A Reader's Guide to Modern British Drama

A Reader's Guide to Modern British Drama

Author: Sanford Sternlicht

Publisher: Syracuse University Press

Published: 2004-12-01

Total Pages: 276

ISBN-13: 9780815630760

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This book reveals the influences of modern history and psychology on British drama; the all-important influence of Irish dramatists like Wilde, Shaw, O’Casey, and Beckett; the significance of the Independent Theatre of J. T. Grein and the early Royal Court Theatre; the gay community’s contribution to the British theater; the powerful new feminist drama; and the British festival theater. Auseful tool for readers wishing to know more about Britain’s great dramatic tradition and vital contemporary theater, for students pursuing drama studies, and for libraries in need of an accessible reference work.


A Pocket Guide to Twentieth Century Drama

A Pocket Guide to Twentieth Century Drama

Author: Stephen Unwin

Publisher: Faber & Faber

Published: 2001

Total Pages: 300

ISBN-13: 9780571200146

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If great drama flourishes in a changing world, the twentieth century may prove itself the most dramatically fruitful ever. The briefest historical outline shows a time of extraordinary upheaval, and twentieth-century drama's greatest achievement was that it managed to reflect those changes with courage, vision, and artistry. In A Pocket Guide to 20th Century Drama, Stephen Unwin and Carole Woddis examine fifty seminal works from the past one hundred years, and in the process chart some of the most profound events of that era -- from Anton Chekhov's illustration of the fin-de-siecle clash in cultural value systems in The Cherry Orchard to World War II's legacy of moral despair as voiced in Samuel Beckett's Waiting for Godot to Tony Kushner's stark and moving exploration of the ravages of AIDS in Angels in America. For each play, a precis is provided, along with a brief essay on its historical and literary context and a rundown of pertinent productions. In addition, the authors provide both an overview of the past century in history and drama, and a chronicle of one thousand of the century's notable plays, providing an understanding of what other works were being written at the time.


Contemporary British Drama, 1970–90

Contemporary British Drama, 1970–90

Author: Hersh Zeifman

Publisher: Springer

Published: 1993-04-27

Total Pages: 361

ISBN-13: 1349108197

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This book focuses exclusively on the exciting and provocative plays produced in England in the last two decades. The primary aim of the collection is to celebrate the truly remarkable range of British drama since 1970, by examining the work of fourteen important and representative playwrights. This emphasis on range applies not only to the dramatists chosen for inclusion but to the critics as well - specifically to the diversity of critical methodology demonstrated in their essays.


1956 and All That

1956 and All That

Author: Dan Rebellato

Publisher: Routledge

Published: 2002-03-11

Total Pages: 276

ISBN-13: 1134657838

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It is said that British Drama was shockingly lifted out of the doldrums by the 'revolutionary' appearance of John Osborne's Look Back in Anger at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and 'Binkie' Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain's declining Empire and increasing panic over the 'problem' of homosexuality played a crucial role in the construction of an enduring myth of the theatre. By going back to primary sources and rigorously questioning all assumptions, Rebellato has rewritten the history of the Making of Modern British Drama.


Contemporary British Drama

Contemporary British Drama

Author: Catherine Rees

Publisher: Bloomsbury Publishing

Published: 2019-11-13

Total Pages: 311

ISBN-13: 1350309559

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This guide offers a comprehensive account of British theatre from the 1960s to the present day. Placing critical commentary at the heart of its analysis, it explores how theatre critics and scholars have sought to understand and write about modern theatre, from the earliest reviews to revivals appearing decades later. With studies of contemporary reviews and archival material, Contemporary British Drama offers readers the opportunity to learn about British theatre in its original context and to chart shifting critical perceptions over the decades. It provides a crucial juxtaposition between the development of British theatre and its contemporaneous critical response, supplying an invaluable insight into the critical climate of recent decades. From feminist playwrighting to In-Yer-Face theatre, this is the ideal companion for undergraduate students of literature and theatre in need of an introduction to the debates surrounding contemporary British drama.


A Man for All Seasons

A Man for All Seasons

Author: Robert Bolt

Publisher: Heinemann

Published: 1996

Total Pages: 152

ISBN-13: 9780435233204

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This play charts the dramatic events leading to the execution of Sir Thomas More in 1535 and has been a modern stage classic since its first production in 1960. The author's previous plays include 'Flowering Cherry' and 'State of Revolution'.


The Cambridge Companion to British Theatre since 1945

The Cambridge Companion to British Theatre since 1945

Author: Jen Harvie

Publisher: Cambridge University Press

Published: 2024-02-29

Total Pages: 325

ISBN-13: 1108386296

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British theatre underwent a vast transformation and expansion in the decades after World War II. This Companion explores the historical, political, and social contexts and conditions that not only allowed it to expand but, crucially, shaped it. Resisting a critical tendency to focus on plays alone, the collection expands understanding of British theatre by illuminating contexts such as funding, unionisation, devolution, immigration, and changes to legislation. Divided into four parts, it guides readers through changing attitudes to theatre-making (acting, directing, writing), theatre sectors (West End, subsidised, Fringe), theatre communities (audiences, Black theatre, queer theatre), and theatre's relationship to the state (government, infrastructure, nationhood). Supplemented by a valuable Chronology and Guide to Further Reading, it presents up-to-date approaches informed by critical race theory, queer studies, audience studies, and archival research to demonstrate important new ways of conceptualising post-war British theatre's history, practices and potential futures.