A Song for Molly is both a love story and a poetic homage to science. The subjects in this first-person novella range from encounters with Wittgenstein, Einstein and Gödel, to trying to live with a dog named Molly. The science is serious although the tone is whimsical. The spirit of this book can be demonstrated by a conversation between Einstein and his assistant Ernst Straus: " 'You know Gödel has really gone crazy.' So I said, 'Well, what worse could he have done?' 'He voted for Eisenhower.' "
Amidst the turmoil of Civil War era New York, a young, immigrant woman seeks to escape a life of prostitution so that she may rescue a child from a terrible fate. It wasn't supposed to be like this. Cast adrift in an unfamiliar city, a young Irish immigrant named Molly finds herself forced into prostitution and has a child stolen out of her arms. With the city descending into the chaos of the Draft Riots, Molly must save herself before she can save the child. From the green fields of Galway to the crowded streets of New York and the ornate parlors of New Orleans, Molly never stops fighting to free herself and the child she hardly knows from a terrible fate. "A stunning roller coaster ride of unimaginable tragedies and inspirational triumphs." -Gregory Lee Renz, author of Beneath the Flames
A Song for Molly is both a love story and a poetic homage to science. The subjects in this first-person novella range from encounters with Wittgenstein, Einstein and Gödel, to trying to live with a dog named Molly. The science is serious although the tone is whimsical. The spirit of this book can be demonstrated by a conversation between Einstein and his assistant Ernst Straus:' 'You know Gödel has really gone crazy.' So I said, 'Well, what worse could he have done?' 'He voted for Eisenhower.' 'Related Link(s)
(Book). You've written what you think is a great melody, what you hope is a strong lyric, and you've cut what sounds to you like a killer track. But how do you know if it's a hit? And what do you do with it if it is? Your only option is How to Be a Hit Songwriter , essential reading for advanced songwriters. Molly-Ann Leikin is the award-winning songwriter/songwriting consultant who helps good songwriters all over the world become hit songwriters. Whether your work just needs a little rewriting, polishing or some strong connections, Leikin will guide you step by step to the top of the charts. In How to Be a Hit Songwriter she offers expert advice and exercises, including "Seven Easy Steps to Writing Hit Lyrics." The book features inside information that can turn your song into a potential hit. What's more, she's interviewed music industry power players who share tips that are essential to all developing artists.
A creative companion to Stand Tall, Molly Lou Melon Molly Lou Melon's grandma taught her to be happy with herself no matter what, but that's not all she learned. Molly Lou heard all about how her grandma didn't have fancy store-bought toys when she was little. She made dolls out of twigs and flowers and created her own fun in her backyard. So Molly Lou does just that, proving that the best thing to play with is a huge imagination!
For over forty years, Don Walker’s songwriting has captured what it is to be Australian. From Cold Chisel to Catfish, Tex, Don & Charlie to his solo work, as well as many other writing collaborations, Walker’s words are poetic, moving and incisive. Including classics such as “Khe Sanh”, “Flame Trees”, “Cheap Wine” and “Harry was a Bad Bugger”, this collection reveals the breadth of Walker’s vision and the precision of his prose. These lyrics live on the page, with or without the memory of music. Interspersed with autobiographical sketches and anecdotes, Songs is a must-have for fans of Walker’s brilliant, razor-sharp storytelling. Includes a foreword by Jimmy Barnes ‘Pithy, poignant, and provocative, Don Walker is the Poet Laureate of Australian rock 'n’ roll.’ —Mandy Sayer ‘As ever, the doyen to the rest of us. Beauty, humour and pathos coexist in his songs. Any time I try to write, the voice of The Don is in my head: “You sure you wanna do that?” Consistently, persistently, the master.’ —Tim Rogers ‘Pithy, acerbic, dry and deeper than a drought-ridden dam. Don’s words are truly a thing of wonder.’ —Peter Garrett ‘One of the great poets of the Australian experience. His lyrics speak of and to an Australia that is too rarely glimpsed in song, giving voice to the forgotten and dispossessed, and transforming the currents of grief and love and tenderness that run through even the most ordinary of lives into something universal.’ —James Bradley ‘Walker is one of our great storytellers. As much a keeper of the flame as Lawson, Carey or White. But he cuts to the burning heart with far fewer words.’ —John Birmingham
