Cornelia Peake McDonald kept a diary during the Civil War (1861- 1865) at her husband's request, but some entries were written between the lines of printed books due to a shortage of paper and other entries were lost. In 1875, she assembled her scattered notes and records of the war period into a blank book to leave to her children. The diary entries describe civilian life in Winchester, Va., occupation by Confederate troops prior to the 1st Manassas, her husband's war experiences, the Valley campaigns and occupation of Winchester and her home by Union troops, the death of her baby girl, the family's "refugee life" in Lexington, reports of battles elsewhere, and news of family and friends in the army.
Winner of the PEN Oakland–Josephine Miles Award “A stunning portrayal of a tragedy endured and survived by women.” —David W. Blight, author of Frederick Douglass “Readers expecting hoop-skirted ladies soothing fevered soldiers’ brows will not find them here...Explodes the fiction that men fight wars while women idle on the sidelines.” —Washington Post The idea that women are outside of war is a powerful myth, one that shaped the Civil War and still determines how we write about it today. Through three dramatic stories that span the war, Stephanie McCurry invites us to see America’s bloodiest conflict for what it was: not just a brothers’ war but a women’s war. When Union soldiers faced the unexpected threat of female partisans, saboteurs, and spies, long held assumptions about the innocence of enemy women were suddenly thrown into question. McCurry shows how the case of Clara Judd, imprisoned for treason, transformed the writing of Lieber’s Code, leading to lasting changes in the laws of war. Black women’s fight for freedom had no place in the Union military’s emancipation plans. Facing a massive problem of governance as former slaves fled to their ranks, officers reclassified black women as “soldiers’ wives”—placing new obstacles on their path to freedom. Finally, McCurry offers a new perspective on the epic human drama of Reconstruction through the story of one slaveholding woman, whose losses went well beyond the material to intimate matters of family, love, and belonging, mixing grief with rage and recasting white supremacy in new, still relevant terms. “As McCurry points out in this gem of a book, many historians who view the American Civil War as a ‘people’s war’ nevertheless neglect the actions of half the people.” —James M. McPherson, author of Battle Cry of Freedom “In this brilliant exposition of the politics of the seemingly personal, McCurry illuminates previously unrecognized dimensions of the war’s elemental impact.” —Drew Gilpin Faust, author of This Republic of Suffering
Popular images of women during the American Civil War include self-sacrificing nurses, romantic spies, and brave ladies maintaining hearth and home in the absence of their men. However, as DeAnne Blanton and Lauren M. Cook show in their remarkable new study, that conventional picture does not tell the entire story. Hundreds of women assumed male aliases, disguised themselves in men’s uniforms, and charged into battle as Union and Confederate soldiers—facing down not only the guns of the adversary but also the gender prejudices of society. They Fought Like Demons is the first book to fully explore and explain these women, their experiences as combatants, and the controversial issues surrounding their military service. Relying on more than a decade of research in primary sources, Blanton and Cook document over 240 women in uniform and find that their reasons for fighting mirrored those of men—-patriotism, honor, heritage, and a desire for excitement. Some enlisted to remain with husbands or brothers, while others had dressed as men before the war. Some so enjoyed being freed from traditional women’s roles that they continued their masquerade well after 1865. The authors describe how Yankee and Rebel women soldiers eluded detection, some for many years, and even merited promotion. Their comrades often did not discover the deception until the “young boy” in their company was wounded, killed, or gave birth. In addition to examining the details of everyday military life and the harsh challenges of -warfare for these women—which included injury, capture, and imprisonment—Blanton and Cook discuss the female warrior as an icon in nineteenth-century popular culture and why twentieth-century historians and society ignored women soldiers’ contributions. Shattering the negative assumptions long held about Civil War distaff soldiers, this sophisticated and dynamic work sheds much-needed light on an unusual and overlooked facet of the Civil War experience.
The Civil War is most often described as one in which brother fought against brother. But the most devastating war fought on American soil was also one in which women demonstrated heroic deeds, selfless acts, and courage beyond measure. Women mobilized soup kitchens and relief societies. Women cared for wounded soldiers. Women were effective spies. And it is estimated that 300 women fought on the battlefields, usually disguised as men. The most fascinating Civil War women include: Harriet Tubman, a former slave, who led hundreds of fellow slaves to freedom on the Underground Railroad Four hundred women who were seized in Roswell, Georgia, deported to Indiana, and vanished without a trace Belle Boyd, the "Siren of the Shenandoah," who at the age of seventeen killed a Union soldier "Crazy" Elizabeth Van Lew, who deliberately fostered the impression that she was eccentric so that she could be an effective spy for the North "The poor fellow sprang from my hands and fell back quivering in the agonies of death. A bullet had passed between my body and the right arm which supported him, cutting through my sleeve and passing through his chest from shoulder to shoulder." ?Clara Barton, founder of the American Red Cross "We were all amused and disgusted at the sight of a thing that nothing but the debased and depraved Yankee nation could produce. [A woman] was dressed in the full uniform of a Federal surgeon. She was not good looking, and of course had tongue enough for a regiment of men." ?Captain Benedict J. Semmes, describing Mary Walker, M.D.
North and South, black and white - the story of the War Between the States is embedded in the soul of every American. In her second book on quilts and the Civil War, Barbara Brackman introduces 9 women who lived during those turbulent times, matching each woman to a quilt that she might have made herself. 9 projects adapted from period quilts, with patterns and instructions. Excellent reference book for Civil War re-enactors; offers creative activities related to each woman’s story. Fascinating information about 9 real-life American women and their experiences during the Civil War, from abolitionist speaker Lucy Stone to freed slave Susie Taylor King to Confederate spy Belle Edmondson. Make a reproduction quilt and forge a personal link to the women of the Civil War!
Drawing on a wealth of regimental histories, newspaper archives, and a host of previously unreported accounts, Hall shows that women served in more capacities and in greater number-perhaps several thousand-than has previously been known. They served in the infantry, cavalry, and artillery and as spies, scouts, saboteurs, smugglers, and frontline nurses. From all walks of life, they followed husbands and lovers into battle, often in male disguise that remained undiscovered until they were wounded (or gave birth), and endured the same hardships and dangers as did their male counterparts.
For more information, including a full list of entries, a generous selection of sample entries, and more, visit the Women During the Civil War website. Women During theCivil War: An Encyclopedia is the first A-Z reference work to offer a panoramic presentation of the contributions, achievements, and personal stories of American women during one of the most turbulent eras of the nation's history. Incorporating the most recent scholarship as well as excerpts from diaries, letters, newspapers, and other primary source documents, this Encyclopedia encompasses the wartime experiences of famous and lesser-known women of all ethnic groups and social backgrounds throughout the United States during the Civil War era.
Presents the lives of courageous women who served as spies for the North and South during the Civil War, including Belle The Siren of the Shenandoah Boyd, Elizabeth Crazy Bet Van Lew, and Harriet Tubman.
In a study that will radically shift our understanding of Civil War literature, Elizabeth Young shows that American women writers have been profoundly influenced by the Civil War and that, in turn, their works have contributed powerfully to conceptions of the war and its aftermath. Offering fascinating reassessments of works by white writers such as Harriet Beecher Stowe, Louisa May Alcott, and Margaret Mitchell and African-American writers including Elizabeth Keckley, Frances Harper, and Margaret Walker, Young also highlights crucial but lesser-known texts such as the memoirs of women who masqueraded as soldiers. In each case she explores the interdependence of gender with issues of race, sexuality, region, and nation. Combining literary analysis, cultural history, and feminist theory, Disarming the Nation argues that the Civil War functioned in women's writings to connect female bodies with the body politic. Women writers used the idea of "civil war" as a metaphor to represent struggles between and within women—including struggles against the cultural prescriptions of "civility." At the same time, these writers also reimagined the nation itself, foregrounding women in their visions of America at war and in peace. In a substantial afterword, Young shows how contemporary black and white women—including those who crossdress in Civil War reenactments—continue to reshape the meanings of the war in ways startlingly similar to their nineteenth-century counterparts. Learned, witty, and accessible, Disarming the Nation provides fresh and compelling perspectives on the Civil War, women's writing, and the many unresolved "civil wars" within American culture today.
