A History of Russian Music

A History of Russian Music

Author: Francis Maes

Publisher: Univ of California Press

Published: 2006-02-20

Total Pages: 468

ISBN-13: 0520248252

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Introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Summarizes the new view of Russian music and provides an overview of the relationships between artistic movements and political ideas.


Eighteenth-century Russian Music

Eighteenth-century Russian Music

Author: Marina Ritzarev

Publisher: Ashgate Publishing, Ltd.

Published: 2006

Total Pages: 428

ISBN-13: 9780754634669

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Starting from an examination of the rich legacy of Russian music up to 1700, Marina Ritzarev explores the development of music over the course of the eighteenth century. The book focuses on what is characteristic and crucial to Russian music during this period, rather than seeking to provide a comprehensive survey. The musical culture of the time is discussed against the background of social, political and cultural life and the importance of previously marginalized sectors is highlighted. New light is also cast on the well-researched topic of Russian opera


Nikolay Myaskovsky

Nikolay Myaskovsky

Author: Gregor Tassie

Publisher: Rowman & Littlefield

Published: 2014-05-05

Total Pages: 439

ISBN-13: 1442231335

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Gregor Tassie describes Nikolay Myaskovsky as “one of the great enigmas of 20th-century Russian music.” Between the two world wars, the symphonies of Myaskovsky enjoyed great popularity and were performed by all major American and European orchestras; they were some of the most inspiring symphonic works of the last hundred years and prolonged the symphonic genre. But accusations of “formalism” at the 1948 USSR Composers Congress resulted in the purposeful neglect of his music until the collapse of the Soviet Union. Myaskovsky wrote some of the most inspiring symphonic works of the last hundred years and prolonged and extended the symphonic genre. In Nikolay Myaskovsky: The Conscience of Russian Music, Tassie gives readers the first modern English-language biography of this Russian composer since his death in 1950. Tassie draws together information from the composer’s diaries and letters, as well as the memoirs of friends and colleagues—even his secret police files—to chronicle Myaskovsky’s early life, subsequent far-reaching influence as a composer, teacher, and journalist, and his final persecution by the Soviet government. This biography will surely rekindle interest in Myaskovsky’s remarkable body of work and will interest aficionados, students, and scholars of the modern classical music tradition and history of the arts in Russia.


On Russian Music

On Russian Music

Author: Richard Taruskin

Publisher: Univ of California Press

Published: 2009

Total Pages: 416

ISBN-13: 0520268067

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This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.


Jascha Heifetz

Jascha Heifetz

Author: Galina Kopytova

Publisher: Indiana University Press

Published: 2013-11-13

Total Pages: 504

ISBN-13: 0253010896

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Notoriously reticent about his early years, violinist Jascha Heifetz famously reduced the story of his childhood to "Born in Russia. First lessons at 3. Debut in Russia at 7. Debut in Carnegie Hall at 17. That's all there is to say." Tracing his little-known upbringing, Jascha Heifetz: Early Years in Russia uncovers the events and experiences that shaped one of the modern era's most unique talents and enigmatic personalities. Using previously unstudied archival materials and interviews with family and friends, this biography explores Heifetz's meteoric rise in the Russian music world—from his first violin lessons with his father, to his studies at the St. Petersburg Conservatory with the well-known pedagogue Leopold Auer, to his tours throughout Russia and Europe. Spotlighting Auer's close-knit circle of musicians, Galina Kopytova underscores the lives of artists in Russia's "Silver Age"—an explosion of artistic activity amid the rapid social and political changes of the early 20th century.