Acting, Spectating and the Unconscious
Acting, Spectating and the Unconscious

Author: Maria Grazia Turri

Publisher: Routledge

Published: 2016-11-25

Total Pages: 234

ISBN-13: 1315517310

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From Aristotle’s theory of tragic katharsis onwards, theorists of the theatre have long engaged with the question of what spectatorship entails. This question has, directly or indirectly, often been extended to the investigation of acting. Acting, Spectating, and the Unconscious approaches the unconscious aspects of spectatorship and acting afresh. Interweaving psychoanalytic descriptions of processes such as transference, unconscious phantasy, and alpha-function with an in-depth survey of theories of spectating and acting from thinkers such as Brecht, Diderot, Rousseau and Plato, Maria Grazia Turri offers a significant insight into the emotions inherent in both the art of the actor, and the spectator’s experience. A compelling investigation of the unconscious communication between spectators and actors, this volume is a must-read for students and scholars fascinated by theatre spectatorship.

Acting, Spectating, and the Unconscious
Acting, Spectating, and the Unconscious

Author: Maria Grazia Turri

Publisher: Routledge

Published: 2017

Total Pages: 0

ISBN-13: 9781138699243

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From Aristotle's theory of tragic katharsis onwards, theorists of the theatre have long engaged with the question of what spectatorship entails. This question has, directly or indirectly, often been extended to the investigation of acting. Acting, Spectating, and the Unconscious approaches the unconscious aspects of spectatorship and acting afresh. Interweaving psychoanalytic descriptions of processes such as transference, unconscious phantasy, and alpha-function with an in-depth survey of theories of spectating and acting from Aristotle and Brecht to Diderot's Paradox of Acting and the emotionalist theories of the eighteenth century, Maria Grazia Turri offers a significant insight into the emotions inherent in both the art of the actor, and the spectator's experience. A compelling investigation of the unconscious communication between spectators and actors, this volume is a must-read for students and scholars fascinated by theatre spectatorship.

Actors and Audiences
Actors and Audiences

Author: Caroline Heim

Publisher: Routledge

Published: 2020-03-10

Total Pages: 307

ISBN-13: 1315456079

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Actors and Audiences explores the exchanges between those on and off the stage that fill the atmosphere with energy and vitality. Caroline Heim utilises the concept of "electric air" to describe this phenomenon and discuss the charge of emotional electricity that heightens the audience’s senses in the theatre. In order to understand this electric air, Heim draws from in-depth interviews with 79 professional audience members and 22 international stage and screen actors in the United Kingdom, United States, France and Germany. Tapping into the growing interest in empirical studies of the audience, this book documents experiences from three productions – The Encounter, Heisenberg and Hunger. Peer Gynt – to describe the nature of these conversations. The interviews disclose essential elements: transference, identification, projection, double consciousness, presence, stage fright and the suspension of disbelief. Ultimately Heim reveals that the heart of theatre is the relationship between those on- and off-stage, the way in which emotions and words create psychological conversations that pass through the fourth wall into an "in-between space," and the resulting electric air. A fascinating introduction to a unique subject, this book provides a close examination of actor and audience perspectives, which is essential reading for students and academics of Theatre, Performance and Audience Studies.

Political Dramaturgies and Theatre Spectatorship
Political Dramaturgies and Theatre Spectatorship

Author: Liz Tomlin

Publisher: Bloomsbury Publishing

Published: 2019-06-13

Total Pages: 215

ISBN-13: 1474295614

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What do we mean when we describe theatre as political today? How might theatre-makers' provocations for change need to be differently designed when addressing the precarious spectator-subject of twenty- first century neoliberalism? In this important study Liz Tomlin interrogates the influential theories of Jacques Rancière to propose a new framework of analysis through which contemporary political dramaturgies can be investigated. Drawing, in particular, on Ernesto Laclau and Chantal Mouffe, Lilie Chouliaraki and Judith Butler, Tomlin argues that the capacities of the contemporary and future spectator to be 'effected' or 'affected' by politically-engaged theatre need to be urgently re-evaluated. Central to this study is Tomlin's theorized figuration of the neoliberal spectator-subject as precarious, individualized and ironic, with a reduced capacity for empathy, agency and the ability to imagine better futures. This, in turn, leads to a predilection for a response to injustice that is driven by a concern for the feelings of the subject-self, rather than concern for the suffering other. These characteristics are argued to shape even those spectator-subjects towards the left of the political spectrum, thus necessitating a careful reconsideration of new and long-standing dramaturgies of political provocation. Dramaturgies examined include the ironic invitations of Made in China and Martin Crimp, the exploration of affect in Kieran Hurley's Heads Up, the new sincerity that characterizes the work of Andy Smith, the turn to the staging of the spectators' 'other' in Developing Artists' Queens of Syria and Chris Thorpe and Rachel Chavkin's Confirmation, and the community activism of Common Wealth's The Deal Versus the People.

The Players' Advice to Hamlet
The Players' Advice to Hamlet

Author: David Wiles

Publisher: Cambridge University Press

Published: 2020-02-06

Total Pages: 381

ISBN-13: 1108498876

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Outlining a classical 'rhetorical' system, this is the first serious overview of how European actors c.1550-1800 thought about acting.

The Art of Experience
The Art of Experience

Author: Dagmara Gizło

Publisher: Routledge

Published: 2020-12-30

Total Pages: 182

ISBN-13: 1000332217

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The Art of Experience provides an interdisciplinary analysis of selected plays from Ireland’s premier female playwright, Marina Carr. Dagmara Gizło explores the transformative impact of a theatrical experience in which interdisciplinary boundaries must be crossed. This book demonstrates that theatre is therapeutic and therapy is theatrical. The role of emotions, cognitions, and empathy in the theatrical experience is investigated throughout. Dagmara Gizło utilises the methodological tools stemming from modern empirically grounded psychology (such as cognitive-behavioural therapy or CBT) to the study of theatre’s transformative potential. This book will be of great interest to students and scholars of theatre, performance, and literature, and will be a fascinating read for those at the intersection of cognitive studies and the humanities.

Contemporary Group Theatre in Kolkata, India
Contemporary Group Theatre in Kolkata, India

Author: Arnab Banerji

Publisher: Routledge

Published: 2020-05-17

Total Pages: 251

ISBN-13: 1000068994

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This book is the first of its kind offering a materialistic semiotic analysis of a non-Western theatre culture: Bengali group theatre. Arnab Banerji fills two lacunas in contemporary theatre scholarship. First, the materialist semiotic approach to studying a non-Western theatre event allows Banerji to critically examine the material conditions in which theatre is created and seen outside the Euro-American context. And second, by shifting the critical lens onto a contemporary urban theatre phenomenon from India, the book attempts to even out the scholastic imbalance in Indian theatre scholarship which has largely focused on folk and classical traditions. The book shows a refreshing new perspective toward a theatre culture that frequently escapes the critical lens in spite of being one of the largest urban theatre cultures in the world. Theatre events are a sum total of the conditions in which they are built and the conditions in which they are viewed. Studying the event separate from its materialistic beginnings and semiotic effects allow only a partial insight into the performance phenomenon. The materialist semiotic critical framework of this book locates the Bengali group theatre within its performative context and offers a heretofore unexplored insight into this vibrant theatre culture.

Re-Visioning Existential Therapy
Re-Visioning Existential Therapy

Author: Manu Bazzano

Publisher: Routledge

Published: 2020-09-28

Total Pages: 531

ISBN-13: 1000191095

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Re-Visioning Existential Therapy is a collection of essays from leading practitioners and theorists around the globe which questions some of the key tenets of traditional existential therapy. The book enlightens, stimulates, and provokes the reader out of complacency. It expands the breadth and scope of the approach, discusses recent developments in psychotherapy and philosophy, and aligns existential therapy to a progressive, radical, and counter-traditional ethos. Through clinical studies, personal reflections, discussions on aspects of theory, and exciting links to art, literature, and contemporary culture, these very diverse and wide-ranging contributions take existential therapy into the fertile wilderness of shared experience. Through renewed links to seminal writers, it captures the subversive spirit, the deep compassion, the unflinching gaze and playfulness that is at the heart of the approach. The book will share knowledge and enthusiasm for the practice of existential therapy in order to encourage therapists and trainees to partake of the joys and challenges of existential practice.