This bilingual collection of four of Diana Raznovich's plays, Disconcerted, Inner Gardens, MaTrix Inc, and Rear Entry amply demonstrates the role of humor in dealing with a broad range of issues: relationships, sexuality, stereotypes, censorship, and the consumer society in which emotions are bought and sold.
Sharon Magnarelli's contribution to the critical dialogue on Spanish-American literature offers fresh, new reading of plays that have already attracted significant critical attention as well as insightful analyses of others that have seldom been studied.
The Other/Argentina looks at literature, film, and the visual arts to examine the threads of Jewishness that create patterns of meaning within the fabric of Argentine self-representation. A multiethnic yet deeply Roman Catholic country, Argentina has worked mightily to fashion itself as a modern nation. In so doing, it has grappled with the paradox of Jewishness, emblematic both of modernity and of the lingering traces of the premodern. By the same token, Jewishness is woven into, but also other to, Argentineity. Consequently, books, movies, and art that reflect on Jewishness play a significant role in shaping Argentina's cultural landscape. In the process they necessarily inscribe, and sometimes confound, norms of gender and sexuality. Just as Jewishness seeps into Argentina, Argentina's history, politics, and culture mark Jewishness and alter its meaning. The feminized body of the Jewish male, for example, is deeply rooted in Western tradition; but the stigmatized body of the Jewish prostitute and the lacerated body of the Jewish torture victim acquire particular significance in Argentina. Furthermore, Argentina's iconic Jewish figures include not only the peddler and the scholar, but also the Jewish gaucho and the urban mobster, troubling conventional readings of Jewish masculinity. As it searches for threads of Jewishness, richly imbued with the complexities of gender and sexuality, The Other/Argentina explores the patterns those threads weave, however overtly or subtly, into the fabric of Argentine national meaning, especially at such critical moments in Argentine history as the period of massive state-sponsored immigration, the rise of labor and anarchist movements, the Perón era, and the 1976–83 dictatorship. In arguing that Jewishness is an essential element of Argentina's self-fashioning as a modern nation, the book shifts the focus in Latin American Jewish studies from Jewish identity to the meaning of Jewishness for the nation. This book is freely available in an open access edition thanks to the National Endowment for the Humanities Fellowships Open Book Program—a limited competition designed to make outstanding humanities books available to a wide audience. Learn more at the Fellowships Open Book Program website at: https://www.neh.gov/grants/odh/FOBP, and access the book online at the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/1711.
A bilingual poetry collection from a Cuban-American writer-activist that explores themes of identity, sexuality, and belonging A unique and inspiriting bilingual collection of lyrical poetry written in a bold, mostly gender-free English and Spanish that address immigration, displacement, love and activism. The book is divided into 3 sections: First, poems addressing immigration and displacement; secondly, those addressing love, lost and found, and finally, verses focusing on action, on ways of addressing injustice and repairing the world. The volume will be both inspiration and support for readers living with marginalized identities and those who love and stand with them.
Introduces readers to the new perspectives, approaches and interpretive possibilities in Jewish American literature that emerged in the twenty-first Century.