A reference tool for those who seek an understanding of the structure of classical Tamil poetry. This poetry reflects indigenous literary and cultural traditions of southern India, and therefore, a study of it is imperative for obtaining a balanced view of India's past and present cultures. The language which produced this poetry, Tamil, is the only living language of modern India that has an uninterrupted history spanning more than two millennia, and therefore, a study of it becomes even more crucial for a thorough understanding of India's linguistic complexity. Includes a bibliography.
A reference tool for those who seek an understanding of the structure of classical Tamil poetry. This poetry reflects indigenous literary & cultural traditions of southern India, & therefore, a study of it is imperative for obtaining a balanced view of India'¿¿s past & present cultures. The language which produced this poetry, Tamil, is the only living language of modern India that has an uninterrupted history spanning more than two millennia, & therefore, a study of it becomes even more crucial for a thorough understanding of India'¿¿s linguistic complexity. Bibliography.
The Dravidian language family is the world's fourth largest with over 175 million speakers across South Asia from Pakistan to Nepal, from Bangladesh to Sri Lanka as well as having communities in Malaysia, North America and the UK. Four of the languages, Tamil, Kannada, Malayalam and Telugu are official national languages and the Dravidian family has had a rich literary and cultural influence. This authoritative reference source provides unique descriptions of 12 of these languages, covering their historical development alongside discussions of their specialised linguistic structures and features. Each chapter combines modern linguistic theory with traditional historical linguistics and a uniform structure allows for easy typological comparison between the individual languages. Two further chapters provide general information about the language family - the introduction, which covers the history, cultural implications and linguistic background, and a separate article on Dravidian writing systems. This volume includes languages from all 4 of the Dravidian family's subgroupings: South Dravidian e.g. Tamil, Kannada; South Central Dravidian e.g. Telugu, Konda; Central Dravidian e.g. Kolami; North Dravidian e.g. Brahui, Malto. Written by a team of expert contributors, many of whom are based in Asia, each language chapter offers a detailed analysis of phonology, morphology, syntax and followed by a list of the most relevant further reading to aid the independent scholar. The Dravidian Languages will be invaluable to students and researchers within linguistics and will also be of interest to readers in the fields of comparative literature, South Asian studies and Oriental studies.
The present study is a step towards an historical and philologicaldescription of the founding literary tradition of Southern India. This so-called Cankam literature was composed around the beginning of the common era in a language today known as "Classical Tamil". Ten anthologies of its poetry have survived. Its literary techniques and their presuppositions are presented here in detail on the basis of an analysis of one of these anthologies, the Kur-untokai, which is a collection of 401 short love poems. While the introduction and the last chapter, on poetic style, are also meant for the general student of literature, the second and third chapters will be of interest mainly to specialists. These deal with syntax (especially particle syntax) and with the poetological background of the poetry. The formal features described include the use of formulae; the organisation of a poetic universe in terms of themes, topoi and motifs; syntactic types, such as circular construction; rhetorical fi gures, such as metaphors, similes and insets; poetic ambiguity achieved through the use of a symbolic code; puns; and intertextual allusions.
Dating from the early decades of the third century C.E., the Ainkurunuru is believed to be the world's earliest anthology of classical Tamil love poetry. Commissioned by a Cera-dynasty king and composed by five masterful poets, the anthology illustrates the five landscapes of reciprocal love: jealous quarreling, anxious waiting and lamentation, clandestine love before marriage, elopement and love in separation, and patient waiting after marriage. Despite its centrality to literary and intellectual traditions, the Ainkurunuru remains relatively unknown beyond specialists. Martha Ann Selby, well-known translator of classical Indian poetry and literature, takes the bold step of opening this anthology to all readers, presenting crystalline translations of 500 poems dense with natural imagery and early examples of South Indian culture. Because of their form's short length, the anthology's five authors rely on double entendre and sophisticated techniques of suggestion, giving their poems an almost haikulike feel. Groups of verse center on one unique figure, in some cases an object or an animal, in others a line of direct address or a specific conversation or situation. Selby introduces each section with a biographical sketch of the poet and the conventions at work within the landscape. She then incorporates notes explaining shifting contexts. Excerpt: He has gone off all by himselfbeyond the wasteswhere tigers used to prowland the toothbrush trees grow tall,their trunks parched,on the flinty mountains, while the lovely folds of your loins, wide as a chariot's seat, vanish as your circlet worked from gold grows far too large for you.
Expressive Morphology in the Languages of South Asia explores the intricacies of the grammars of several of the languages of the South Asian subcontinent. Specifically, the contributors to this volume examine grammatical resources for shaping elaborative, rhyming, and alliterative expressions, conveying the emotions, states, conditions and perceptions of speakers. These forms, often referred to expressives, remain relatively undocumented, until now. It is clear from the evidence on contextualized language use that the grammatically artistic usage of these forms enriches and enlivens both every day and ritualized genres of discourse. The contributors to this volume provide grammatical and sociolinguistic documentation through a typological introduction to the diversity of expressive forms in the languages of South Asia. This book is suitable for students and researchers in South Asian Languages, and language families of the following; Dravidian, Indo-Aryan, Iranian, Sino-Tibetan and Austro-Asiatic.
South Asia is home to a large number of languages and dialects. The considerable body of linguists working on this region have made significant contributions to our understanding of language, society, and language in society on a global scale. Despite this, there is as yet no recognized international forum for the exchange of ideas amongst South Asian linguists. The YEARBOOK OF SOUTH ASIAN LANGUAGES AND LINGUISTICS is designed to be just that forum. It brings together empirical and theoretical research and serves as a testing ground for the articulation of new ideas and approaches which may be grounded in a study of South Asian languages but which have universal applicability. Each volume of this annual series will have four major sections: I. Invited contributions consisting of state-of-the-art essays on research in South Asian languages. II. Refereed open submissions focusing on relevant issues and providing various viewpoints. III. Reports from around the world book reviews and abstracts of doctoral theses. IV. A forum for dialogue; critiques; comments and discussions; reports on research activities; and conference announcements. In the words of the Editor-in-Chief, 'other than excellence and non-isolationism, we have no agenda and no thematic priorities'. This pioneering series will interest all those in the fields of sociolinguistics, language studies, grammar, literature and sociology.
Two prominent translators present the first complete English-language edition of one of India's greatest works of classical literature: the Purananuru. This anthology of four hundred poems by more than 150 poets between the first and third centuries CE in old Tamil—the literary language of ancient Tamilnadu—was composed before Aryan influence had penetrated the south. It is thus a unique testament to pre-Aryan India. Beyond its importance for understanding the development of South Asia's history, culture, religion, and linguistics, the Purananuru is a great work of literature, reflecting accurately and profoundly the life of southern India 2,000 years ago. One of the few works of classical India that confronts life without the insulation of a philosophical facade and that makes no basic assumptions about karma and the afterlife, the Purananuru has universal appeal. It faces the world as a great and unsolved mystery, delving into living and dying, despair, love, poverty, and the changing nature of existence. To this hidden gem of world literature George L. Hart and Hank Heifetz add a helpful appendix, an annotated bibliography, and an excellent introduction describing the work and placing it in its social and historical context.
Adopting The Voice Of A Mother, Poets Lovingly Praise Gods And Men. For Hundreds Of Years Tamil Poets Have Been Composing Devotional Texts In Which They Adopt The Voice Of A Mother And Address Praises To An Extraordinary Child. The Poems, Called Pillaitamil (Literally Tamil For A Child ), Form A Major Genre Of Tamil Literature. Since The Twelfth Century, When The First Known Pillaitamil Was Written In Honour Of A Chola King, Many Of These Poems Have Been Composed In Praise Of The Quintessentially Tamil God Murugan And South Indian Goddesses, As Well As Saints And Venerated Monastic Abbots. In Recent Times Pillaitamils Have Been Dedicated To Prophet Muhammad, Virgin Mary And Baby Jesus, As Well As Notable Political Figures And Movie Stars. Extraordinary Child Provides A Sampler Of Translations From, And Analyses Of, Seven Pillaitamils Of Particular Religious, Aesthetic Or Political Significance. Paula Richman S Insightful And Comprehensive Introduction Initiates The Reader Into The Pillaitamil Tradition By Explaining What A Pillaitamil Does And How Contemporary Audiences Can Learn To Savour The Subtleties Of The Verses.
