Adastra in Africa spotlights a young, exiled goddess traveling to an African village and striving to bring salvation to the famine-stricken area. It's a compelling tale of an outsider attempting to use her own non-traditional methods to help a defiantly proud people regain its vitality, without compromising the tribe's heritage and values. This stand-alone graphic novel features some of the most beautifully intricate and graceful drawing of Windsor-Smith's legendary career.
Collects the entire Young Gods stories, including the previously unpublished issues #10 and #11, plus new story material, background information, and behind-the-scenes art! The story and characters are sexy, ribald, and outrageously funny!
RUN, the Eisner Award-Winner for Best Graphic Memoir, is one of the most heralded books of the year including being named a: New York Times Top 5 YA Books of the Year · Top 10 Great Graphic Novels for Teens (Young Adult Library Services Association) · Washington Post Best Books of the Year · Variety Best Books of the Year · School Library Journal Best Books of the Year · Kirkus Reviews Best Books of the Year · Amazon Best History Book of 2021 • Top Ten Title of the Year (In the Margins Book Award) · In the Margins Book Award for Nonfiction winner · Top Ten Graphic Novels for Adults (American Library Association) · Best Books for Young Readers (U of Penn Graduate School of Education) · Books All Young Georgians Should Read (Georgia Center for the Book) First you march, then you run. From the #1 bestselling, award–winning team behind March comes the first book in their new, groundbreaking graphic novel series, Run: Book One. “Run recounts the lost history of what too often follows dramatic change—the pushback of those who refuse it and the resistance of those who believe change has not gone far enough. John Lewis’s story has always been a complicated narrative of bravery, loss, and redemption, and Run gives vivid, energetic voice to a chapter of transformation in his young, already extraordinary life.” –Stacey Abrams “In sharing my story, it is my hope that a new generation will be inspired by Run to actively participate in the democratic process and help build a more perfect Union here in America.” –Congressman John Lewis The sequel to the #1 New York Times bestselling graphic novel series March—the continuation of the life story of John Lewis and the struggles seen across the United States after the Selma voting rights campaign. To John Lewis, the civil rights movement came to an end with the signing of the Voting Rights Act in 1965. But that was after more than five years as one of the preeminent figures of the movement, leading sit–in protests and fighting segregation on interstate busways as an original Freedom Rider. It was after becoming chairman of SNCC (the Student Nonviolent Coordinating Committee) and being the youngest speaker at the March on Washington. It was after helping organize the Mississippi Freedom Summer and the ensuing delegate challenge at the 1964 Democratic National Convention. And after coleading the march from Selma to Montgomery on what became known as “Bloody Sunday.” All too often, the depiction of history ends with a great victory. But John Lewis knew that victories are just the beginning. In Run: Book One, John Lewis and longtime collaborator Andrew Aydin reteam with Nate Powell—the award–winning illustrator of the March trilogy—and are joined by L. Fury—making an astonishing graphic novel debut—to tell this often overlooked chapter of civil rights history.
The Freebooters is a lively, character-driven graphic narrative set in a fantastic, ancient milieu that superficially bears resemblance to a world that will be familiar to longtime Windsor-Smith fans who remember his work on another famous warrior. This volume collects the entirety of Windsor-Smith's "The Freebooter" stories from the acclaimed BWS: Storyteller comic book series from the early 1990s, including a full-length chapter from the unpublished tenth issue, plus more than 50 pages of new story. The Freebooters is amongst the most raucous and literate comics of Windsor-Smith's career, the culmination of a lifetime of experience and knowledge, approaching his comics with a seriousness of purpose while never losing his unmistakable sense of humor. A ripping good yarn!
"All the sizzle, chaos, noise and scariness of war is clay in the hands of ace storyteller Lynch." -- Kirkus Reviews for the World War II series Discover the secret missions behind America's greatest conflicts.Danny Manion has been fighting his entire life. Sometimes with his fists. Sometimes with his words. But when his actions finally land him in real trouble, he can't fight the judge who offers him a choice: jail... or the army.Turns out there's a perfect place for him in the US military: the Studies and Observation Group (SOG), an elite volunteer-only task force comprised of US Air Force Commandos, Army Green Berets, Navy SEALS, and even a CIA agent or two. With the SOG's focus on covert action and psychological warfare, Danny is guaranteed an unusual tour of duty, and a hugely dangerous one. Fortunately, the very same qualities that got him in trouble at home make him a natural-born commando in a secret war. Even if almost nobody knows he's there.National Book Award finalist Chris Lynch begins a new, explosive fiction series based on the real-life, top-secret history of US black ops.
35 YEARS IN THE MAKING: THE MOST ANTICIPATED GRAPHIC NOVEL IN RECENT HISTORY *A GUARDIAN 'BOOKS OF 2021' PICK* The year is 1964. Bailey doesn't realize he is about to fulfil his tragic destiny when he walks into a US Army recruitment office. Secretive, damaged, innocent, trying to forget a past and looking for a future, Bobby is the perfect candidate for a secret US government experiment, an unholy continuation of a genetics program that was discovered in Nazi Germany nearly 20 years earlier in the waning days of World War II. Bailey's only ally and protector, Sergeant McFarland, intervenes, which sets off a chain of cascading events that spin out of everyone's control. As the monsters of the title multiply, becoming real and metaphorical, the story reaches a crescendo of moral reckoning. A 360-page tour de force of visual storytelling, Monsters' narrative canvas is copious: part familial drama, part thriller, part metaphysical journey, it is an intimate portrait of individuals struggling to reclaim their lives and an epic political odyssey that plays across two generations of American history. Monsters is rendered in Barry Windsor-Smith's impeccable pen-and-ink technique, the visual storytelling, with its sensitivity to gesture and composition, the most sophisticated of the artist's career. There are passages of heartbreaking tenderness, of excruciating pain, of redemption and sacrifice, and devastating violence. Monsters is surely one of the most intense graphic novels ever drawn.
A RACE IN AFRICA TO BUILD THE FIRST SPACE ELEVATOR New money, old tribes, and international megacorps race to build the first space elevator. With a little Dabare magic, it just might work! The Sadous, an oil-rich West African family, are handed a plum contract as repayment for a decades-old favor that could tie them into an industry of the future—if the family doesn’t tear itself apart first. Two engineer daughters of the Sadou family, Pascaline and Maurie, upon whom the burden of success rests, have troubles of their own. One wants nothing more than to leave and make her own name as an engineering prodigy, while the other is troubled by fever dreams and snakes. Ethan Schmidt-Li is an ambitious megacorp executive with eyes on a big promotion—only to get more than he bargained for when put in charge of the company’s make-or-break project. Endeley Adamou is the powerful nephew of a Bakweri chieftain walking the fine line between modernization and tribal tradition. These are some of the people that Tchami “Chummy” Fabrice has brought together to an ambitious end: constructing in Africa the world’s first space elevator and ensuring the space industry that it catapults will enrich the continent and all involved. They have the carbon nanofiber, prime land around Kilimanjaro, and a captured rock in orbit for the tether. The hard part will be getting all these different people working together long enough to see it built. Praise for The Dabare Snake Launcher: “Joelle Presby’s novel is a fascinating fictional look behind the scenes of the construction of the world’s first space elevator in a near-future version of Africa that has enough grounded elements to be thoroughly believable . . . The story maintains a keen eye on the largely larger-than-life characters and respect for the business processes, customs, and beliefs of the people on the ground making things happen.” —Wole Talabi, multiple-award finalist author and editor of Africanfuturism: An Anthology “You guys should all be on the lookout for Joelle Presby’s solo Baen novel THE DABARE SNAKE LAUNCHER. It is . . . remarkable. Just truly, truly remarkable.” —David Weber, NYT best-selling author of the Honorverse series “The Dabare Snake Launcher is a very believable depiction of when this species decides to do something amazing: backstabbing, plotting, and inflamed passions galore. Presby has created a future that I could easily imagine reading on the news in a few decades, and the novel is all the better for it.” —Warped Factor “The Dabare Snake Launcher takes you on a journey of possibilities, an Africa foremost in groundbreaking technology and not focused on deprivation and poverty. Joelle’s writing is nuanced . . . There’s family drama . . . romance . . . and laugh-out-loud humour. Writing is vivid and the characters fascinating.” —Hannah Onoguwe, author and poet “Set in Cameroon, where the author lived for many years, and full of lovely detail about the local cultures, clashes between traditional and modern, and differing expectations.” —Jane Lindskold, author of the Star Kingdom series and Over Where series. Praise for Joelle Presby: “Joelle Presby has a knack for engaging characters and plots that skillfully walk the line between science and storytelling.” —Oghenechovwe Donald Ekpeki, Nebula Award-winning and Hugo Award-nominated author and editor of The Year’s Best African Speculative Fiction “Presby’s prose is efficient and shows intricate knowledge of both engineering and engineering management considerations. This infuses the story with the sensibility of a techno-thriller without the usual breakneck action pace that can sometimes sacrifice character development . . . I am eager to see what Presby writes next.” —Wole Talabi, Locus Award-nominated author and editor of Africanfuturism: An Anthology
