Selling her home and taking time off from her career as a successful motivational speaker, Cecilia Ross moves into a beautiful old house in St. Paul and bonds with three roommates, including one who would reconnect with a daughter she gave up for adoption, one who would visit her long-absent ex and a professional chef who would find inspiration from other restaurants. 45,000 first printing.
"Their journey begins when Tristam, a huntsman with the scars of a warrior, stumbles across a young girl in the forest. This mute child, whom he names Grace, is dressed in tattered white and cannot recall any memories from her past. As she and Tristam grow closer, both begin to heal in ways neither thought possible. Together, they try to put the fragments of Grace's memory back in place, prompting Tristam to wonder if the barbaric rumors about the country to the north might possibly be true. Grace starts her new life at the castle as a foreigner amidst gossip about her unknown past. Meanwhile, Tristam is secretly trying to both stop a rebellion against the king and avoid war with a neighboring country. Tristam and Grace must each navigate the social nuances and intrigues of palace life. Come enter the kingdom of Blinth, where Tristam's and Grace's stories are interwoven as together they explore a time of yellow and blue." --Back cover.
Tapestries from 40 top international artists representing three generations show the best examples of contemporary approaches to the handwoven art. Featured are more than 50 examples, including full views of each artwork, as well as details. Tapestries are accompanied by biographical information on each artist, hand-picked for this collection because they are at the forefront of their field. The book also includes insightful essays, statements, and information about the field of tapestry, including artist and gallery contact information. This one-of-a-kind collection of works was curated by the author, Carol Russell, for an exhibition at Hunterdon Art Museum in Clinton, New Jersey, in 2015. Included are essays by the curator, as well as by Archie Brennan, Christine Laffer, and Dr. Lycia Trouton.
Pieter Coecke van Aelst (1502 – 1550) was renowned throughout Renaissance Europe as a draftsman, painter, and publisher of architectural treatises. The magnificent tapestries he designed were acquired by the wealthiest clients of the day, up to and including rulers such as Emperor Charles V, King Francis I of France, King Henry VIII of England, and Grand Duke Cosimo I de’ Medici of Tuscany. At the same time, Coecke was remarkable not only for the complexity and unparalleled quality of his tapestries, but also for his fluency in various media: this lavishly illustrated volume examines the full range of his work, from tapestry and stained-glass window designs to panel paintings, prints, drawings, and architectural treatises. Though only forty-eight when he died, Coecke was one of the greatest Netherlandish artists of the sixteenth century. His paintings and drawings, initially wrought in the style of the Antwerp Mannerists, evolved through his enthusiastic response to Italian Renaissance design, and influenced generations of artists in his wake. This comprehensive study explores Coecke’s stylistic development, as well as his substantial contribution to the body of great Renaissance art in Flanders. Featuring twenty monumental tapestries, along with many of their cartoons and preparatory sketches, plus seven paintings, additional drawings, and printed matter—many of them newly photographed for this volume—Grand Design provides a thorough reappraisal of Coecke’s work, amply justifying the high regard in which Coecke’s work was held and its wide dissemination long after his death.
Capturing rural life in West Tennessee from the Civil War era to the early years of Vietnam, Threads of the Tapestry is a saga of survival connecting the lives of five generations. With a do-or-die spirit, Molly finds the courage to hold her family and plantation together, even in the depths of tragedy. In the revived culture of the South, her daughter Martha suffers trials of injustice, loss, and death. Rachel, Martha's perfectionist, chooses a simple farm life, even as Tennessee invites industrialism. And fun-loving Harris, whose innate concern for others recaptures his mother's spirit, finds himself surrounded by immorality and inhumanity in the first world war. He lives to see his daughter Laura, old-fashioned in a world of feminism, survive a ruthless marriage. These descendants are the family's buttresses. They are the strong who by virtue of their strengths must carry the weak.
Setting out to celebrate, document and discuss the work and role of Dovecote Studios, an international tapestry workshop founded in Edinburgh in 1912, this ground-breaking publication uniquely explores the artistic value, nature and identity of tapestry through images, essays and the commentaries of weavers, artists and patrons.
This illustrated volume is a comprehensive survey of 17th century European tapestry. It features some of the finest surviving examples from many international collections, as well as a number of related designs and oil sketches.
Like a particularly good detective story, this richly textured book follows tantalizing clues in its hunt for a group of missing artistic masterpieces. Susan Bell recounts both her long search for a series of sixteenth-century tapestries that celebrated women and her efforts to understand their meaning for Queen Elizabeth I of England and the other powerful women who owned them. Opening a new window on the lives of noblewomen in the Renaissance, the brilliantly colored tapestries that were the ultimate artistic luxury of the day, and the popular and influential fourteenth-century writer Christine de Pizan, Bell pursues a compelling tale that moves from centuries past to today. The tapestries around which this story revolves are linked to Christine de Pizan's Book of the City of Ladies (1405), orginally published six hundred years ago in 1405. The book is a tribute to women that honors two hundred female warriors, scientists, queens, philosophers, and builders of cities. Though twenty-five manuscripts of the City of Ladies still exist, references to tapestries based on the book are elusive. Bell takes us along as she tracks down records of six sets of tapestries whose owners included Elizabeth I of England; Margaret of Austria; and Anne of Brittany, Queen of France. Bell examines the intriguing details of these women's lives—their arranged marriages, their power, their affairs of state—asking what interest they had in owning these particular tapestries. Could the tapestries have represented their thinking? As she reveals the historical, linguistic, and cultural aspects of this unique story, Bell also gives a fascinating account of medieval and early-Renaissance tapestry production and of Christine de Pizan's remarkable life and legacy.
Whether your pleasure is animals, florals, abstract geometrics, or repeating patterns, they re here, along with borders and needlework rugs. Stitch cushions that feature subtly shaded, mossy rosebud wreaths, a cord-and-tassel design for borders, a pillow with a posy of violets, and a background of overlapping ribbons. From pin cushions and pictures to chair covers and carpets, every one is breathtaking. "
