Polynesian Barkcloth

Polynesian Barkcloth

Author: Simon Kooijman

Publisher: Bloomsbury Shire Publications

Published: 1988

Total Pages: 76

ISBN-13:

DOWNLOAD EBOOK

"This book is based on research in museum collections and on fieldwork in Polynesia and Fiji ..."--Page 3.


Staying Fijian

Staying Fijian

Author: Rod Ewins

Publisher: University of Hawaii Press

Published: 2009-07-31

Total Pages: 430

ISBN-13: 0824860500

DOWNLOAD EBOOK

Barkcloth, or masi, is the traditional art form of the women of Vatulele Island. Its manufacture continues to flourish, even increase, while many other arts are declining, despite the fact that most of its functional roles have been usurped by Western cloth and paper. This book explores this apparent paradox and concludes that the reasons lie in the ability of its identity functions to buffer the effects of social stress. This is so for not only Vatuleleans but all Fijians. It is argued that the resultant strong indigenous demand has caused the efflorescence in barkcloth manufacture and use, contrary to the common assumption that the tourism market is the "savior" of art. This cultural vigor, however, has social costs that are explored here and weighed against its benefits. Rod Ewins locates a very local activity in both national and global contexts, historically, sociologically, and theoretically.


Siapo

Siapo

Author: Mary J. Pritchard

Publisher:

Published: 1984

Total Pages: 104

ISBN-13:

DOWNLOAD EBOOK

"The artistic, cultural and economic functions of siapo in Samoan life prevail today... My little book is a modest contribution to understanding this important aspect of Samoan culture..."--Preface.


Pacific Tapa

Pacific Tapa

Author: Roger Neich

Publisher: University of Hawaii Press

Published: 2005-01-31

Total Pages: 170

ISBN-13: 9780824829292

DOWNLOAD EBOOK

Auckland Museum's collection of tapa cloth from around the Pacific is one of the most extensive in the world and it forms the basis of this comprehensive survey.


The Prehistoric Maritime Frontier of Southeast China

The Prehistoric Maritime Frontier of Southeast China

Author: Chunming Wu

Publisher: Springer Nature

Published: 2021-10-05

Total Pages: 275

ISBN-13: 9811640793

DOWNLOAD EBOOK

This open access book presents multidisciplinary research on the cultural history, ethnic connectivity, and oceanic transportation of the ancient Indigenous Bai Yue (百越) in the prehistoric maritime region of southeast China and southeast Asia. In this maritime Frontier of China, historical documents demonstrate the development of the “barbarian” Bai Yue and Island Yi (岛夷) and their cultural interaction with the northern Huaxia (华夏) in early Chinese civilization within the geopolitical order of the “Central State-Four Peripheries Barbarians-Four Seas”. Archaeological typologies of the prehistoric remains reveal a unique cultural tradition dominantly originating from the local Paleolithic age and continuing to early Neolithization across this border region. Further analysis of material culture from the Neolithic to the Early Iron Age proves the stability and resilience of the indigenous cultures even with the migratory expansion of Huaxia and Han (汉) from north to south. Ethnographical investigations of aboriginal heritage highlight their native cultural context, seafaring technology and navigation techniques, and their interaction with Austronesian and other foreign maritime ethnicities. In a word, this manuscript presents a new perspective on the unique cultural landscape of indigenous ethnicities in southeast China with thousands of years’ stable tradition, a remarkable maritime orientation and overseas cultural hybridization in the coastal region of southeast China.


Unwrapping Tongan Barkcloth

Unwrapping Tongan Barkcloth

Author: Fanny Wonu Veys

Publisher: Bloomsbury Publishing

Published: 2017-01-26

Total Pages: 273

ISBN-13: 1474283306

DOWNLOAD EBOOK

Tongan barkcloth, made from the inner bark of the paper mulberry tree, still features lavishly in Polynesian ceremonies all over the world. Yet despite the attention paid to this textile by anthropologists and art historians alike, little is known about its history. Providing a unique insight into Polynesian material culture, this book explores barkcloth's rich cultural history, and argues that its manufacture, decoration and use are vehicles of creativity and female agency. Based on twelve years of extensive ethnographic and archival research, the book uncovers stories of ceremony, gender, the senses, religion and nationhood, from the 17th century up to the present-day. Placing the materiality of textiles at the heart of Tongan culture, Veys reveals not only how barkcloth was and continues to be made, but also how it defines what it means to be Tongan. Extending the study to explore the place of barkcloth in the European imagination, she examines international museum collections of Tongan barkcloth, from the UK and Italy to Switzerland and the USA, addressing the bias of the European 'gaze' and challenging traditional gendered understandings of the cloth. A nuanced narrative of past and present barkcloth manufacture, designs and use, Unwrapping Tongan Barkcloth demonstrates the importance of the textile to both historical and contemporary Polynesian culture.