Lisa Pennington will do anything to help her family--even if that means accepting an indecent proposal from the man who broke her heart! For five years Diego Raffacani has thought of nothing but Lisa--and revenge! He's sure that she will come to his bed, if only for her family's sake. But he soon realizes that he has underestimated her--and the strength of their passion. Now the only way to right the wrongs of the past is to make her his bride. But will Lisa yield to the Spaniard's seduction?
Lisa Pennington will do anything to help her family–even if that means accepting an indecent proposal from the man who broke her heart! For five years Diego Raffacani has thought of nothing but Lisa–and revenge! He's sure that she will come to his bed, if only for her family's sake.
"Bloodstained land. Harrowing secrets. Can a wrongly accused rancher solve a brutal crime before he's locked away forever? Rural Sacramento, 1870. Caleb Stewart can't wait to be a family man. After battling natural disasters and legal challenges to secure his land claim, he's finally free to court the French beauty next door. But he's forced to push his feelings aside when his own hacienda becomes the scene of a suspicious double murder. Madeleine Laurent hopes a fresh start in America will help her forget painful memories. But even though her homicidal husband fled and vanished, she's still legally bound to a man who's likely dead. So she's shocked when he reappears with a false name, stirring up trouble as the local lawyer's hired muscle. Threatened into silence, she bites her tongue despite knowing that the truth of her husband's identity could clear her kindly neighbour of blame. And as the trumped-up case grows, Caleb fears he's running out of time to discover the real killer before he loses his ranch and his freedom"--Back of print version.
What is revenge, and what purpose does it serve? On the early modern English stage, depictions of violence and carnage—the duel between Hamlet and Laertes that leaves nearly everyone dead or the ghastly meal of human remains served at the end of Titus Andronicus—emphasize arresting acts of revenge that upset the social order. Yet the subsequent critical focus on a narrow selection of often bloody "revenge plays" has overshadowed subtler and less spectacular modes of vengeance present in early modern culture. In Civil Vengeance, Emily L. King offers a new way of understanding early modern revenge in relation to civility and community. Rather than relegating vengeance to the social periphery, she uncovers how facets of society—church, law, and education—relied on the dynamic of retribution to augment their power such that revenge emerges as an extension of civility. To revise the lineage of revenge literature in early modern England, King rereads familiar revenge tragedies (including Marston's Antonio's Revenge and Kyd's The Spanish Tragedy) alongside a new archive that includes conduct manuals, legal and political documents, and sermons. Shifting attention from episodic revenge to quotidian forms, Civil Vengeance provides new insights into the manner by which retaliation informs identity formation, interpersonal relationships, and the construction of the social body.
Since the early 1800s, the violent exploits of “El Indio” Rafael through the settlements of northern New Spain have become the stuff of myth and legend. For some, the fabled Apache was a hero, an indigenous Robin Hood who fought oppressive Spaniards to help the dispossessed and downtrodden. For others, he was little more than a merciless killer. In Son of Vengeance, Bradley Folsom sets out to find the real Rafael—to extract the true story from the scant historical record and superabundance of speculation. What he uncovers is that many of the legends about Rafael were true: he was both daring and one of the most prolific serial killers in North American history. Rafael was born into an Apache family, but from a young age he was raised by Spanish chaplain Rafael Nevares, who took his indigenous prodigy out on patrol with local soldiers and taught him to speak Spanish and practice Catholicism. Rafael’s forced assimilation heightened the tension between his ancestry and the Hispanic environment and spurred him to violence. Sifting Spanish military and government documents, church records, contemporary newspapers, and eyewitness accounts, Folsom reveals a three-dimensional historical figure whose brutality was matched and abetted by great ingenuity—and by a deep, long-standing hostility between the Spanish and the Apaches of New Spain. The early years of tutelage under Nevares also, perversely, contributed to Rafael’s brutal success. Rather than leading to a life of Christian piety and Spanish loyalty, the knowledge Rafael gained from his mentor served instead to help him evade his pursuers and the law, at least for a time. In Son of Vengeance, we see the real El Indio Rafael for the first time—the man behind the cultural myth, and the historical forces and circumstances that framed and propelled his feats of violence.
Selected as the Sunday Times History Book of the Year for 2012, this is a meticulous work of scholarship from the foremost historian of 20th-century Spain.
In the Russian winter of 1878 a shy, aristocratic young woman named Vera Zasulich walked into the office of the governor of St. Petersburg, pulled a revolver from underneath her shawl, and shot General Fedor Trepov point blank. "Revenge!," she cried, for the governor's brutal treatment of a political prisoner. Her trial for murder later that year became Russia's "trial of the century," closely followed by people all across Europe and America. On the day of the trial, huge crowds packed the courtroom. The cream of Russian society, attired in the finery of the day, arrived to witness the theatrical testimony and deliberations in the case of the young angel of vengeance. After the trial, Vera became a celebrated martyr for all social classes in Russia and became the public face of a burgeoning revolutionary fervor. Dostoyevsky (who attended the trial), Turgenev, Engels, and even Oscar Wilde all wrote about her extraordinary case. Her astonishing acquittal was celebrated across Europe, crowds filled the streets and the decision marked the changing face of Russia. After fleeing to Switzerland, Vera Zasulich became Russia's most famous "terroristka," inspiring a whole generation of Russian and European revolutionaries to embrace violence and martyrdom. Her influence led to a series of acts that collectively became part of "the age of assassinations." In the now-forgotten story of Russia's most notorious terrorist, Ana Siljak captures Vera's extraordinary life story--from privileged child of nobility to revolutionary conspirator, from assassin to martyr to socialist icon and saint-- while colorfully evoking the drama of one of the world's most closely watched trials and a Russia where political celebrities held sway.
A dark, twisty thriller about a centuries-old, ivy-covered boarding school haunted by its history of witchcraft and two girls dangerously close to digging up the past. The dangerous romance and atmospheric setting makes it a perfect read for fans of dark academia. Felicity Morrow is back at the Dalloway School. Perched in the Catskill Mountains, the centuries-old, ivy-covered campus was home until the tragic death of her girlfriend. Now, after a year away, she's returned to finish high school. She even has her old room in Godwin House, the exclusive dormitory rumored to be haunted by the spirits of five Dalloway students—girls some say were witches. The Dalloway Five all died mysteriously, one after another, right on Godwin grounds. Witchcraft is woven into Dalloway's past. The school doesn't talk about it, but the students do. In secret rooms and shadowy corners, girls convene. And before her girlfriend died, Felicity was drawn to the dark. She's determined to leave that behind now, but it's hard when Dalloway's occult history is everywhere. And when the new girl won't let her forget. It's Ellis Haley's first year at Dalloway, and she has already amassed a loyal following. A prodigy novelist at seventeen, Ellis is a so-called method writer. She's eccentric and brilliant, and Felicity can't shake the pull she feels to her. So when Ellis asks Felicity to help her research the Dalloway Five for her second book, Felicity can't say no. Given her history with the arcane, Felicity is the perfect resource. And when history begins to repeat itself, Felicity will have to face the darkness in Dalloway—and herself.
