Afro-blue

Afro-blue

Author: Tony Bolden

Publisher: University of Illinois Press

Published: 2004

Total Pages: 196

ISBN-13: 9780252028748

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In Afro-Blue, Tony Bolden traces the ways innovations in black music and poetry have driven the evolution of a variety of other American vernacular artistic forms. The blues tradition, Bolden demonstrates, plays a key role in the relationship between poetry and vernacular expressive forms. Through an analysis of the formal qualities of black poetry and music, Afro-Blue shows that they function as a form of resistance, affirming the values and style of life that oppose bourgeois morality. Even before the term blues had cultural currency, the inscriptions of style and resistance embodied in the blues tradition were already a prominent feature of black poetics. Bolden delineates this interrelation, examining how poets extend and reshape a variety of other verbal folk forms in the same way as blues musicians play with other musical genres. He identifies three distinct bodies of blues poetics: some poets mimic and riff on oral forms, another group fuse their dedication to vernacular culture with a concern for literary conventions, while still others opt to embody the blues poetics by becoming blues musicians - and some combine elements of all three.


John Coltrane Plays "Coltrane Changes" (Songbook)

John Coltrane Plays

Author: John Coltrane

Publisher: Hal Leonard Corporation

Published: 2003-05-01

Total Pages: 137

ISBN-13: 1476885850

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(Artist Transcriptions). In the late 1950s, John Coltrane composed or arranged a series of tunes that used chord progressions based on a series of key center movements by thirds, rather than the usual fourths and fifths of standard progressions. This sound is so aurally identifiable and has received so much attention from jazz musicians that it has become known as "Coltrane's Changes." This book presents an exploration of his changes by studying 13 of his arrangements, each containing Coltrane's unique harmonic formula. It includes complete solo transcriptions with extensive performance notes for each. Titles include: Body and Soul * But Not for Me * Central Park West * Countdown * Fifth House * Giant Steps * Summertime * and more.


The Afro-Blues Tradition

The Afro-Blues Tradition

Author: Kwame Copeland

Publisher: iUniverse

Published: 2006-08

Total Pages: 74

ISBN-13: 0595394108

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"The Blues was born from praise songs, poetry, metaphorical tales, and folk traditions of the Africans, as they became Americana's. The Afro-Blues sprouted up wherever the African landed in this hemisphere. The tradition mixed with existing cultures but retained its uniqueness. Part of its uniqueness was its use of percussive tones and its use of mythological references in its idiom and artistic rituals. As a historical tradition, it was so receptive and creative, that its classical roots evolved into the 21st Century. At this time of moral and spiritual crises, I fall back on my inheritance, where meditative prose and poetry, are used to reflect the moment from emotive reasoning. John Coltrane and Mongo Santamaria both claimed the song Afro-Blue. Yet! This song reflects where the tradition had traveled, since Coltrane was an African American and Santamaria was an African Cuban. This great stream of maternal traditions has given much to the world, and in these times of great transition; its glorious well should be dipped in more often. If just to argument this present debate-What is Human!"


Afropessimism

Afropessimism

Author: Frank B. Wilderson III

Publisher: Liveright Publishing

Published: 2020-04-07

Total Pages: 246

ISBN-13: 1631496158

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“Wilderson’s thinking teaches us to believe in the miraculous even as we decry the brutalities out of which miracles emerge”—Fred Moten Praised as “a trenchant, funny, and unsparing work of memoir and philosophy” (Aaron Robertson,?Literary Hub), Frank B. Wilderson’s Afropessimism arrived at a moment when protests against police brutality once again swept the nation. Presenting an argument we can no longer ignore, Wilderson insists that we must view Blackness through the lens of perpetual slavery. Radical in conception, remarkably poignant, and with soaring flights of memoir, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit.“Wilderson’s ambitious book offers its readers two great gifts. First, it strives mightily to make its pessimistic vision plausible. . . . Second, the book depicts a remarkable life, lived with daring and sincerity.”—Paul C. Taylor, Washington Post


The Clave Matrix

The Clave Matrix

Author: David Peñalosa

Publisher:

Published: 2012-08-01

Total Pages: 304

ISBN-13: 9781478299479

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CLAVE MATRIX: The entire interwoven structure of clave-based music as it relates to its generative source.CLAVE: A Spanish word meaning 'code,' or 'key,' as in the key to a mystery or puzzle. Also 'keystone,' the wedge-shaped stone in the center of an arch that ties all the stones together. Clave is the key pattern that both binds and decodes the rhythmic structure of Afro-Cuban music.MATRIX: The point of origin from which something takes form and develops; a grid-like array of elements, an interwoven pattern.


Paris Blues

Paris Blues

Author: Andy Fry

Publisher: University of Chicago Press

Published: 2014-07-04

Total Pages: 291

ISBN-13: 022613895X

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The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France’s complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons—such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others—what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation—reinvention—in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.


Blues, Ideology, and Afro-American Literature

Blues, Ideology, and Afro-American Literature

Author: Houston A. Baker

Publisher: University of Chicago Press

Published: 2013-11-22

Total Pages: 240

ISBN-13: 022616084X

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Relating the blues to American social and literary history and to Afro-American expressive culture, Houston A. Baker, Jr., offers the basis for a broader study of American culture at its "vernacular" level. He shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it.


Freedom Is, Freedom Ain't

Freedom Is, Freedom Ain't

Author: Scott Saul

Publisher: Harvard University Press

Published: 2009-06-30

Total Pages: 409

ISBN-13: 0674043103

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In the long decade between the mid-fifties and the late sixties, jazz was changing more than its sound. The age of Max Roach's Freedom Now Suite, John Coltrane's A Love Supreme, and Charles Mingus's The Black Saint and the Sinner Lady was a time when jazz became both newly militant and newly seductive, its example powerfully shaping the social dramas of the Civil Rights movement, the Black Power movement, and the counterculture. Freedom Is, Freedom Ain't is the first book to tell the broader story of this period in jazz--and American--history.