Abject Eroticism in Northern Renaissance Art
Abject Eroticism in Northern Renaissance Art

Author: Yvonne Owens

Publisher: Bloomsbury Publishing

Published: 2020-10-29

Total Pages: 313

ISBN-13: 1350190500

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Hans Baldung Grien, the most famous apprentice and close friend of German artist Albrecht Dürer, was known for his unique and highly eroticised images of witches. In paintings and woodcut prints, he gave powerful visual expression to late medieval tropes and stereotypes, such as the poison maiden, venomous virgin, the Fall of Man, 'death and the maiden' and other motifs and eschatological themes, which mingled abject and erotic qualities in the female body. Yvonne Owens reads these images against the humanist intellectual milieu of Renaissance Germany, showing how classical and medieval medicine and natural philosophy interpreted female anatomy as toxic, defective and dangerously beguiling. She reveals how Hans Baldung exploited this radical polarity to create moralising and titillating portrayals of how monstrous female sexuality victimised men and brought them low. Furthermore, these images issued from-and contributed to-the contemporary understanding of witchcraft as a heresy that stemmed from natural 'feminine defect,' a concept derived from Aristotle. Offering new and provocative interpretations of Hans Baldung's iconic witchcraft imagery, this book is essential reading for historians of art, culture and gender relations in the late medieval and early modern periods.

Abject Eroticism in Northern Renaissance Art
Abject Eroticism in Northern Renaissance Art

Author: Yvonne Owens

Publisher:

Published: 2020

Total Pages: 288

ISBN-13: 9781350192751

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List of Illustrations -- Foreword by Joseph Leo Koerner -- Introduction: Baldung's Polluted Witches, Poison Maids, Basilisks and Crones -- 1. The Abject Erotic Feminine in Baldung -- 2. The World of Baldung's 1510 Witches' Sabbath -- 3. Baldung's 'Jewish' Witches -- 4. Baldung and the Witch Doctors -- 5. Blood, Visions, Witch Women and Saints -- 6. Baldung and the Morality of Vision -- 7. Classical Reception, Toxic Femininity and Hippomanes -- 8. Humanist Humour in Baldung -- 9. Erudite Obscenities and Pious Pornography -- Conclusion -- Acknowledgments -- Endnotes -- Index.

The Renaissance Nude
The Renaissance Nude

Author: Thomas Kren

Publisher: Getty Publications

Published: 2018-11-20

Total Pages: 436

ISBN-13: 160606584X

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A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.

The Sexuality of Christ in Renaissance Art and in Modern Oblivion
The Sexuality of Christ in Renaissance Art and in Modern Oblivion

Author: Leo Steinberg

Publisher: University of Chicago Press

Published: 2014-12-10

Total Pages: 426

ISBN-13: 022622631X

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Originally published in 1983, Leo Steinberg's classic work has changed the viewing habits of a generation. After centuries of repression and censorship, the sexual component in thousands of revered icons of Christ is restored to visibility. Steinberg's evidence resides in the imagery of the overtly sexed Christ, in Infancy and again after death. Steinberg argues that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation. This revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication.

The Nude and the Norm in the Early Modern Low Countries
The Nude and the Norm in the Early Modern Low Countries

Author: Karolien de Clippel

Publisher: Brepols Publishers

Published: 2011

Total Pages: 0

ISBN-13: 9782503535692

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Table of Contents: Katlijne Van der Stighelen, Introduction - Eric Jan Sluijter, The Nude, the Artist and the Model: The Case of Rembrandt - Erna Kok, The Female Nude from Life: On Studio Practice and Beholder Fantasy - Victoria Sancho Lobis, Printed Drawing Books and the Dissemination of Ideal Male Anatomy in Northern Europe - Paul Taylor, Colouring Nakedness in Netherlandish Art and Theory - Hubert Meeus, Two Founts of Ivory: Nudity on Stage in the Seventeenth Century Low Countries - -Johan Verberckmoes, Is that Flesh for Sale? Seventeenth-Century Jests on Nudity in the Spanish Netherlands - Ralph Dekoninck, Art Stripped Bare by the Theologians, Even: Image of Nudity / Nudity of Image in the Post-Tridentine Religious Literature - Veerle De Laet, Een Naeckt Kindt, een Naeckt Vrauwken ende Andere Figueren: An Analysis of Nude Representations in the Brussels Domestic Setting.

Ambiguous Locks
Ambiguous Locks

Author: Roberta Milliken

Publisher: McFarland

Published: 2014-01-10

Total Pages: 301

ISBN-13: 0786487925

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It has long been said that a woman's hair is her crowning glory. Indeed, throughout history, hair has remained an important cultural symbol of femininity. In medieval art, iconic images of long, flowing locks can express sexuality, and the cutting of a woman's hair often signals her feminine misbehavior. Artists of all kinds in the Middle Ages used women's long hair to manipulate their audience's estimation of their female figures. This interdisciplinary work explores the significance of women's hair in literature and art from the medieval period through 1525, putting into historical context the ways in which hair participates in construction of the female identity.

The Meanings of Nudity in Medieval Art
The Meanings of Nudity in Medieval Art

Author: Sherry C. M. Lindquist

Publisher: Ashgate Publishing, Ltd.

Published: 2012

Total Pages: 392

ISBN-13: 9781409422846

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Addressing a strangely neglected key issue in the history of art, this volume engages the variety and complexity of medieval representations of the unclothed human body. The Meanings of Nudity in Medieval Art breaks ground by offering a variety of approaches to explore the meanings of both male and female nudity in European painting, manuscripts and sculpture ranging from the late antique era to the fifteenth century.

Pictures and Tears
Pictures and Tears

Author: James Elkins

Publisher: Routledge

Published: 2005-08-02

Total Pages: 218

ISBN-13: 113595013X

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This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.

Art in History/History in Art
Art in History/History in Art

Author: David Freedberg

Publisher: Getty Publications

Published: 1996-07-11

Total Pages: 458

ISBN-13: 0892362014

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Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.