Singing, Acting, and Movement in Opera
Singing, Acting, and Movement in Opera

Author: Mark Ross Clark

Publisher: Indiana University Press

Published: 2009-04-09

Total Pages: 172

ISBN-13: 0253109396

DOWNLOAD EBOOK

"... a remarkable collection of observations and reflections on past experiences by many excellent artists and teachers that will doubtless help... those interested in creating 'opera magic.'" -- Tito Capobianco Singing, Acting, and Movement in Opera is designed for use in opera and musical theater workshops and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor, encouraging the student's active participation through practical exercises and application to well-known works. The Singer-getics method emphasizes integration of the various dimensions of opera performance, creating synergies among vocal performance, character development, facial expression, and movement on the stage. The book presents important information about stagecraft, characterization, posture, historical styles, performance anxiety, aria, and scene analysis. Excerpts from interviews with performers, directors, conductors, coaches, composers, and teachers offer insights and advice, allowing the reader to "meet the artists." An appendix by postural alignment specialist Emily Bogard describes techniques of relaxation and self-awareness for the performer. This lively book will appeal to students, teachers, professionals, and general readers alike.

Acting for Opera
Acting for Opera

Author: Norman Cooley

Publisher:

Published: 2017-08-04

Total Pages: 90

ISBN-13: 9781522018667

DOWNLOAD EBOOK

Over 150 copies sold!! This is an in-depth and detailed manual on acting for opera singers. Based on 45 years of performance and knowledge of opera, classically trained actor and director Norman Cooley has devised an acting training for opera singers. The book includes theory, supported by exercises, anecdotes as well as observations from operatic performances and rehearsals.Norman believes acting in opera should be completely integrated with the singing and support and empower the work of the singer, and should never hamper nor harm good singing technique. It should be as effortless as possible to provide a safe harbour for the singer to sing at their best while creating a fully satisfying performance.

Acting for Singers
Acting for Singers

Author: David F. Ostwald

Publisher: Oxford University Press

Published: 2005-07-07

Total Pages: 265

ISBN-13: 0199881839

DOWNLOAD EBOOK

Written to meet the needs of thousands of students and pre-professional singers participating in production workshops and classes in opera and musical theater, Acting for Singers leads singing performers step by step from the studio or classroom through audition and rehearsals to a successful performance. Using a clear, systematic, positive approach, this practical guide explains how to analyze a script or libretto, shows how to develop a character building on material in the score, and gives the singing performer the tools to act believably. More than just a "how-to" acting book, however, Acting for Singers also addresses the problems of concentration, trust, projection, communication, and the self-doubt that often afflicts singers pursuing the goal of believable performance. Part I establishes the basic principles of acting and singing together, and teaches the reader how to improvise as a key tool to explore and develop characters. Part II teaches the singer how to analyze theatrical work for rehearsing and performing. Using concrete examples from Carmen and West Side Story, and imaginative exercises following each chapter, this text teaches all singers how to be effective singing actors.

The Invisible Actor
The Invisible Actor

Author: Yoshi Oida

Publisher: Bloomsbury Publishing

Published: 2020-10-01

Total Pages: 123

ISBN-13: 1350148288

DOWNLOAD EBOOK

The Invisible Actor presents the captivating and unique methods of the distinguished Japanese actor and director, Yoshi Oida. While a member of Peter Brook's theatre company in Paris, Yoshi Oida developed a masterful approach to acting that combined the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. Written with Lorna Marshall, Yoshi Oida explains that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance. Throughout Lorna Marshall provides contextual commentary on Yoshi Oida's work and methods. In a new foreword to accompany the Bloomsbury Revelations edition, Yoshi Oida revisits the questions that have informed his career as an actor and explores how his skilful approach to acting has shaped the wider contours of his life.

Stanislavski on Opera
Stanislavski on Opera

Author: Pavel Ivanovich Rumi︠a︡nt︠s︡ev

Publisher: Psychology Press

Published: 1998

Total Pages: 388

ISBN-13: 9780878305520

DOWNLOAD EBOOK

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Chinese Opera
Chinese Opera

Author: Wang-Ngai Siu

Publisher: Hong Kong University Press

Published: 2013-12-01

Total Pages: 227

ISBN-13: 9888208268

DOWNLOAD EBOOK

Chinese opera embraces over 360 different styles of theatre that make one of the richest performance arts in the world. It combines music, speech, poetry, mime, acrobatics, stage fighting, vivid face-painting and exquisite costumes. First experiences of Chinese opera can be baffling because its vocabulary of stagecraft is familiar only to the seasoned aficionado. Chinese Opera: The Actor’s Craft makes the experience more accessible for everyone. This book uses breath-taking images of Chinese opera in performance by Hong Kong photographer Siu Wang-Ngai to illustrate and explain Chinese opera stage technique. The book explores costumes, gestures, mime, acrobatics, props and stage techniques. Each explanation is accompanied by an example of its use in an opera and is illustrated by in-performance photographs. Chinese Opera: The Actor’s Craft provides the reader with a basic grammar for understanding uniquely Chinese solutions to staging drama.

Storytelling in Opera and Musical Theater
Storytelling in Opera and Musical Theater

Author: Nina Penner

Publisher: Indiana University Press

Published: 2020-10-06

Total Pages: 312

ISBN-13: 0253049989

DOWNLOAD EBOOK

Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic works, how music can orient spectators to characters' points of view, how being privy to characters' inner thoughts and feelings may evoke feelings of sympathy or empathy, and how performers' choices affect not only who is telling the story but what story is being told. Unique about Penner's approach is her engagement with current work in analytic philosophy. Her study reveals not only the resources this philosophical tradition can bring to musicology but those which musicology can bring to philosophy, challenging and refining accounts of narrative, point of view, and the work-performance relationship within both disciplines. She also considers practical problems singers and directors confront on a daily basis, such as what to do about Wagner's Jewish caricatures and the racism of Orientalist operas. More generally, Penner reflects on how centuries-old works remain meaningful to contemporary audiences and have the power to attract new, more diverse audiences to opera and musical theater. By exploring how practitioners past and present have addressed these issues, Storytelling in Opera and Musical Theater offers suggestions for how opera and musical theater can continue to entertain and enrich the lives of 21st-century audiences.

Acting in Musical Theatre
Acting in Musical Theatre

Author: Joe Deer

Publisher: Routledge

Published: 2008-05-09

Total Pages: 481

ISBN-13: 1135978417

DOWNLOAD EBOOK

Acting in Musical Theatre is the only complete course in approaching a role in a musical. It is the first to combine acting, singing and dancing into a comprehensive guide, combining what have previously been treated as three separate disciplines. This book contains fundamental skills for novice actors, practical insights for professionals, and even tips to help veteran musical performers refine their craft. Drawing on decades of experience in both acting and teaching, the authors provide crucial advice on all elements of the profession, including: fundamentals of acting applied to musical theatre script, score and character analysis personalizing your performance turning rehearsal into performance acting styles in the musical theatre practical steps to a career. Acting in Musical Theatre’s chapters divide into easy-to-reference units, each containing related group and solo exercises, making it the definitive textbook for students and practitioners alike.