This book presents a great ghost story with a pinch of romance. It takes the reader back to the times of good old colonial South Carolina. The story takes place in an old house, just occupied by a new heiress after its old master had died. The main heroine inherits the house on the condition she will never leave it or tries to sell it. Yet, a mansion can tell a lot about family history, secrets, mysteries, and feuds.
Jerrie Marcus Smith remembers her great aunt Carrie as a humorless woman who always wore black and who, Jerrie says, "scared me to death." Only as an adult did Jerrie grasp the impact of Carrie Marcus Neiman. Along with her brother, Herbert Marcus Sr., and her husband A.L. Neiman, Carrie co-founded in 1907 the famed Neiman Marcus department store in Dallas, Texas. Carrie played an integral role in the store''s success, despite having three strikes against her: she was a woman, she was Jewish, and (after her husband''s illicit relationship with a second-floor saleswoman) she was divorced. Yet with impeccable taste and exemplary manners, she traveled as a buyer to New York in the 1920s (without a man!) and, as Jerrie says, "was nobody''s pushover." Carrie was self-taught and never attended college. Her only pregnancy ended in miscarriage; she worked at Neiman Marcus until her death at age 66. Yet through memories shared by her father, the late Neiman Marcus legend Stanley Marcus, as well as through spellbinding interviews with long retired salespeople, Jerrie has felt inextricably tied to Carrie. Each recollection of Aunt Carrie, each remembrance, each detail melted away Jerrie''s childhood fear of the stern woman in black, leaving in its place a colorful portrait of a person to be admired, to be loved and--perhaps most of all--to be shared. "This captivating portrait of a strong and elegant woman will take you through fashion into the journey of a changing America and the birth of its most prestigious store, Neiman Marcus."--Diane von Furstenberg, fashion designer, philanthropist "A Girl Named Carrie is essential reading for everyone who admires the establishment and growth of the iconic Neiman Marcus, which set the standard for the American department store era and influenced stores around the world. Carrie Marcus Neiman was present at the creation and established the essential concepts that remain today. Yes, it''s a must-read!"--Leonard A. Lauder, Chairman Emeritus, The Estée Lauder Companies Inc. "There''s a reason Life magazine sent some of its most celebrated photographers to capture the Neiman Marcus world: X, Y, and Z. A Girl Named Carrie shows us all of them."--Bill Shapiro, Former Editor-in-Chief of Life magazine "Carrie Marcus Neiman--A Female Founder and Chair of the Board long before this was even a dream of women. As the co-Founder of Neiman Marcus, she brought contemporary styles of Ready to Wear to women who had always had tailor-made clothes. She was a true disruptor in the industry and a constant inspiration to me as the next female CEO of the company 103 years later. "--Karen Katz, Former CEO Neiman Marcus Group "Thoughtful and evocative, A Girl Named Carrie tells the often remembered but never-before recorded history of Carrie Marcus Neiman. As an arbiter of taste and supporter of culture, "Aunt Carrie" not only brought clothing from New York and Paris to Dallas but placed Dallas alongside those two cities as an international fashion mecca. Her uncompromising standards for production and well-informed style established ready-to-wear as an accepted way to dress, her fastidious attention to detail created an expectation for customer service still appreciated by Neiman Marcus customers today, and her leadership as a businesswoman in the early twentieth century stands as a feminist example. Followers of fashion and appreciators of culture owe a debt of gratitude to this remarkable woman, whose story is beautifully told and illustrated here!"--Annette Becker, Director, Texas Fashion Collection, University of North Texas "Lovely writing! Bountiful visuals! A fascinating read!"--Jeffrey Banks, fashion designer and author "In A Girl Named Carrie Jerrie Marcus Smith has captured not only a powerful personality but also a pivotal moment in a city, a family and, above all, in American retailing. Carrie Neiman invented the specialty store, along with her husband, Al, and brother, Herbert Marcus. They called it Neiman Marcus, and it was born to be elegant but different from other emporiums, more daring, more imaginative, more attuned to fashion as a harbinger of the future as well as a talisman for its own time. All three, still in their 20s, were central to the enterprise, but without the taste, talent and foresight of Carrie Neiman, first and always chief buyer, the guys, good as they were at finance and promotion, would have had nothing to sell. Justifiably, the stores--eventually plural--have been known by her name, Neiman''s. This is a fascinating tale told with clarity, honesty, style and finesse by a great-niece who grew up in the glory days of Neiman Marcus. Also, the photographs are dazzling."--Lee Cullum, Journalist and Senior Fellow, John G. Tower Center for Public Policy and International Affairs, SMU "What a lovely and lively tribute to one of high fashions secret weapons, Ms. Carrie Neiman! A rare one-of-a-kind visionary, Ms. Neiman reshaped fashion retailing with ideas and pleasures that are still influential today. After years in the shadows it makes me very happy that she is being celebrated for the ingenuity and grace she brought to Neiman Marcus and all of us that visited it."--Todd Oldham, Designer and Honorary Doctorate of Fine Arts by RISD
A rare and brilliant story from Zadie Smith, taking us deep into the life of a young woman, Fatou, domestic servant to the Derawals and escapee from one set of hardships to another. Beginning and ending outside the Embassy of Cambodia, which happens to be located in Willesden, NW London, Zadie Smith's absorbing, moving and wryly observed story suggests how the apparently small things in an ordinary life always raise larger, more extraordinary questions. 'It's scale is superficially small, but its range is lightly immense; in the first couple of pages, the world from Ghana to London to Cambodia enters. It is a fiction of consequences both global and heartrenchingly intimate. This voice is global, plural and local, with a delicate grip on historic consequences...... Works on an awesomely global scale, and the relations of slavery and mastership are traced in both personal and international scale.' Philip Hensher, The Guardian 'Reading it is a bit like having a starter in a restaurant that is so good you wish you had ordered a big portion as a main course, only to realise, as you finish it, that it was exactly the right amount.' 'A perfect stocking-filler of a book that shows that short-form fiction can be as vibrant and as healthy as any densely realised full-length novel.' Louise Doughty, The Observer 'Smith serves up a smasher.' Leyla Sanai, The Independent On Sunday
From the Man Booker Prize Finalist comes the third novel in her Seasonal Quartet—a New York Times Notable Book and longlisted for the Orwell Prize for Political Fiction 2020 What unites Katherine Mansfield, Charlie Chaplin, Shakespeare, Rilke, Beethoven, Brexit, the present, the past, the north, the south, the east, the west, a man mourning lost times, a woman trapped in modern times? Spring. The great connective. With an eye to the migrancy of story over time and riffing on Pericles, one of Shakespeare's most resistant and rollicking works, Ali Smith tell the impossible tale of an impossible time. In a time of walls and lockdown, Smith opens the door. The time we're living in is changing nature. Will it change the nature of story? Hope springs eternal.
From the astonishingly talented writer of The Accidental and Hotel World comes Ali Smiths brilliant retelling of Ovids gender-bending myth of Iphis and Ianthe, as seen through the eyes of two Scottish sisters. Girl Meets Boy is about girls and boys, girls and girls, love and transformation, and the absurdity of consumerism, as well as a story of reversals and revelations that is as sharply witty as it is lyrical. Funny, fresh, poetic, and political, Girl Meets Boy is a myth of metamorphosis for a world made in Madison Avenues image, and the funniest addition to the Myths series from Canongate since Margaret Atwoods The Penelopiad.
One of the New York Times’s 100 Best Books of the 21st Century Winner of the 2006 Orange Prize for Fiction, another bestselling masterwork from the celebrated author of Swing Time and White Teeth "In this sharp, engaging satire, beauty's only skin-deep, but funny cuts to the bone." —Kirkus Reviews Having hit bestseller lists from the New York Times to the San Francisco Chronicle, this wise, hilarious novel reminds us why Zadie Smith has rocketed to literary stardom. On Beauty is the story of an interracial family living in the university town of Wellington, Massachusetts, whose misadventures in the culture wars—on both sides of the Atlantic—serve to skewer everything from family life to political correctness to the combustive collision between the personal and the political. Full of dead-on wit and relentlessly funny, this tour de force confirms Zadie Smith's reputation as a major literary talent.
From the acclaimed, award-winning author—when a dinner-party guest named Miles locks himself in an upstairs room and refuses to come out, he sets off a media frenzy. He also sets in motion a mesmerizing puzzle of a novel, one that harnesses acrobatic verbal playfulness to a truly affecting story. Miles communicates only by cryptic notes slipped under the door. We see him through the eyes of four people who barely know him, ranging from a precocious child to a confused elderly woman. But while the characters’ wit and wordplay soar, their story remains profoundly grounded. As it probes our paradoxical need for both separation and true connection, There but for the balances cleverness with compassion, the surreal with the deeply, movingly real, in a way that only Ali Smith can.
SHORTLISTED FOR THE 2017 MAN BOOKER PRIZE A NEW YORK TIMES AND GUARDIAN BEST BOOK OF 2017 Autumn. Season of mists and mellow fruitfulness. That’s what it felt like for Keats in 1819. How about Autumn 2016? Daniel is a century old. Elisabeth, born in 1984, has her eye on the future. The United Kingdon is in pieces, divided by a historic, once-in-a-generation summer. Love is won, love is lost. Hope is hand-in-hand with hopelessness. The seasons roll round, as ever. Ali Smith’s new novel is a meditation on a world growing ever more bordered and exclusive, on what richness and worth are, on what harvest means. It is the first installment of her Seasonal quartet—four stand-alone books, seperate yet interconnected and cyclical (as the seasons are)—and it casts an eye over our own time. Who are we? What are we made of? Shakespearean jeu d’esprit, Keatsian melancholy, the sheer bright energy of 1960s pop art: the centuries cast their eyes over our own history making. Here’s where we’re living. Here’s time at its more contemporaneous and its most cyclic. From the imagination of the peerless Ali Smith comes a shape-shifting series, wide-ranging in time-scale and light-footed through histories, a story about aging and time and love and stories themselves.
