Colorization

Colorization

Author: Wil Haygood

Publisher: Knopf

Published: 2021-10-19

Total Pages: 473

ISBN-13: 0525656871

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A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • BOOKLISTS' EDITOR'S CHOICE • ONE OF NPR'S BEST BOOK OF THE YEAR “At once a film book, a history book, and a civil rights book.… Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read.” —Shondaland This unprecedented history of Black cinema examines 100 years of Black movies—from Gone with the Wind to Blaxploitation films to Black Panther—using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown. Beginning in 1915 with D. W. Griffith's The Birth of a Nation—which glorified the Ku Klux Klan and became Hollywood's first blockbuster—Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X, to the O. J. Simpson trial, to the Black Lives Matter movement. He considers the films themselves—including Imitation of Life, Gone with the Wind, Porgy and Bess, the Blaxploitation films of the seventies, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay, and Jordan Peele, among many others. An important, timely book, Colorization gives us both an unprecedented history of Black cinema and a groundbreaking perspective on racism in modern America.


Framing Blackness

Framing Blackness

Author: Ed Guerrero

Publisher: Temple University Press

Published: 2012-06-20

Total Pages: 270

ISBN-13: 1439904138

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A challenge to Hollywood's one-dimensional images of African Americans.


Screens Fade to Black

Screens Fade to Black

Author: David J. Leonard

Publisher: Praeger

Published: 2006-06-30

Total Pages: 240

ISBN-13:

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This book examines how African American directors have depicted racial issues since the mid-90s, revealing the ways in which they both consciously avoid and sometimes utilize racial stereotypes.


The Complexity and Progression of Black Representation in Film and Television

The Complexity and Progression of Black Representation in Film and Television

Author: David L. Moody

Publisher: Lexington Books

Published: 2016-06-02

Total Pages: 169

ISBN-13: 0739188380

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The Complexity and Progression of Black Representation in Film and Television examines the intricacies of race, representation, Black masculinity, sexuality, class, and color in American cinema and television. Black images on the silver screen date back to the silent film era, yet these films and television programs presented disturbing images of African American culture, and regrettably, many early films and small screen programs portrayed Black characters in demeaning and stereotypical roles. In order to fully analyze the roles of Black actors and actresses in film and television, Moody addresses the following issues: the historical significance of the term “race films”; female Black identities and constructs; queerness and Black masculinity; Black male identities; and Black buffoonery in film and television.


Blackface

Blackface

Author: Nelson George

Publisher:

Published: 2002

Total Pages: 282

ISBN-13:

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This important book of essays chronicles the rise of African-American cinema. Subjects include: Spike Lee, Eddie Murphy, Laurence Fishburne, blaxploitation and its influence on modern film, and the social impact of film in the African-American community.


The 50 Most Influential Black Films

The 50 Most Influential Black Films

Author: Torriano Berry

Publisher: Citadel Press

Published: 2001

Total Pages: 324

ISBN-13: 9780806521336

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A plentifully illustrated guide to the most popular and socially significant movies made for, by, and about African Americans from 1900 to today. Also includes incisive interviews with Hollywood greats such as Ossie Davis and Ivan Dixon.


African American Cinema Through Black Lives Consciousness

African American Cinema Through Black Lives Consciousness

Author: Mark A. Reid

Publisher: Wayne State University Press

Published: 2019-01-12

Total Pages: 359

ISBN-13: 0814345506

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The interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike.


Film Blackness

Film Blackness

Author: Michael Boyce Gillespie

Publisher: Duke University Press

Published: 2016-08-25

Total Pages: 253

ISBN-13: 0822373882

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In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.


African Americans in Film

African Americans in Film

Author: Camille R. Michaels

Publisher: Greenhaven Publishing LLC

Published: 2017-07-15

Total Pages: 106

ISBN-13: 1534560815

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The whitewashing of roles in films and the lack of representation at awards shows such as the Oscars are only two of the career obstacles African American actors and filmmakers have historically faced. Although blackface is now taboo, racism is still prevalent in Hollywood. Readers explore the causes of the systemic oppression that has made it difficult for African Americans to break into the movie business. Through full-color photographs and primary sources, readers will learn how to become more thoughtful viewers of movies and television.