From Asbury University Revival to the Russian Revival: Read about Twenty Revivals of the Twentieth Century

From Asbury University Revival to the Russian Revival: Read about Twenty Revivals of the Twentieth Century

Author: G. J. Hocking

Publisher: G. J. Hocking

Published: 2019-12-24

Total Pages: 237

ISBN-13:

DOWNLOAD EBOOK

How many countries experienced a religious revival during the 20th century? According to this new book on church revival history, there were, at the very least, twenty such revivals occurring in various parts of the world. Revival swept from Asbury University, Australia, through America, and across the European continent; all within the space of one century. Why This Book? I wrote The Twentieth Revivals of the Century because there are so many stories that need to be told. Stories of sweeping revivals, which happened all across the globe. Spiritual awakenings that occurred in countries making headlines today--sometimes for all the wrong reasons. Nations like North Korea's Pyongyang and Japan, which incidentally almost became a Christian nation, leading up to the twentieth century. At this time, Christianity began gaining ground at a rapid pace. Such was the impact of the revivals covered in this book heading into the twentieth century. So, can we see a repeat of such revival fervour in the twenty-first Century? Was the recent Asbury Revival comparable with the one seen there in the 1970s? Does it measure up to the same basic criteria or pass the 'smell test' of how recent revivals have come about? These question, although not directly answered will show the the so-called Asbury revival was missing two basic ingredients, the preaching of the gospel and conversion of the masses.


Encyclopedia of American Gospel Music

Encyclopedia of American Gospel Music

Author: W. K. McNeil

Publisher: Routledge

Published: 2013-10-18

Total Pages: 520

ISBN-13: 1135377073

DOWNLOAD EBOOK

The Encyclopedia of American Gospel Music is the first comprehensive reference to cover this important American musical form. Coverage includes all aspects of both African-American and white gospel from history and performers to recording techniques and styles as well as the influence of gospel on different musical genres and cultural trends.


Homer Rodeheaver and the Rise of the Gospel Music Industry

Homer Rodeheaver and the Rise of the Gospel Music Industry

Author: Kevin Mungons

Publisher: University of Illinois Press

Published: 2021-06-15

Total Pages: 524

ISBN-13: 0252052749

DOWNLOAD EBOOK

From tent revivals to radio and records with a gospel music innovator Homer Rodeheaver merged evangelical hymns and African American spirituals with popular music to create a potent gospel style. Kevin Mungons and Douglas Yeo examine his enormous influence on gospel music against the backdrop of Christian music history and Rodeheaver's impact as a cultural and business figure. Rodeheaver rose to fame as the trombone-playing song leader for evangelist Billy Sunday. As revivalism declined after World War I, Rodeheaver leveraged his place in America's newborn celebrity culture to start the first gospel record label and launch a nationwide radio program. His groundbreaking combination of hymnal publishing and recording technology helped define the early Christian music industry. In his later years, he influenced figures like Billy Graham and witnessed the music's split into southern gospel and black gospel. Clear-eyed and revealing, Homer Rodeheaver and the Rise of the Gospel Music Industry is an overdue consideration of a pioneering figure in American music.


Servanthood of Song

Servanthood of Song

Author: Stanley R. McDaniel

Publisher: Wipf and Stock Publishers

Published: 2024-05-23

Total Pages: 837

ISBN-13: 1666755931

DOWNLOAD EBOOK

Servanthood of Song is a history of American church music from the colonial era to the present. Its focus is on the institutional and societal pressures that have shaped church song and have led us directly to where we are today. The gulf which separates advocates of traditional and contemporary worship—Black and White, Protestant and Catholic—is not new. History repeatedly shows us that ministry, to be effective, must meet the needs of the entire worshiping community, not just one segment, age group, or class. Servanthood of Song provides a historical context for trends in contemporary worship in the United States and suggests that the current polemical divisions between advocates of contemporary and traditional, classically oriented church music are both unnecessary and counterproductive. It also draws from history to show that, to be the powerful component of worship it can be, music—whatever the genre—must be viewed as a ministry with training appropriate to that. Servanthood of Song provides a critical resource for anyone considering a career in either musical or pastoral ministries in the American church as well as all who care passionately about vital and authentic worship for the church of today.