These twenty compositions are presented in the same order as they appeared in the original work published in Paris 1554 by Le Roy et Ballard. They were transcribed from a facsimile edition of the original manuscript and every effort has been made to transcribe the original tablature into modern, easy to play, tablature and notation. Although written as chansons, each of the pieces works well as guitar or ukulele solos.
A transcription into modern tablature and musical notation of the Premier Livre de Tablature de Guiterre by Adrian Le Roy originally published in 1551. These are fun to play and range in difficulty from easy to intermediate.
Teaches the fundamentals of playing guitar, from purchasing the right model to learning scales and chords, and includes information on tuning, slide playing, and equipment.
Once guitar players learn the basics, they need to take the next step in their musical education. Scales are the musical grammar they're looking for, and this book is a one-stop shop for every scale guitar lovers could ever imagine! Highlights of this valuable reference book include: Easy-to-follow fret board diagrams (no music reading required); Thousands of scale shapes; Scales for every style of music, including world/ethnic music; The basic theory behind the scales and tips on how to use them; And more! Musicians at all levels will enjoy the new sounds and possibilities these scales provide.This oversized volume contains everything guitarists need to know about scales in a fun, down-to-earth book!
These handy, accessible books provides literally all the information you need to know to gain a new hobby or understand a difficult topic. "Guitar" makes learning how to play an acoustic or electric guitar easy and will serve as the perfect introduction to this popular instrument. This title covers everything you need to know: how to play your first songs, reading music and tablature, mastering genre styles, and much, much more. With clear step-by-step instructions, diagrams and practice tips, this practical manual will have readers playing chords and songs in no time.
In this day and age, children and young adults need every advantage they can get from their education. At Eldorado Ink, we strive to establish our company as an exciting resource for nonfiction reference materials for sixth grade and beyond.
Here are compositions by John Dowland who was an English musician and lutenist of the late Renaissance, transcribed for the Renaissance guitar and baritone ukulele. Most are also playable on the tenor and soprano ukulele and, of course, may be played on the guitar.
More than twenty years ago James Tyler wrote a modest introduction to the history, repertory, and playing techniques of the four- and five-course guitar. Entitled The Early Guitar: A History and Handbook (OUP 1980), this work proved valuable and enlightening not only to performers and scholarsof Renaissance and Baroque guitar and lute music but also to classical guitarists. This new book, written in collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its musicfrom the Renaissance to the dawn of the Classical era.Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of theperiod. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers andscholars alike.Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history--notably c.1759-c.1800--which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central tomusic-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-stringinstrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
Chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain), genre studies (Mass, motet, madrigal, chanson, instrumental music, opera), as well as essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, the concepts of "Renaissance" and "Baroque").
