Like everyone, Meg has made choices over the course of her life. For the most part, she's proud of her decisions, but that doesn't mean she's not without regrets, not haunted by questions of what might have been.
"The McCourt family gained fame and notoriety through the books of brothers Frank and Malachy, and in the two popular documentaries that followed. In A Long Stone's Throw, the youngest brother, Alphie, adds his gifted voice to this literary chorus with a vivid, emotional memoir that begins in Limerick, Ireland. Like his brothers, Alphie details his escape from a miserable childhood in Limerick to the U.S., where the Irish curse, aimless jobs, women, the Army and business ventures lead him to steady ground in, of all places, New York City."--BOOK JACKET.
A remote island is haunted by wedding crashers from beyond the grave. Dan Poblocki is back with a new spooky ghost story perfect for fans of Mary Downing Hahn and John Bellairs.There is an island, far off the coast of Maine, where the ghosts of the past are restless.Josie Sandoval and Eli Barker are strangers when they board the ferry to Stone's Throw, traveling to the isolated island for a wedding. Then an immense storm blows in, and the wedding party is left stranded with no way to contact the mainland... and no idea that they have been targeted for revenge by the undead. The only clues to the danger they're in are a scrap of an old Nazi uniform -- and an unfamiliar voice, crying out for help in German... Josie and Eli soon realize there's much more to worry about than guest lists and flowers. It's up to them to uncover the chilling history of Stone's Throw Island and put its ghosts to rest -- or this dream wedding will become an absolute nightmare.
A collectible, four-color illustrated A–Z treasury of gangster rappers, the hip-hop high-life, and notorious pop culture history, told through a series of graphic doodles on 3” x 3” sticky notes. Four years ago, a Post-it® note changed Marlon Sassy’s life. Using office supplies “borrowed” from his admin job, Sassy began creating colorful sketches of rappers in highlighter, Sharpie, and pen. He made his debut posting his rendition of Snoop on Tumblr under the pseudonym “Gangster Doodles.” Next was Bart Simpson and Biggie, then Yams and Yeezy. Soon, he had amassed a cult following of fans who clamored for his next artistic interpretation. Gangster Doodles brings together more than 400 of his most popular illustrations with thirty never-before-seen pieces. An impressive and comprehensive A–Z compendium, it features everyone from Black Jesus to Beyoncé, Kendrick Lamar to LeBron James, Jean-Michel Basquiat to Young Thug, and Kermit the Frog to Action Bronson. This is the ultimate gift for rap fanatics and pop culture addicts alike.
From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James “J Dilla” Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as “hip hop music” is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying? Drawing from philosophy, critical theory and musicology, as well as Dilla's own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist's declining health as it is an example of what scholars call “late style,” placing the album in a musical tradition that stretches back centuries.
Ghostnotes: Music of the Unplayed is an extended photo essay with more than two hundred images that represent a mid-career retrospective of B+’s photography of hip-hop music and its influences. Taking its name from the unplayed sounds that exist between beats in a rhythm, the book creates a visual music, putting photos next to each other to evoke unseen images and create new histories. Like a DJ seamlessly overlapping and entangling disparate musics, Cross brings together LA Black Arts poetry and Jamaican dub, Brazilian samba and Ethiopian jazz, Cuban timba and Colombian cumbia. He links vendors of rare vinyl with iconic studio wizards, ranging from J Dilla and Brian Wilson to Leon Ware and George Clinton, David Axelrod to Shuggie Otis, Bill Withers to Ras Kass, Biggie Smalls to Timmy Thomas, DJ Shadow to Eugene McDaniels, and DJ Quik to Madlib. In this unique photographic mix tape, an extraordinary web of associations becomes apparent, revealing connections among people, cultures, and their creations.
Literary Nonfiction. Art. Essays. LGBT Studies. This multi- layered text describes the social, political and personal context that framed the emergence of one of the most critically acclaimed artists of the late-20th century, Felix Gonzalez- Torres. STONE'S THROW attests to the importance of relationships forged throughout the most challenging years of the North American AIDS crisis, as Deitcher recounts his friendships with Gonzalez-Torres, with the activist curator Bill Olander, and the milieu to which they belonged. The title, STONE'S THROW, refers to the resonating effects on the author of a single sentence by Carl Andre: "My sculptures are masses and their subject is matter." Gonzalez-Torres brought that sentence to the author's attention soon after Deitcher accepted the artist's invitation to write the introductory essay for the catalogue that accompanied Gonzalez-Torres's 1992 project for Magasin 3 Konsthall (Stockholm). Now, twenty years after Gonzalez-Torres's death, Deitcher revisits many of his most celebrated works. STONE'S THROW strikes a balance between personal remembrance and cultural analysis, and is richly illustrated with previously unpublished ephemera and full color reproductions of poignant works by, among others, Nayland Blake, Tony Feher, Jim Hodges, and Roni Horn. In its combination of critical re-evaluation and personal testimony, STONE'S THROW marks a further development in Deitcher's commitment to writing intimate art histories. "David Deitcher is a master at the critical memoir. STONE'S THROW is a sumptuously written elegy not only for Felix Gonzalez-Torres and Bill Olander, but also for all those artists we lost to AIDS." Marvin J. Taylor, director, Fales Library and Special Collections"
Recent stories of long-term abduction have flooded our current news. Everyone wants to know why children stay with their captor even when opportunity presents itself. The media scrambles to get expert and eye witness interviews. We place the child in front of a camera to get that smile of relief. We fail to look deeper and ask the real important questions. The young boy stands there confused and afraid. They have just been ripped from all they know, captivity. That is all about to change. In reading the life story of a former abducted child and revisiting one of the first national cases of child stealing in America, Throwing Stones; Parental Child Abduction Through the Eyes of a Child gives a dark narrative look into the life of a seven year old boy ripped from all he knows, and later returned to a life of hell at the age of eleven. His baby was brother raised to hate a woman he was too young to know. His older sister consumed with her own inner turmoil turns violently on him. Left alone to find his own way he befriends anyone who will give him a sense of self worth. A peaceful and quiet child at the beginning; little Kenny learns to lie, steal and attack anyone who he thinks is a threat. Scared to trust anyone, Kenny goes inward to protect himself. Infected with an internal struggle to hold on to dying memories of a loving mother ripped from him, he gives in. After many lies, little Kenny starts to protect the man he fears most, his Father. Regardless of his outward environment, he finds hope and strength from within. Clear and sobering, this is long overdue. No other book has been written from the childs perspective concerning Child Theft. This case takes place before there was the National Center for the Missing and Exploited Children (NCMEC). His abduction was the first to involve a multi-state-manhunt and the Federal Bureau of Investigation.
The revealing photographs found within the pages of Behind the Beat expose the creative spaces of top DJ's and music producers from the UK and US. This book is an open invitation to step into the private world of the hip hop home studio and discover its inner workings. Featured are the studios and equipment of some of the most influential music creators working today including: DJ Premier Dj Spinna, Skitz, Nextmen, Taskforce, Dj Swamp, Dj Cheapshot, E-Swift, Beyond There, Kut masta kurt, Fat jack, Herbaliser, Runaways, Jehst, Beatminerz, Dj Shadow, dj design, Dan the Automator, Chief Xcel, Braintax, Young Einstein, Numark, Cut chemist, Thes one, J zone and Mario Caldato Jnr. Includes an Audio CD with tracks from featured DJs and labels.