Using the Japanese hake brush, obtainable from most art and craft shops, Ron Ranson demonstrates how, because of its nature and size, it forces the watercolourist to simplify the subject matter and thus distil the essence of a scene. He also discusses the dissecting and dramatizing of the subject.
College Ruled Color Paperback. Size: 6 inches x 9 inches. 55 sheets (110 pages for writing). Autumn Leaves Texture With Golden Light Abstract Backgr. 157741896057
Beautiful autumn leaf pattern - watercolor abstract design. Perfect for everyone who loves Fall. Lined Notebook JournalBeautiful autumn leaf pattern - watercolor abstract design. Perfect for everyone who loves Fall. 8x10 inch 150 Pages College Ruled Line Spacing Full wrap around cover design Name and contact page Flexible easy wipe-clean glossy cover Lots of uses! Notebook: School notes or writing down your thought and ideas. Journal: Expressing your gratitude, capture your dreams, track your habits. Journaling relieves stress and promotes relaxation Diary: Track your diet and fitness routines. Planner: Use it to keep a to-do list and keep track up upcoming events. Creative outlet: Outline your next book. Write some poetry. Recipe Book: Get those family recipes written down while you can. Gardening Planner: Document your gardening successes (and, oops, failures, too!) Spending Log: Saving for something special? Tracking your expenses and spending will help you reach your goal. And so much more! With this notebook, the possibilities are endless. How will you use your new notebook? Our books are available in a variety of sizes and styles. Copy this book title and use the search box at the top of this page to see the other sizes and styles.
Award-winning artist Harriet de Winton shows you how to create contemporary watercolour artworks to treasure and share. Through more than 30 step-by-step projects, discover how to paint individual flowers and foliage, as well as beautiful botanical compositions. Use your new skills to make art for your wall, unique cards, invitations, or simply paint for pleasure.
A modern, easy-to-use, and authoritative guide to painting with gouache, including the basics on this exciting and centuries-old medium, techniques for all skill levels, and practice projects from an experienced author and illustrator. This charming and contemporary step-by-step guide to gouache (pronounced "gwash") is perfect for creative people who have dreamed of painting inspiring subjects from everyday life. Gouache is a water-based paint similar to watercolor that has the opacity and layerability of acrylic paints. It creates wonderful washes, allows for layering and texture, and dries quickly with a unique matte finish. Illustrator Emma Block presents everything you need to know about this whimsical and fun medium, including expert guidance on tools and materials and techniques that will make it easy to use. Thirty lessons cover subjects from simple, such as your morning coffee cup and bright lemons, to advanced, such as fluffy animals and portraits of your friends and family. All of this is accompanied by her workshop-honed instructions and step-by-step illustrations, which will help you build the skills and confidence to finish beautiful pieces of your own.
"Edward Gorey presents a curious event in two parts. All cats making merry... a butterfly cat (and another one) drifting aimlessly on a summer afternoon, a cat making an entrance, cats taking a barre, an emperor cat, a cat burglar, a cheerleading cat. And others. All murderesses making trouble... Angelica Transome disposing of her infant brother, Natasha Batti-Loupstein poisoning her guests, Lettice Finding, Elspeth Lipsleigh, Miss Emily Toastwater (whose father is no more). And others.
General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets. Daybooks and Notebooks is an invaluable source for reference on Whitman's daily activities. This sixteen-year record supplements the biographical information provided in the six volumes of Whitman's Correspondence, functioning as an account book, diary, journal, commonplace book, and notebook all in one. When Whitman began to keep them, the Daybooks were a personal record of predominantly business matters. As William White wrote in the introduction, “He was not only the author but the publisher of his works: he was likewise his own business manager, ship, and promoter. Whatever records he kept, of his sales and distribution, of printing and binding figures, of poetry and prose he sent to newspapers and magazines . . . he entered on the right-hand pages.” Volume III thus offers a rare look at Whitman as a businessman, tending as much to practical matters as to art.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
This lavish illustrated volume presents a visual history of Seliger's commitment to biomorphic abstraction and documents his extraordinary career from his auspicious beginnings as the youngest artist exhibiting with the original artisit of the Abstract Expressionist movement, through the development of his signature style of complex and intimate abstractions. 217 colour illustrations