Giambattista Tiepolo, 1696-1770 : [Venice, Museum of Ca' Rezzonico, from September 5 to December 9, 1996] : The Metropolitan Museum of Art, New York, [from January 24 to April 27, 1997]

Giambattista Tiepolo, 1696-1770 : [Venice, Museum of Ca' Rezzonico, from September 5 to December 9, 1996] : The Metropolitan Museum of Art, New York, [from January 24 to April 27, 1997]

Author: Giovanni Battista Tiepolo

Publisher: Metropolitan Museum of Art

Published: 1996

Total Pages: 416

ISBN-13: 0870998129

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Published in conjunction with an exhibit which opened in Venice in 1996 and at the Metropolitan Museum of Art in New York during the first part of 1997. The exhibit organizers aimed to show Tiepolo as one of the presiding geniuses of the European imagination. In essays and entries on every work shown, the text illuminates his formation; his mastery of mythological and poetic subjects; his religious pictures; his excursions into portraiture and studies of ideal heads; and the process by which he proceeded from initial ideas--small- scale sketches--to large canvases and frescoes. Beautifully produced, the volume makes a stunning impact, and will have to suffice for those who can't make it to the exhibit itself. Distributed by Abrams. 10x12"Annotation copyrighted by Book News, Inc., Portland, OR


The Eighteenth Century in Italy

The Eighteenth Century in Italy

Author: Jacob Bean

Publisher: Metropolitan Museum of Art

Published: 1971

Total Pages: 459

ISBN-13: 0870990217

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"This is the third in a series of catalogues published jointly by The Metropolitan Museum of Art and The Pierpont Morgan Library to record exhibitions of drawings from the two institutions and from distinguished private collections. The exhibitions and the books that illustrate them will ultimately document the finest traditions of European draughtsmanship, from the Renaissance through the nineteenth century. The Eighteenth Century in Italy, which follows The Italian Renaissance and The Seventeenth Century in Italy, contains reproductions of 300 drawings, presented one to a page. The book brings together, chronologically, brilliant works by G. B. Tiepolo, Canaletto, Francesco Guardi, Giovanni Battista Piranesi, and Domenico Tiepolo—as well as drawings of fifty-one other masters of the Settecento. As in the preceding catalogues, the photographic reproductions have been made directly from the drawings themselves in order to retain, as much as possible, the original tonalities. Each of the 300 drawings has a commentary, record of provenance and exhibitions, technical description, and bibliography. And, for the first time in the series, many watermarks have been drawn and reproduced photographically"--Publisher's description.