This is a revised and updated edition of the comprehensive study of the role of art in the process of inculturation in Africa, first issued in 2000. The study is a substantial contribution toward a theology of inculcation in Africa, and enriches the debate on indigenous African and Christian artistic traditions. It represents the first systematic theology constructed in and from Malawi that establishes a theology of symbolic expression in Africa.
Two major strands of theology have developed in Africa--inculturation and liberation--each in response to different needs. Emmanuel Martey's African Theology provides a clear, scholarly examination of these two basic approaches, solidly based on Martey's understanding of contemporary theology and his firsthand knowledge of Africa.Martey first examines the historical background of each of these theological developments, especially relating to cultural and political movements enveloping the continent in the 1970s. In sub-Saharan Africa, struggles for independence from colonizers have resulted in inculturation theology. The defining aspect of this theology is that it pushes its roots firmly in African culture and traditions. In South Africa, on the other hand, Black Africans struggling against the oppressive systems of apartheid have turned to liberation theology.Martey shows how the real hope for African theology lies in the dialectical encounter between these two approaches and in their potential for convergence. "The two foci (of liberation and inculturation)," Martey says, "are not contradictory, but complement each other." African Theology concludes by challenging African theologians to weld together the praxis of inculturation with that of liberation, in order to achieve an integrative vision for the continent.
Increasingly, theologians from non-Western lands demand that theology be done in a new, non-eurocentric way. First published in German, 'African Theology in Its Social Context', by one of Africa's most respected theologians, meets this challenge. Bujo takes traditional African values to the horizon of contemporary social issues: extreme poverty, mass unemployment, rapid urbanization, changing family life. His underlying concern is for the African people and for the models they will choose for their society, their economy, their church. Bujo begins with Jesus. Asking how Christ can be seen as an African among Africans, Bujo identifies Jesus as Ancestor -- the One from Whom all life flows. He goes on to define distinctively African roles for the church, clergy, and lay people alike. From the standpoint of African legal and religious traditions -- many far older than those of the Western church -- Bujo describes pastoral approaches to such issues as death and marriage in Africa. This original and challenging work shows how Africans need not change culture to be called children of God; and how, indeed, Christianity can become a source of fullness of life for Africans.
An intriguing introduction to Christian doctrine from an African perspective. Using a framework of excerpts from Chinua Achebe's well-known novel, Things Fall Apart, the author introduces the major themes of Christian doctrine: God, Trinity, creation, grace and sin, Jesus Christ, church, Mary, the saints, inculturation, and spirituality. While explaining basic Christian beliefs, Theology Brewed in an African Pot also clarifies the differences between an African view of religion and a more Eurocentric understanding of religion. Very accessible and engaging, each of the eleven short chapters ends with three discussion questions followed by one or two African prayers.
Faith in African Lived Christianity – Bridging Anthropological and Theological Perspectives offers a comprehensive, empirically rich and interdisciplinary approach to the study of faith in African Christianity. The book brings together anthropology and theology in the study of how faith and religious experiences shape the understanding of social life in Africa. The volume is a collection of chapters by prominent Africanist theologians, anthropologists and social scientists, who take people’s faith as their starting point and analyze it in a contextually sensitive way. It covers discussions of positionality in the study of African Christianity, interdisciplinary methods and approaches and a number of case studies on political, social and ecological aspects of African Christian spirituality.
Reflects what traditional proverbs used in Christian catechetical, liturgical, and ritual contexts reveal about Tanzanian appropriations of and interpretations of Christianity.
What does it mean for Christ to be the "image of God"? And, if Christ is the "image of God," can the human person also unequivocally be understood to be the "image of God"? Augustine's Early Theology of Image examines Augustine's conception of the imago dei and makes the case that it represents a significant departure from the Latin pro-Nicene theologies of Hilary of Poitiers, Marius Victorinus, and Ambrose of Milan only a generation earlier. Augustine's predecessors understood the imago dei principally as a Christological term designating the unity of divine substance. But, Gerald P. Boersma argues, Augustine affirms that Christ is an image of equal likeness, while the human person is an image of unequal likeness. Boersma's careful study thus argues that a Platonic and participatory evaluation of the nature of "image" enables Augustine's early theology of the image of God to move beyond that of his Latin predecessors and affirm the imago dei both of Christ and of the human person.
Kwame Bediako examines the question of Christian identity in the context of the Greco-Roman culture of the early Roman Empire. He then addresses the modern African predicament of quests for identity and integration. Theology and Identity was one of the finalists for the 1992 HarperCollins Religious Book Award.
