Aesthetic Origins

Aesthetic Origins

Author: Jay Patrick Starliper

Publisher: Routledge

Published: 2017-07-28

Total Pages: 332

ISBN-13: 1351533703

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While it is gaining in academic prominence, discussion of the imagination is too often neglected. Society is dangerously unaware of the intimate relationship between culture and politics, ethics and aesthetics. Challenging this, Jay Patrick Starliper examines the imagination through the lens of the work of Peter Viereck and other likeminded thinkers. The result is a philosophical deconstruction that demonstrates why books are bullets.In 1941, before Nazi barbarism was public knowledge, a young Peter Viereck published Metapolitics: From Wagner and the German Romantics to Hitler. In it, Viereck attacked the diabolical spiritual foundations of National Socialism. He made the ostensibly absurd claim that a certain shade of romanticism was the ethical foundation of a German revolt against decency. According to Viereck, Nazism was the culmination of over a century and a half of bad culture, the result of an idyllic imagination. Starliper warns that the same diseased imagination that culminated in gas chambers and guillotines is subtly affecting the way millions of people view the world today and that, without the inspiration of an elevated aesthetic, civilization will not survive.In the spirit of Edmund Burke and Irving Babbitt, Viereck's insight into the ethical and political force of aesthetics provides a much needed critique of contemporary civilization.


The Origins of Aesthetic Thought in Ancient Greece

The Origins of Aesthetic Thought in Ancient Greece

Author: James I. Porter

Publisher: Cambridge University Press

Published: 2016-10-20

Total Pages: 0

ISBN-13: 9781316630259

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This is the first modern attempt to put aesthetics back on the map in classical studies. James Porter traces the origins of aesthetic thought and inquiry in their broadest manifestations as they evolved from before Homer down to the fourth-century and then into later antiquity, with an emphasis on Greece in its earlier phases. Greek aesthetics, he argues, originated in an attention to the senses and to matter as opposed to the formalism and idealism that were enshrined by Plato and Aristotle and through whose lens most subsequent views of ancient art and aesthetics have typically been filtered. Treating aesthetics in this way can help us reveal the commonly shared basis of the diverse arts of antiquity. Reorienting our view of the ancient vocabularies of art and experience around matter and sensation, this book dramatically changes how we look upon the ancient achievements in these same areas.


Origins and the Enlightenment

Origins and the Enlightenment

Author: Catherine Labio

Publisher: Cornell University Press

Published: 2018-07-05

Total Pages: 210

ISBN-13: 1501727435

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What epistemic assumptions framed eighteenth-century thinkers' speculations regarding origins? What, if anything, connected these speculations? The best way to understand the Enlightenment's obsession with origins is to study it in conjunction with the contemporary conceptualization of originality as a criterion of aesthetic value, Catherine Labio maintains. Her expansive survey of the era's thought places special emphasis on epistemology and is genuinely interdisciplinary, drawing on such fields as anthropology, geometry, historiography, literary criticism, and political economy. One of the most striking facets of Enlightenment thought, according to Labio, is the emergence of aesthetics as a master discourse that enabled its users to make sense of worlds ostensibly unrelated to the arts. In particular, once knowledge became defined as knowledge of things made by human beings, originality became valued not only for its novelty but also as a guarantee of epistemological certainty. Labio analyzes the views held by a variety of European thinkers—including Baumgarten, Condillac, Descartes, Kant, Locke, Rousseau, Adam Smith, Vico, and Edward Young—on the origins of ideas, languages, nations, nature, and wealth. Throughout, the author deals with a wide range of primary and secondary materials.


The Origins of Modern Critical Thought: German Aesthetic and Literary Criticism from Lessing to Hegel

The Origins of Modern Critical Thought: German Aesthetic and Literary Criticism from Lessing to Hegel

Author: David Simpson

Publisher: CUP Archive

Published: 1988-10-28

Total Pages: 468

ISBN-13: 9780521359023

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An exceptional resource, this 1988 book provides a comprehensive anthology in English of the major texts of German literary and aesthetic theory between Lessing and Hegel. The texts are crucial to an understanding not only of the Romantic period itself, but also of the foundational arguments of literary theory.


Bonds of Civility

Bonds of Civility

Author: Eiko Ikegami

Publisher: Cambridge University Press

Published: 2005-02-28

Total Pages: 496

ISBN-13: 9780521601153

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This book combines sociological insights in organizations with cultural history.


Mathematics and the Aesthetic

Mathematics and the Aesthetic

Author: Nathalie Sinclair

Publisher: Springer Science & Business Media

Published: 2007-12-28

Total Pages: 299

ISBN-13: 0387381457

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This collection of essays explores the ancient affinity between the mathematical and the aesthetic, focusing on fundamental connections between these two modes of reasoning and communicating. From historical, philosophical and psychological perspectives, with particular attention to certain mathematical areas such as geometry and analysis, the authors examine ways in which the aesthetic is ever-present in mathematical thinking and contributes to the growth and value of mathematical knowledge.


The Art of the Comic Book

The Art of the Comic Book

Author: Robert C. Harvey

Publisher: Univ. Press of Mississippi

Published: 1996

Total Pages: 304

ISBN-13: 9780878057580

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A history of the comic book, in which a noted cartoonist demonstrates the aesthetics and power of the medium


Everyday Aesthetics

Everyday Aesthetics

Author: Yuriko Saito

Publisher: OUP Oxford

Published: 2008-01-03

Total Pages: 288

ISBN-13: 019160853X

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Everyday aesthetic experiences and concerns occupy a large part of our aesthetic life. However, because of their prevalence and mundane nature, we tend not to pay much attention to them, let alone examine their significance. Western aesthetic theories of the past few centuries also neglect everyday aesthetics because of their almost exclusive emphasis on art. In a ground-breaking new study, Yuriko Saito provides a detailed investigation into our everyday aesthetic experiences, and reveals how our everyday aesthetic tastes and judgments can exert a powerful influence on the state of the world and our quality of life. By analysing a wide range of examples from our aesthetic interactions with nature, the environment, everyday objects, and Japanese culture, Saito illustrates the complex nature of seemingly simple and innocuous aesthetic responses. She discusses the inadequacy of art-centered aesthetics, the aesthetic appreciation of the distinctive characters of objects or phenomena, responses to various manifestations of transience, and the aesthetic expression of moral values; and she examines the moral, political, existential, and environmental implications of these and other issues.


The Aesthetics of History

The Aesthetics of History

Author: Alun Munslow

Publisher: Routledge

Published: 2019-10-22

Total Pages: 301

ISBN-13: 1000734196

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This book offers an understanding and analysis of the aesthetics of historying through the specific concepts and process of the fabricated, factitious, factional, factious, factitive, factive, factualist, fictitious, fictive and the figurative. These concepts create the(ir) connection(s) between "the past" and ‘history" hitherto rethink the nature of "the historical past." There are many different available ‘forms’ of histories that shape the minds of historians when they deploy their historical imaginations through "the past(s) via their preferred history creations." For every historian and every history reader, there is a different experience of "the history past aesthetic."