Ulysses in Black

Ulysses in Black

Author: Patrice D. Rankine

Publisher: Univ of Wisconsin Press

Published: 2008-12-30

Total Pages: 268

ISBN-13: 0299220036

DOWNLOAD EBOOK

In this groundbreaking work, Patrice D. Rankine asserts that the classics need not be a mark of Eurocentrism, as they have long been considered. Instead, the classical tradition can be part of a self-conscious, prideful approach to African American culture, esthetics, and identity. Ulysses in Black demonstrates that, similar to their white counterparts, African American authors have been students of classical languages, literature, and mythologies by such writers as Homer, Euripides, and Seneca. Ulysses in Black closely analyzes classical themes (the nature of love and its relationship to the social, Dionysus in myth as a parallel to the black protagonist in the American scene, misplaced Ulyssean manhood) as seen in the works of such African American writers as Ralph Ellison, Toni Morrison, and Countee Cullen. Rankine finds that the merging of a black esthetic with the classics—contrary to expectations throughout American culture—has often been a radical addressing of concerns including violence against blacks, racism, and oppression. Ultimately, this unique study of black classicism becomes an exploration of America’s broader cultural integrity, one that is inclusive and historic. Outstanding Academic Title, Choice Magazine


What Was African American Literature?

What Was African American Literature?

Author: Kenneth W. Warren

Publisher: Harvard University Press

Published: 2011-05-03

Total Pages: 193

ISBN-13: 0674268261

DOWNLOAD EBOOK

African American literature is over. With this provocative claim Kenneth Warren sets out to identify a distinctly African American literature—and to change the terms with which we discuss it. Rather than contest other definitions, Warren makes a clear and compelling case for understanding African American literature as creative and critical work written by black Americans within and against the strictures of Jim Crow America. Within these parameters, his book outlines protocols of reading that best make sense of the literary works produced by African American writers and critics over the first two-thirds of the twentieth century. In Warren’s view, African American literature begged the question: what would happen to this literature if and when Jim Crow was finally overthrown? Thus, imagining a world without African American literature was essential to that literature. In support of this point, Warren focuses on three moments in the history of Phylon, an important journal of African American culture. In the dialogues Phylon documents, the question of whether race would disappear as an organizing literary category emerges as shared ground for critical and literary practice. Warren also points out that while scholarship by black Americans has always been the province of a petit bourgeois elite, the strictures of Jim Crow enlisted these writers in a politics that served the race as a whole. Finally, Warren’s work sheds light on the current moment in which advocates of African American solidarity insist on a past that is more productively put behind us.


Race Sounds

Race Sounds

Author: Nicole Brittingham Furlonge

Publisher: University of Iowa Press

Published: 2018-05-15

Total Pages: 183

ISBN-13: 1609385616

DOWNLOAD EBOOK

Forging new ideas about the relationship between race and sound, Furlonge explores how black artists--including well-known figures such as writers Ralph Ellison and Zora Neale Hurston, and singers Bettye LaVette and Aretha Franklin, among others--imagine listening. Drawing from a multimedia archive, Furlonge examines how many of the texts call on readers to "listen in print." In the process, she gives us a new way to read and interpret these canonical, aurally inflected texts, and demonstrates how listening allows us to engage with the sonic lives of difference as readers, thinkers, and citizens.


The Earliest African American Literatures

The Earliest African American Literatures

Author: Zachary McLeod Hutchins

Publisher: UNC Press Books

Published: 2021-12-16

Total Pages: 213

ISBN-13: 1469665611

DOWNLOAD EBOOK

With the publication of the 1619 Project by The New York Times in 2019, a growing number of Americans have become aware that Africans arrived in North America before the Pilgrims. Yet the stories of these Africans and their first descendants remain ephemeral and inaccessible for both the general public and educators. This groundbreaking collection of thirty-eight biographical and autobiographical texts chronicles the lives of literary black Africans in British colonial America from 1643 to 1760 and offers new strategies for identifying and interpreting the presence of black Africans in this early period. Brief introductions preceding each text provide historical context and genre-specific interpretive prompts to foreground their significance. Included here are transcriptions from manuscript sources and colonial newspapers as well as forgotten texts. The Earliest African American Literatures will change the way that students and scholars conceive of early American literature and the role of black Africans in the formation of that literature.


The Origins of African American Literature, 1680-1865

The Origins of African American Literature, 1680-1865

Author: Dickson D. Bruce

Publisher: University of Virginia Press

Published: 2001

Total Pages: 396

ISBN-13: 9780813920672

DOWNLOAD EBOOK

From the earliest texts of the colonial period to works contemporary with Emancipation, African American literature has been a dialogue across color lines, and a medium through which black writers have been able to exert considerable authority on both sides of that racial demarcation. Dickson D. Bruce argues that contrary to prevailing perceptions of African American voices as silenced and excluded from American history, those voices were loud and clear. Within the context of the wider culture, these writers offered powerful, widely read, and widely appreciated commentaries on American ideals and ambitions. The Origins of African American Literature provides strong evidence to demonstrate just how much writers engaged in a surprising number of dialogues with society as a whole. Along with an extensive discussion of major authors and texts, including Phillis Wheatley's poetry, Frederick Douglass's Narrative, Harriet Jacobs' Incidents in the Life of a Slave Girl, and Martin Delany's Blake, Bruce explores less-prominent works and writers as well, thereby grounding African American writing in its changing historical settings. The Origins of African American Literature is an invaluable revelation of the emergence and sources of the specifically African American literary tradition and the forces that helped shape it.


Masterpieces of African-American Literature

Masterpieces of African-American Literature

Author: Frank N. Magill

Publisher: Collins Reference

Published: 1992-12-08

Total Pages: 608

ISBN-13: 9780062700667

DOWNLOAD EBOOK

A unique and vital guide that summarizes, explains and evaluates the greatest works of African-American literature -- including articles on writings from James Baldwin, W. E. B. DuBois, Langston Hughes, Malcolm X, Toni Morrison and many more.


African-American Literature

African-American Literature

Author: Demetrice A. Worley

Publisher: McGraw-Hill Humanities, Social Sciences & World Languages

Published: 1998

Total Pages: 654

ISBN-13: 9780844259260

DOWNLOAD EBOOK

A collection of eighty-five selections that exemplify the range and depth of the writing of Africian Americans. f.


The City in African-American Literature

The City in African-American Literature

Author: Yoshinobu Hakutani

Publisher: Fairleigh Dickinson Univ Press

Published: 1995

Total Pages: 274

ISBN-13: 9780838635650

DOWNLOAD EBOOK

More recent African-American literature has also been noteworthy for its largely affirmative vision of urban life. Amiri Baraka's 1981 essay "Black Literature and the Afro-American Nation: The Urban Voice" argues that, from the Harlem Renaissance onward, African-American literature has been "urban shaped," producing a uniquely "black urban consciousness." And Toni Morrison, although stressing that the American city in general has often induced a sense of alienation in many African-American writers, nevertheless adds that modern African-American literature is suffused with an "affection" for "the village within" the city.