A study linking the novels of Eudora Welty to a tradition of Southern romance writers. Beginning with the Civil War diarists, the author isolates and defines the components of the Southern romance, tracing Welty's adaptation of each component within the novels themselves and revealing a twofold importance: it connects the literature of the Civil War diarists to the work of Eudora Welty in a meaningful way while illuminating her work in the light of a Southern Romance tradition.
A horrific explosion at a gunpowder mill sends Bess Crawford to war-torn France to keep a deadly pattern of lies from leading to more deaths, in this compelling and atmospheric mystery from the New York Times bestselling author of A Question of Honor and An Unwilling Accomplice. An explosion and fire at the Ashton Gunpowder Mill in Kent has killed over a hundred men. It’s called an appalling tragedy—until suspicion and rumor raise the specter of murder. While visiting the Ashton family, Bess Crawford finds herself caught up in a venomous show of hostility that doesn’t stop with Philip Ashton’s arrest. Indeed, someone is out for blood, and the household is all but under siege. The only known witness to the tragedy is now at the Front in France. Bess is asked to find him. When she does, he refuses to tell her anything that will help the Ashtons. Realizing that he believes the tissue of lies that has nearly destroyed a family, Bess must convince him to tell her what really happened that terrible Sunday morning. But now someone else is also searching for this man. To end the vicious persecution of the Ashtons, Bess must risk her own life to protect her reluctant witness from a clever killer intent on preventing either of them from ever reaching England.
Booker Prize winner James Kelman's new novel, Dirt Road, tells the story of a teenage boy who travels with his father from Scotland to Alabama to visit with relatives after the death of his mother. In the American South, he becomes swept up into the world of zydeco and blues. ""A powerful meditation on loss, life, death, and the bond between father and son. . . . Kelman has created a fully–realized, relatable voice that reveals a young man’s urgent need for connection in a time of grief." —Publishers Weekly (starred review) After his mother’s recent death, sixteen–year–old Murdo and his father travel from their home in rural Scotland to Alabama to be with his émigré uncle and American aunt. Stopping at a small town on their way from the airport, Murdo happens upon a family playing zydeco music and joins them, leaving with a gift of two CDs of Southern American songs. On this first visit to the States, Murdo notices racial tension, religious fundamentalism, the threat of severe weather, guns, and aggressive behavior, all unfamiliar to him. Yet his connection to the place strengthens by way of its musical culture. Murdo may be young but he is already a musician. While at their relatives’ home, the grieving father and son experience kindness and kinship but share few words of comfort with each other, Murdo losing himself in music and his reticent and protective dad in books. The aunt, “the very very best,” Murdo calls her, provides whatever solace he receives, until his father comes around in a scene of great emotional release. As James Wood has written of this brilliant writer’s previous work in The New Yorker, “The pleasure, as always in Kelman, is being allowed to inhabit mental meandering and half–finished thoughts, digressions and wayward jokes, so that we are present” with his characters. Dirt Road is a powerful story about the strength of family ties, the consolation of music, and one unforgettable journey from darkness to light.
Henry Harris here provides an account of how scientists came to understand that the bodies of all living things are composed of microscopic units thta we now call cells. Harris turns to the primary literature - the original texts, scientific papers, and correspondance of medical researchers involved in the formulation of the cell doctrine - to reconstruct the events that enabled researchers to comprehend the nature and purpose of cells. Translating many of these documents into English for the first time, Harris uncovers a version of events quite different from that described in conventional science textbooks. Focusing on the scientific history of the genesis of the cell doctrine, the author also considers contemporary social and political contexts and shows how these influenced what experiments were undertaken and how the results were represented.
"My favorite popular word book of the year" -William Safire, NY Times 6/22/2008 A fun, new approach to examining etymology! Many common English words started out with an entirely different meaning than the one we know today. For example: The word adamant came into English around 855 C.E. as a synonym for 'diamond,' very different from today's meaning of the word: "utterly unyielding in attitude or opinion." Before the year 1200, the word silly meant "blessed," and was derived from Old English saelig, meaning "happy." This word went through several incarnations before adopting today's meaning: "stupid or foolish." In Semantic Antics, lexicographer Sol Steinmetz takes readers on an in-depth, fascinating journey to learn how hundreds of words have evolved from their first meaning to the meanings used today.
This fascinating study in the sociology of science explores the way scientists conduct, and draw conclusions from, their experiments. The book is organized around three case studies: replication of the TEA-laser, detecting gravitational rotation, and some experiments in the paranormal. "In his superb book, Collins shows why the quest for certainty is disappointed. He shows that standards of replication are, of course, social, and that there is consequently no outside standard, no Archimedean point beyond society from which we can lever the intellects of our fellows."—Donald M. McCloskey, Journal of Economic Psychology "Collins is one of the genuine innovators of the sociology of scientific knowledge. . . . Changing Order is a rich and entertaining book."—Isis "The book gives a vivid sense of the contingent nature of research and is generally a good read."—Augustine Brannigan, Nature "This provocative book is a review of [Collins's] work, and an attempt to explain how scientists fit experimental results into pictures of the world. . . . A promising start for new explorations of our image of science, too often presented as infallibly authoritative."—Jon Turney, New Scientist
