After Hours for Piano Duet

After Hours for Piano Duet

Author: Pam Wedgwood

Publisher: After Hours

Published: 2003-11

Total Pages: 0

ISBN-13: 9780571522606

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These laid back jazzy duets cover a variety of styles from cozy dinner jazz to wistful blues and more upbeat numbers. The perfect way to wind down after a stressful day! Its time to chill out and indulge in a little jazz. Titles: Fascination * Blue Yonder * Shop-a-holic! * Nowhere Man * Centrepoint * Just Another Day * Jack the Lad.


Jackson Street After Hours

Jackson Street After Hours

Author: Paul De Barros

Publisher:

Published: 1993

Total Pages: 318

ISBN-13:

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"Vintage photographs and 24 contemporary portraits capture the style and flavor of Jackson Street and its jazz legacy. Based on extensive interviews with jazz musicians, this significant new volume documents the smokey rooms, Prohibition antics, wartime parties, and unforgettable riffs that characterized great moments in Pacific Northwest jazz." -- Amazon.com viewed July 8, 2020.


First 50 Songs You Should Play On Ocarina

First 50 Songs You Should Play On Ocarina

Author: Hal Leonard Corp.

Publisher: Hal Leonard

Published: 2021-11-01

Total Pages: 162

ISBN-13: 1705159737

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(Ocarina). One-of-a-kind collection of accessible, must-know favorites from the Beatles to Adele, folk songs, to movie soundtracks, and more! Songs include: Fight Song * Fly Me to the Moon (In Other Words) * Hallelujah * Just the Way You Are * Let It Be * Let It Go * Roar * Rolling in the Deep * Satin Doll * Shake It Off * Stand by Me * Summertime * Take Me Home, Country Roads * Uptown Funk * Yesterday * and more.


Effortless Mastery

Effortless Mastery

Author: Kenny Werner

Publisher: Alfred Music

Published: 1996

Total Pages: 192

ISBN-13: 9781562240035

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My story -- Why do we play? -- Beyond limited goals -- Fear, the mind and the ego -- Fear-based practicing -- Teaching dysfunctions: fear-based teaching -- Hearing dysfunctions: fear-based listening -- Fear-based composing -- "The space"--"There are no wrong notes" -- Meditation #1 -- Effortless mastery -- Meditation #2 -- Affirmations -- The steps to change -- Step one -- Step two -- Step three -- Step four -- An afterthought -- I am great, I am a master -- Stretching the form -- The spiritual (reprise) -- One final meditation.


Brass Music of Black Composers

Brass Music of Black Composers

Author: Aaron Horne

Publisher: Bloomsbury Publishing USA

Published: 1996-05-16

Total Pages: 558

ISBN-13: 0313064865

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Aaron Horne provides the most comprehensive guide to brass music written by black composers. He covers composers from around the world in the 19th and 20th centuries. Included in the book is biographical information; commission, duration, instrumentation, date of publication, premiere, publisher, discography for each piece; bibliographical sources; and an index which groups the music by numbers, medium, and ensemble. This is the fourth volume in Aaron Horne's monumental effort to provide the most comprehensive guide to music composed by black composers. In this volume he covers composers from around the world in the 19th and 20th centuries, including William Grant Still, Ulysses Kay, Anthony Davis, John Coltrane, and other major figures from the world of classical, jazz, and popular music. The main body of the book is divided into sections devoted to African, African American, Afro-European, and Afro-Latino composers. Within each section composers are arranged alphabetically; each entry provides biographical information as well as commission, duration, instrumentation, date of publication, premiere, publisher, discography for each composition. Backmatter includes a Brass Music Index which groups the music by numbers, medium, and ensembles; a title index; discography; and bibliography. As with the earlier volumes, this is an essential reference tool for anyone with an interest in researching and/or performing the music of black composers.


The Penguin Jazz Guide

The Penguin Jazz Guide

Author: Brian Morton

Publisher: Penguin UK

Published: 2010-11-04

Total Pages: 1113

ISBN-13: 0141959002

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The Penguin Guide to Jazz Recordings is firmly established as the world's leading guide to recorded jazz, a mine of fascinating information and a source of insightful - often wittily trenchant - criticism. This is something rather different: Brian Morton (who taught American history at UEA) has picked out the 1000 best recordings that all jazz fans should have and shows how they tell the history of the music and with it the history of the twentieth century. He has completely revised his and Richard Cook's entries and reassessed each artist's entry for this book. The result is an endlessly browsable companion that will prove required reading for aficionados and jazz novices alike. 'It's the kind of book that you'll yank off the shelf to look up a quick fact and still be reading two hours later' Fortune 'Part jazz history, part jazz Karma Sutra with Cook and Morton as the knowledgeable, urbane, wise and witty guides ... This is one of the great books of recorded jazz; the other guides don't come close' Irish Times


Telling It Like It Is

Telling It Like It Is

Author: Joe Darensbourg

Publisher: Springer

Published: 1987-09-29

Total Pages: 271

ISBN-13: 1349087300

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The autobiography of one of the foremost jazz clarinetists who is well known for his recordings with Edward 'Kid' Ory and the Louis Armstrong All Stars. Darensbourg was born in Baton Rouge, LA, in 1906 and heard many early New Orleans jazz bands as a young boy. For most of his life he lived on the West Coast and the book is a first-rate reference source for students of jazz and popular music in the urban centres of Seattle and Los Angeles.


"Who Set You Flowin'?"

Author: Farah Jasmine Griffin

Publisher: Oxford University Press

Published: 1996-09-26

Total Pages: 248

ISBN-13: 0190282304

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Twentieth-century America has witnessed the most widespread and sustained movement of African-Americans from the South to urban centers in the North. Who Set You Flowin'? examines the impact of this dislocation and urbanization, identifying the resulting Migration Narratives as a major genre in African-American cultural production. Griffin takes an interdisciplinary approach with readings of several literary texts, migrant correspondence, painting, photography, rap music, blues, and rhythm and blues. From these various sources Griffin isolates the tropes of Ancestor, Stranger, and Safe Space, which, though common to all Migration Narratives, vary in their portrayal. She argues that the emergence of a dominant portrayal of these tropes is the product of the historical and political moment, often challenged by alternative portrayals in other texts or artistic forms, as well as intra-textually. Richard Wright's bleak, yet cosmopolitan portraits were countered by Dorothy West's longing for Black Southern communities. Ralph Ellison, while continuing Wright's vision, reexamined the significance of Black Southern culture. Griffin concludes with Toni Morrison embracing the South "as a site of African-American history and culture," "a place to be redeemed."