Adrian Ghenie
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Published: 2015
Total Pages: 58
ISBN-13:
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Author: Adrian Ghenie
Publisher: Hatje Cantz Verlag
Published: 2015
Total Pages: 0
ISBN-13: 9783775740135
DOWNLOAD EBOOKAt the 2015 Venice Biennale, the Romanian Pavilion showcases Darwin's Room, an exhibition of paintings by Adrian Ghenie (born 1977). The title refers not only to a recent series of portraits of (and self-portraits as) the great British naturalist, but also to Ghenie's exploration of 20th-century history as an "evolutionary laboratory."
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Published: 2015
Total Pages: 12
ISBN-13:
DOWNLOAD EBOOKAuthor: Adrian Ghenie
Publisher:
Published: 2015
Total Pages: 0
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DOWNLOAD EBOOKAuthor: Juerg Judin
Publisher: Hatje Cantz Verlag
Published: 2020
Total Pages: 0
ISBN-13: 9783775743525
DOWNLOAD EBOOKAt least since his spectacular exhibition in the Romanian Pavilion at the 56th Venice Biennale in 2015, Adrian Ghenie (*1977 in Baia Mare, Romania) has been known to the broad public as one of the most interesting and unconventional painters of his generation. His works--painted in oils that have been scratched, applied with a palette knife, or thrown onto the canvas--have already gained entry into the collections of the Metropolitan Museum of Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris, and have achieved one auction record after another in the art market. Yet neither Ghenie's subjects nor his technique cater to the taste of the public: the history of the 'century of humiliation' --which is how Ghenie refers to the twentieth century--its perpetrators and victims are the most important sources for his collage-like compositions. These subjects are joined by his positive heroes alike, such as Van Gogh and Darwin, and time after time, his self portrait
Author: Adrian Ghenie
Publisher: Galerie Thaddaeus Ropac
Published: 2019-07-23
Total Pages: 56
ISBN-13: 9782910055882
DOWNLOAD EBOOKGhenie's works--painted in oils sometimes applied with a palette knife or thrown onto the canvas--have already gained entry into the collections of the Metropolitan Museum of Art, Tate Modern and the Centre Pompidou, and have achieved one auction record after another in the art market. Yet neither Ghenie's subjects nor his technique cater to public taste.lic taste.
Author: Adrian Ghenie
Publisher: Galerie Thaddaeus Ropac
Published: 2019-08-20
Total Pages: 48
ISBN-13: 9782910055950
DOWNLOAD EBOOKParticularly since his spectacular exhibition in the Romanian Pavilion at the 56th Venice Biennale in 2015, Ghenie (born 1977) has been celebrated as one of the most interesting and unconventional painters of his generation. The history of the "century of humiliation" (as he refers to the 20th century), and its perpetrators and victims, are the predominant sources for his collage-like compositions. These subjects are juxtaposed with heroes such as Van Gogh and Darwin, as well as depictions of himself.
Author: Anselm Kiefer
Publisher:
Published: 2002
Total Pages: 0
ISBN-13: 9781880154830
DOWNLOAD EBOOKThis book brings together the 2010 output of the American Law Institute (ALI) project on World Trade Organization law. Each chapter focuses on a different dispute from the adjudicating bodies of the WTO. Each case is jointly evaluated by well-known experts in trade law and international economics. ALI reporters critically review the jurisprudence of WTO adjudicating bodies and evaluate whether the ruling 'makes sense' from an economic as well as a legal point of view and, if not, whether the problem lies in the interpretation of the law or the law itself. The studies do not always cover all issues discussed in a case, but they seek to discuss both the procedural and the substantive issues that form, in the reporters' views, the 'core' of the dispute. This paperback will be an invaluable resource for students, lecturers and practitioners of international trade law.
Author: David Maclagan
Publisher: Jessica Kingsley Publishers
Published: 2001-02
Total Pages: 159
ISBN-13: 1846422124
DOWNLOAD EBOOKAn introduction to the field of psychological aesthetics for art educators, art therapists, psychoanalysts, artists and art lovers, this book re-evaluates conventional philosophical and psychoanalytic approaches to aesthetic qualities themselves, to the kinds of psychological significance they can generate, and to the interweaving of inner and outer realities upon which this depends. Art history tends to see an artist's work in the context of their life and times; psychoanalysis and art therapy tend to see art works in terms of an `unconscious' meaning that is beneath the surface of its `aesthetic' properties, within the context of the therapeutic relationship. Maclagan draws attention to the intimate connections between the aesthetic qualities of an art work per se, felt out in its material handling, be they attractive, disconcerting or just bland, and a wide range of psychological meanings. Drawing on phenomenology and archetypal psychology, as well as on neglected writers on unconcious aspects of form, Psychological Aesthetics: Painting, Feeling and Making Sense explores this realm of feeling, the different ways in which it is embodied in art and how we can use `subjective' strategies to articulate it in words. It will open new perspectives in understanding both the processes of art making and our creative response to its results.