A Seed of Modernism
Author: Will South
Publisher: Heyday Books
Published: 2008
Total Pages: 149
ISBN-13: 9781597140768
DOWNLOAD EBOOKThe definitive survey of an influential early LA modern art school. Catalog of show
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Author: Will South
Publisher: Heyday Books
Published: 2008
Total Pages: 149
ISBN-13: 9781597140768
DOWNLOAD EBOOKThe definitive survey of an influential early LA modern art school. Catalog of show
Author: Gabriel Josipovici
Publisher: Yale University Press
Published: 2010-09-28
Total Pages: 213
ISBN-13: 030016582X
DOWNLOAD EBOOKThe quality of today's literary writing arouses the strongest opinions. For novelist and critic Gabriel Josipovici, the contemporary novel in English is profoundly disappointing--a poor relation of its groundbreaking Modernist forebears. This agile and passionate book asks why. Modernism, Josipovici suggests, is only superficially a reaction to industrialization of a revolution in diction and form; essentially, it is art arriving at a consciousness of its own limits and responsibilities. And its origins are to be sought not in 1850 or even 1800, but in the early 1500s, with the crisis of society and perception that also led to the rise of Protestantism. With sophistication and persuasiveness, Josipovici charts some of Modernism's key stages, from Dürer, Rabelais, and Cervantes to the present, bringing together a rich array of artists, musicians, and writers both familiar and unexpected--including Beckett, Borges, Friedrich, Cézanne, Stevens, Robbe-Grillet, Beethoven, and Wordsworth. He concludes with a stinging attack on the current literary scene in Britain and America, which raises questions not only about national taste, but about contemporary culture itself. Gabriel Josipovici has spent a lifetime writing and writing about other writers. This book is a strident call to arms and a tour de force of literary, artistic, and philosophical explication that will stimulate anyone interested in art in the twentieth century and today.
Author: Carrie J. Preston
Publisher: OUP USA
Published: 2011-09-05
Total Pages: 372
ISBN-13: 0199766266
DOWNLOAD EBOOKThe ancient world served as an unconventional source of inspiration for a generation of modernists. Drawing on examples from literature, dance, photography, and film, Modernism's Mythic Pose argues that a strain of antimodern-classicism permeates modernist celebrations of novelty, shock, and technology.The touchstone of Preston's study is Delsartism--the popular transnational movement which promoted mythic statue--posing, poetic recitation, and other hybrid solo performances for health and spiritual development. Derived from nineteenth-century acting theorist Francois Delsarte and largely organized by women, Delsartism shaped modernist performances, genres, and ideas of gender. Even Ezra Pound, a famous promoter of the "new," made ancient figures speak in the "old" genre of the dramatic monologue and performed public recitations. Recovering precedents in nineteenth-century popular entertainments and Delsartism's hybrid performances, this book considers the canonical modernists Pound and T. S. Eliot, lesser-known poets like Charlotte Mew, the Russian filmmaker Lev Kuleshov, Isadora Duncan the international dance star, and H.D. as poet and film actor.Preston's interdisciplinary engagement with performance, poetics, modern dance, and silent film demonstrates that studies of modernism often overemphasize breaks with the past. Modernism also posed myth in an ambivalent relationship to modernity, a halt in the march of progress that could function as escapism, skeptical critique, or a figure for the death of gods and civilizations.
Author: Harvey Hill
Publisher: CUA Press
Published: 2002
Total Pages: 244
ISBN-13: 9780813210940
DOWNLOAD EBOOKIn the nineteenth century, most people assumed that the "modern spirit" and Catholicism, the great "religion of authority," were irreconcilably opposed. However, some tried to combine the two in a reformed and modernized Catholicism. These efforts, and the reaction of the institutional Church against them, precipitated the Modernist Crisis. Alfred Loisy (1857--1940) was at the center of this dramatic conflict between advocates and opponents of "modernity." Loisy believed that his adoption of scientific methods to study the Bible and the history of Christianity necessarily committed him to a campaign to modernize Catholicism as a whole. In this book, Harvey Hill describes the emergence, articulation, and ultimate fate of Loisy's reform program as he interacted with allies and opponents of his modernizing agenda. By tracing Loisy's early intellectual and religious development in more detail than have previous scholars, Hill shows how Loisy self-consciously placed his historical scholarship at the service of a positive reform agenda from the very beginning of his ecclesiastical career and that he viewed this reform agenda as an intrinsic part of his critical work. Drawing on some of Loisy's unpublished writings and little-known articles, Hill goes on to demonstrate that Loisy's efforts to reform Catholicism presupposed a new view of the nature and limits of Church authority in relation to the secular state as well as to modern scholarship. Hill uses Loisy's political views to illustrate the more general challenge to ecclesiastical authority that was, again, an intrinsic part of the modern scientific study of religion as Loisy understood it. Hill's interpretation of Loisy and the theology and politics of the scientific study of religion will interest students of Catholic Modernism, the history of modern religion, and the emergence of religious studies as an academic discipline. Harvey Hill is Assistant Professor of Religion at Berry College. He is the coeditor of Personal Faith and Institutional Commitment: Roman Catholic Modernist and Anti-Modernist Autobiography and author of numerous essays, articles, and reviews. Praise for the book: "One is unlikely to find in any language a clearer, better written introduction to the neuralgic career of Alfred Loisy than Harvey Hill's. In addition to its clarity, what sets it apart from the many studies of Loisy is its well-argued conception of the historical integrity of Loisy's mature modernist works as growing out of ideas he formulated in the 1870's and the 1880's to which other scholars have paid scant attention. . . . Out of an artful rehearsal of the conflicts with church authorities over Loisy's historical criticism of Scripture and tradition with implications for doctrine, what emerges is a clarification of the role of Loisy's political interests--thus the book's title. . . . Far from taking sides in the conflict between Loisy and the church authorities, Hill maintains aesthetic distance."--David G. Schultenover, S.J., Catholic Historical Review " A] much needed book on the role of Loisy and the scientific study of religion. This is a valuable study of an important individual and time in the contemporary history of the Catholic Church. It is also most relevant, as it addresses an actual dilemma for many Catholic intellectuals today. I highly recommend this book for anyone interested in the contemporary history of the Church and for those searching for an adequate relation of faith and reason."--Lucien J. Richard, OMI, Catholic Library World "Harvey Hill has succeeded in breaking new ground in this study, in which he insightfully sets forth issues underlying Loisy's writings, and tests his judgments against the secondary literature. . . . More than previous scholars Hill clarifies the extent of Loisy's political interests. . . . Hill's ability to co
Author: Anat Matar
Publisher: Bloomsbury Publishing USA
Published: 2017-01-26
Total Pages: 287
ISBN-13: 1501302434
DOWNLOAD EBOOKIn the last half-century Ludwig Wittgenstein's relevance beyond analytic philosophy, to continental philosophy, to cultural studies, and to the arts has been widely acknowledged. Wittgenstein's Tractatus Logico-Philosophicus was published in 1922 - the annus mirabilis of modernism - alongside Joyce's Ulysses, Eliot's The Waste Land, Mansfield's The Garden Party and Woolf's Jacob's Room. Bertolt Brecht's first play to be produced, Drums in the Night, was first staged in 1922, as was Jean Cocteau's Antigone, with settings by Pablo Picasso and music by Arthur Honegger. In different ways, all these modernist landmarks dealt with the crisis of representation and the demise of eternal metaphysical and ethical truths. Wittgenstein's Tractatus can be read as defining, expressing and reacting to this crisis. In his later philosophy, Wittgenstein adopted a novel philosophical attitude, sensitive to the ordinary uses of language as well as to the unnoticed dogmas they may betray. If the gist of modernism is self-reflection and attention to the way form expresses content, then Wittgenstein's later ideas - in their fragmented form as well as their ?ear-opening? contents - deliver it most precisely. Understanding Wittgenstein, Understanding Modernism shows Wittgenstein's work, both early and late, to be closely linked to the modernist Geist that prevailed during his lifetime. Yet it would be wrong to argue that Wittgenstein was a modernist tout court. For Wittgenstein, as well as for modernist art, understanding is not gained by such straightforward statements. It needs time, hesitation, a variety of articulations, the refusal of tempting solutions, and perhaps even a sense of defeat. It is such a vision of the linkage between Wittgenstein and modernism that guides the present volume.
Author: John Seed
Publisher:
Published: 2019-04-27
Total Pages: 176
ISBN-13: 9781095997925
DOWNLOAD EBOOKAs a young man, art writer John Seed had a knack for meeting extraordinary people. Mentored by Bay Area artist Nathan Oliveira and introduced to modern art by collectors Hunk and Moo Anderson, Seed was perfectly positioned to observe the explosive growth of the art world in the early 1980s. He had his portrait done by Jean-Michel Basquiat, met Richard Dienbenkorn, worked for an intense young art dealer named Larry Gagosian, got advice from painter Robert De Niro Sr. and became a founding staff member of MOCA in Los Angeles. My Art World includes Seed's vivid recollections-including essays on Joan Brown, Sam Francis and Frank Lobdell- as well as samples of his later essays for the HuffingtonPost. Once called an "Art World Anthony Bourdain" John Seed's writings are revealing, readable and honest. My Art World brings together writings that were previously published in magazines, in art catalogs, on the author's personal website, on the HuffingtonPost and on Hyperallergic.com. Table of Contents: 1. Nathan Oliveira: A Mentor and a Friend 2. Hunk and Moo Anderson: Passions Cannot Be Denied 3. A David Park Drawing: A Gift 4. Frank Lobdell: "Nothing Worth Anything Is Easy" 5. My Visit with Richard Diebenkorn 6. A Critical Piece of Advice Robert De Niro Senior Gave Me About Art 7. Mazurki: The Multiple Meanings of a Philip Guston Drawing 8. Joan Brown: Towards Unexpected Joy 9. Working for Larry Gagosian (1982-83) 10. The Angry One: Jean Michel Basquiat 11. MOCA Memories: 1983-85 12. F. Scott Hess: A Contemporary Realist 13. Nathan Oliveira: Forgetting the Self 14. Masks and Other Spectral Presences: Prints by Nathan Oliveira, 1952 - 1972 15. "Basel Mural I" by Sam Francis: An Artist at the Height of His Powers 16. Richard Diebenkorn: The Berkeley Years 17. The Other End of the Stick: Richard Diebenkorn's Ocean Park Series 18. Saying "Goodbye" to Diebenkorn 19. When Art Likes You Back 20. Contemporary Art (TM) is a Now a 'Brand' 21. Is Having an 'Eye' for Art a Thing of the Past? 22. A Brief Rant on the Exhaustion of the Avant-Garde 23. So These Three Artists Walk Into a Jeff Koons Show: Thoughts on Art and Skill 24. Hell Has Frozen Over: Figurative Art Is Poised to Become the 'Next Big Thing' 25. On Art and Empathy 26. Bo Bartlett: The Intermediary 27. Margaret Bowland: They Say It's Wonderful 28. Kerry James Marshall: "Mastry" at MOCA
Author: Fredric Jameson
Publisher: Columbia University Press
Published: 1994
Total Pages: 240
ISBN-13: 9780231080590
DOWNLOAD EBOOKLong considered the foremost American Marxist theorist, Fredric Jameson continues his investigation of postmodernism under late capitalism in The Seeds of Time. In three parts Jameson presents the problem of Utopia, attempting to diagnose the cultural present and to open a perspective on the future of a world that is all but impossible to predict with any certainty - "a telling of the future", as Jameson calls it, "with an imperfect deck". "The Antinomies of Postmodernity" highlights the seemingly unresolvable paradoxes of intellectual debate in the age of postmodernity. Jameson suggests that these paradoxes revolve around the idea of "nature", the terms of antifoundationalism and antiessentialism, and contemporary society's inability or refusal to consider the idea of Utopia. The chapter attempts to sketch the "unrepresentable exterior" of these debates - which is the locus of the future according to Jameson. In "Utopia, Modernism, and Death", Jameson meditates on the fascinating and terrifying Utopian fiction Chevengur, written in the 1920s by the Soviet author Andrei Platonov. He discusses the unique character of Utopian visions in the Second World of communism, where commodity fetishism has not had as profound an effect on social relations as we have seen in the First World under late capitalism. The Seeds of Time continues in "The Constraints of Postmodernism" with an examination of contemporary architectural trends, in an attempt to suggest the limits of the postmodern. By delineating these limits, Jameson stakes out a prediction of the boundaries of postmodernity - the "unrepresentable exterior" approached in Part One - which we need to recognize and surpass.
Author: Linda Wagner-Martin
Publisher: Routledge
Published: 2016-02-12
Total Pages: 192
ISBN-13: 1317538102
DOWNLOAD EBOOKThe modernist period was crucial for American literature as it gave writers the chance to be truly innovative and create their own distinct identity. Starting slightly earlier than many guides to modernism this lucid and comprehensive guide introduces the reader to the essential history of the period including technology, religion, economy, class, gender and immigration. These contexts are woven of into discussions of many significant authors and texts from the period. Wagner-Martin brings her years of writing about American modernism to explicate poetry and drama as well as fiction and life-writing. Among the authors emphasized are Ernest Hemingway, William Faulkner, Zora Neale Hurston, Langston Hughes, F. Scott Fitzgerald, Gertrude Stein, Willa Cather, John Dos Passos, William Carlos Williams, Mike Gold, James T. Farrell, Clifford Odets, John Steinbeck and countless others. A clear and engaging introduction to an exciting period of literature, this is the ultimate guide for those seeking an overview of American Modernism.
Author: Rishona Zimring
Publisher: Ashgate Publishing, Ltd.
Published: 2013
Total Pages: 244
ISBN-13: 9781409455769
DOWNLOAD EBOOKArguing that social dance haunted the interwar imagination, Zimring reveals the powerful figurative importance of music and dance, both in the aftermath of war, and during Britain's entrance into cosmopolitan modernity and the modernization of gender relations. Analysing paintings, films, memoirs, ballet, documentary texts and writings by Modernist authors, Zimring illuminates the ubiquitous presence of social dance in the British imagination during a time of cultural transition and recuperation.
Author: Heather Hole
Publisher: Yale University Press
Published: 2007-01-01
Total Pages: 200
ISBN-13: 9780300121490
DOWNLOAD EBOOKA revelatory look at Hartley's New Mexico landscapes and the darker side of postwar American modernism Considered to be among the greatest early American modernists, the painter Marsden Hartley (1877-1943) traveled the United States and Europe in his search for a distinctive American aesthetic. His stay in New Mexico resulted in an extraordinary series of landscape paintings--created in New Mexico, New York, and Europe between 1918 and 1924--that show an evolution in style and thinking that is important for understanding both Hartley's oeuvre and American modernism in the postwar years. Marsden Hartley and the West examines this pivotal stage of the painter's career, drawing upon his writings and providing illustrations of rarely seen and previously unpublished works. The author considers Hartley's involvement with the Stieglitz circle and its "soil-and-spirit" philosophy, the Taos art colony, New York Dada, and the impact of historical events such as World War I. Within this setting she analyzes the pastels and oil paintings that suggest Hartley's increasingly ambivalent response to the land. Beginning with optimistic, naturalistic views, the New Mexico works grew progressively darker and more tumultuous, increasingly reflecting a sense of loss brought on by war. The paintings become a site where the landscapes of memory, self, and nation merge, while reflecting broader modernist debates about "American-ness" and a usable past.