor Filotea" in 1693, the first feminist essay written in the New World; Gracia Nasi, Constantinople's "Queen of the Jews"; the African-American activist and warrior of words Ida B. Wells; and the unlikely martyr and symbol, Ethel Rosenberg. Levins Morales weaves in her own story of pain and healing, ameliorated by the restorative power of memory, and bears witness to a larger history of resistance and abuse by women and men. This historical memoir revives our connection to the forgotten lore of our grandmothers, featuring explanations of the medicinal properties of herbs and and foods such as rosemary, ginkgo, and banana. With love, joy, and defiance, Levins Morales offers Remedios as testimony to those barely recorded or known to history, the women who shaped our world. Aurora Levins Morales is author of Medicine Stories: History, Culture, and the Politics of Integrity (South End Press, 1998) and Getting Home Alive (Firebrand, 1986). A Jewish "red diaper baby" from the mountains of Puerto Rico, Morales writes lucidly about the complexities of social identity. She teaches at the University of California, Berkeley and the University of Minnesota, Minneapolis. [box] Also available from South End Press Medicine Stories: History, Culture, and the Politics of Integrity TC $14.00, 0-89608-581-3 o CUSA DeColores Means All of Us TP $18.00, 0-89608-583-X o CUSA Loving in the War Years TP $17.00, 0-89608-626-7 o CUSA
Freedom by a Thread: The History of Quilombos in Brazil brings together some of the best scholars in the world working on the history of quilombos (maroon societies) in Brazil from a variety of perspectives and approaches. Over 40 percent of the total volume of captive Africans arrived in Brazil during a 400-year period of legal and contraband transatlantic slaving. If slavery penetrated every aspect of Brazilian life, so did resistance—and co-existence with it—in the form of small to large-scale quilombos. Palmares and the other quilombos built an exciting history of freedom. Yet, it is a history filled with traps and surprises, advances and setbacks, conflict and commitments, while advancing their immediate interests and more ambitious projects of liberty. These events and many others are part of the history told in this book.
NEW YORK TIMES BESTSELLER • A magisterial world history unlike any other that tells the story of humanity through the one thing we all have in common: families • From the author of The Romanovs “Succession meets Game of Thrones.” —The Spectator • “The author brings his cast of dynastic titans, rogues and psychopaths to life...An epic that both entertains and informs.” —The Economist, Best Books of the Year Around 950,000 years ago, a family of five walked along the beach and left behind the oldest family footprints ever discovered. For award-winning historian Simon Sebag Montefiore, these poignant, familiar fossils serve as an inspiration for a new kind of world history, one that is genuinely global, spans all eras and all continents, and focuses on the family ties that connect every one of us. In this epic, ever-surprising book, Montefiore chronicles the world’s great dynasties across human history through palace intrigues, love affairs, and family lives, linking grand themes of war, migration, plague, religion, and technology to the people at the heart of the human drama. It features a cast of extraordinary diversity: in addition to rulers and conquerors, there are priests, charlatans, artists, scientists, tycoons, gangsters, lovers, husbands, wives, and children. There is Hongwu, the beggar who founded the Ming dynasty; Ewuare, the Leopard-King of Benin; Henry Christophe, King of Haiti; Kamehameha, the conqueror of Hawaii; Zenobia, the Arab empress who defied Rome; Lady Murasaki, the first female novelist; Sayyida al-Hurra, the Moroccan pirate-queen. Here too are moderns such as Indira Gandhi, Margaret Thatcher, Barack Obama, Vladimir Putin, and Volodymyr Zelensky. Here are the Caesars, Medicis and Incas, Ottomans and Mughals, Bonapartes, Habsburgs and Zulus, Rothschilds, Rockefellers and Krupps, Churchills, Kennedys, Castros, Nehrus, Pahlavis and Kenyattas, Saudis, Kims and Assads. These powerful families represent the breadth of human endeavor, with bloody succession battles, treacherous conspiracies, and shocking megalomania alongside flourishing culture, moving romances, and enlightened benevolence. A dazzling achievement as spellbinding as fiction, The World captures the whole human story in a single, masterful narrative.
Capoeira originated in early slave culture and is practiced widely today by urban Brazilians and others. At once game, sport, mock combat, and ritualized performance, it involves two players who dance and "battle" within a ring of musicians and singers. Stunning physical performances combine with music and poetry in a form as expressive in movement as it is in word.
Slavery is America's family secret, a partially hidden phantom that continues to haunt our national imagination. Remembering Generations explores how three contemporary African American writers artistically represent this notion in novels about the enduring effects of slavery on the descendants of slaves in the post-civil rights era. Focusing on Gayl Jones's Corregidora (1975), David Bradley's The Chaneysville Incident (1981), and Octavia Butler's Kindred (1979), Ashraf Rushdy situates these works in their cultural moment of production, highlighting the ways in which they respond to contemporary debates about race and family. Tracing the evolution of this literary form, he considers such works as Edward Ball's Slaves in the Family (1998), in which descendants of slaveholders expose the family secrets of their ancestors. Remembering Generations examines how cultural works contribute to social debates, how a particular representational form emerges out of a specific historical epoch, and how some contemporary intellectuals meditate on the issue of historical responsibility--of recognizing that the slave past continues to exert an influence on contemporary American society.
