"On 4 October 1966, a C7-A Caribou airplane flying through blinding cloud cover crashed into Hon Cong Mountain near the base camp of the 1st Air Cavalry Division at An Khe. There were thirty-one people aboard the aircraft, an air crew of four along with twenty-seven passengers. Thirteen people died in the crash. I was one of the survivors." Joe Tedeschi lives his experience with you in A Rock in the Clouds. Taking you through the life events that led to that fateful day, he describes the horror of the crash and relates the aftermath of recovering from his injuries and continuing his life as a career Army officer. As his journey reveals his faith-based purpose and destiny, he hopes to bring hope and inspiration to other Vietnam-era veterans, their families, and people of faith.
During World War II, many pilots of both Allied and Axis aircraft met their fate in the peaks of the high mountains across Wales. This book covers the various such aircraft crash sites found in the area south of the latitude of Brecon, which from east to west includes the Black Mountains, Brecon Beacons, to south of Llandoverty and the Presceli Hills in the west. Appendices include a full list of high-ground military losses and memorials to those who perished, as well as a bibliography.
Here, Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, W.G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, and sleep in their work.
A masterpiece of quiet lyricism set against a backdrop of change and renewal in suburban Tokyo. The most celebrated work by one of Japan's master literary stylists, Evening Clouds is a book filled with delicate images of ordinary life, richly and precisely observed. A family moves into a new home on a windswept hilltop in western Tokyo. Around them are forests and farms. But the developers are coming, and the children are growing up. There are meals, quandaries, conversations...Life appears comfortable and serene, yet Shōno's portrayal has a strange and evocative undercurrent, as the most minute details slowly resonate out through a universe that is changing and unforgiving. Evening Clouds combines the crafted naturalism of haiku with the Ozu-like clarity of film to produce a story that is wistful and real. Read Shōno slowly, a luxuriate in his vision.
A nail-biting tale of survival and brotherhood atop one of the world's most dangerous mountains. This fast-paced, three-part narrative takes readers on three expeditions over 15 years to K2, one of the deadliest mountains on Earth. Roped together, these teams of men face perilously high altitudes and battering storms in hopes of reaching the summit. As each expedition sets out, they carve new paths along icy slopes and unforgiving rock, creating camps on ledges so narrow they fear turning over in their sleep. But disaster strikes -- in 1939, four men never make it down the mountain. Fourteen years later, a man develops blood clots in his legs at 25,000 feet, leaving his team with no safe path off the mountain. Filled with displays of incredible strength and heart-stopping danger, Into the Clouds tells the incredible stories of the men whose quest to conquer a mountain became a battle to survive the descent.
In his new series, Mitch Epstein investigates the meaning of time by photographing rocks that last millions of years and clouds that evaporate before our eyes. These large-format black-and-white pictures examine society?s complex relationship to nature, a theme Epstein has explored in previous work, including his acclaimed tree pictures (New York Arbor, 2013).0The way the sky and ground can mirror one another intrigued ancient Chinese painters, as well as modern earthwork artists and the Surrealists, all of whom inspired this project. Epstein draws attention to the sculptural quality of New York City?s clouds, bedrock, and architecture?which, at its most elemental, is made from rock. Cloud wedges engulf a cargo ship, buildings recall constructivist paintings, and erratics are imposing elders in the middle of a park or sidewalk. "Rocks and clouds" suggests society?s inability to control time and tame nature. While it seems impossible to make a fresh picture of New York, Epstein gives us a surprising portrait of it.00Exhibition: Sikkema Jenkins & Co., New York, USA (11.2016-1.2017), Galerie Thomas Zander, Köln, Germany (1.-3.2017).
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In 1945 Britain was the world's leading designer and builder of aircraft - a world-class achievement that was not mere rhetoric. And what aircraft they were. The sleek Comet, the first jet airliner. The awesome delta-winged Vulcan, an intercontinental bomber that could be thrown about the sky like a fighter. The Hawker Hunter, the most beautiful fighter-jet ever built and the Lightning, which could zoom ten miles above the clouds in a couple of minutes and whose pilots rated flying it as better than sex. How did Britain so lose the plot that today there is not a single aircraft manufacturer of any significance in the country? What became of the great industry of de Havilland or Handley Page? And what was it like to be alive in that marvellous post-war moment when innovative new British aircraft made their debut, and pilots were the rock stars of the age? James Hamilton-Paterson captures that season of glory in a compelling book that fuses his own memories of being a schoolboy plane spotter with a ruefully realistic history of British decline - its loss of self confidence and power. It is the story of great and charismatic machines and the men who flew them: heroes such as Bill Waterton, Neville Duke, John Derry and Bill Beaumont who took inconceivable risks, so that we could fly without a second thought.
Religion is universal human culture. No phenomenon is more widely shared or more intensely studied, yet there is no agreement on what religion is. Now, in Faces in the Clouds, anthropologist Stewart Guthrie provides a provocative definition of religion in a bold and persuasive new theory. Guthrie says religion can best be understood as systematic anthropomorphism--that is, the attribution of human characteristics to nonhuman things and events. Many writers see anthropomorphism as common or even universal in religion, but few think it is central. To Guthrie, however, it is fundamental. Religion, he writes, consists of seeing the world as humanlike. As Guthrie shows, people find a wide range of humanlike beings plausible: Gods, spirits, abominable snowmen, HAL the computer, Chiquita Banana. We find messages in random events such as earthquakes, weather, and traffic accidents. We say a fire "rages," a storm "wreaks vengeance," and waters "lie still." Guthrie says that our tendency to find human characteristics in the nonhuman world stems from a deep-seated perceptual strategy: in the face of pervasive (if mostly unconscious) uncertainty about what we see, we bet on the most meaningful interpretation we can. If we are in the woods and see a dark shape that might be a bear or a boulder, for example, it is good policy to think it is a bear. If we are mistaken, we lose little, and if we are right, we gain much. So, Guthrie writes, in scanning the world we always look for what most concerns us--livings things, and especially, human ones. Even animals watch for human attributes, as when birds avoid scarecrows. In short, we all follow the principle--better safe than sorry. Marshalling a wealth of evidence from anthropology, cognitive science, philosophy, theology, advertising, literature, art, and animal behavior, Guthrie offers a fascinating array of examples to show how this perceptual strategy pervades secular life and how it characterizes religious experience. Challenging the very foundations of religion, Faces in the Clouds forces us to take a new look at this fundamental element of human life.
Imagine a land where all the animals are free . . . To the creatures of the woodland, the land of Animalia sounds like a dream - a tropical island where all the animals live in harmony. They are over-shadowed by a much more evil community; the polluted Megatropolis, whose dirty skyscrapers block the horizon. And then one day, Wirral the Squirrel's woodland is destroyed by developers and he is thrown into the nightmare world of Megatropolis. But Wirral believes in Animalia and he joins with Froggo, a world-class amphibian balloonist, and Wilhamina, a girl squirrel, to lead the enslaved animals of the city to a new life. So begins an exciting adventure through the mean streets of Megatropolis, over the sea and through the sky. Developed out of an exceptional fusion of creative talents, this story explodes onto every page. The plot is fast, furious and funny; the illustrations are full of rich depth and colour; and the characters live on long after you have turned the final page. It will delight children of all ages and is sure to become an enduring classic. 'Young audiences will delight in the clever wordplay and smartly-drawn comic characters.' Independent
