Flodden 1513: the biggest and bloodiest Anglo-Scottish battle. Its causes spanned many centuries; its consequences were as extraordinary as the battle itself. On September 9, 1513, the vicious rivalry between the young Henry VIII of England and his charismatic brother-in-law, James IV of Scotland, ended in violence at Flodden Field in the north of England. It was the inevitable climax to years of mounting personal and political tension through which James bravely asserted Scotland’s independence and Henry demanded its obedience. In Fatal Rivalry, George Goodwin, the best-selling author of Fatal Colours, captures the vibrant Renaissance splendor of the royal courts of England and Scotland, with their unprecedented wealth, innovation, and artistic expression. He shows how the wily Henry VII, far from the miser king of tradition, spent vast sums to secure his throne and elevate the monarchy to a new standard of magnificence among the courts of Europe. He demonstrates how James IV competed with the elder Henry, even claiming that Arthurian legend supported a separate Scottish identity. Such rivalry served as a substitute for war—until Henry VIII’s belligerence forced the real thing. As England and Scotland scheme toward their biggest-ever battle, Goodwin deploys a fascinating and treacherous cast of characters: maneuvering ministers, cynical foreign allies, conspiring cardinals, and contrasting queens in Katherine of Aragon and Margaret Tudor. Finally, at Flodden on September 9, 1513, King James seems poised for the crushing victory that will confirm him as Scotland’s greatest king and—if an old military foe proves unable to stop him—put all of Britain in his grasp. Five hundred years after this decisive battle, Fatal Rivalry combines original sources and modern scholarship to re-create the royal drama, the military might, and the world in transition that created this bitter conflict.
Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.
The co-monarchy of Mary I and Philip II put England at the heart of early modern Europe. This positive reassessment of their joint reign counters a series of parochial, misogynist and anti-Catholic assumptions, correcting the many myths that have grown up around the marriage and explaining the reasons for its persistent marginalisation in the historiography of sixteenth-century England. Using new archival discoveries and original sources, the book argues for Mary as a great Catholic queen, while fleshing out Philip’s important contributions as king of England. It demonstrates the many positive achievements of this dynastic union in everything from culture, music and art to cartography, commerce and exploration. An important corrective for anyone interested in the history of Tudor England and Habsburg Spain.