Pieces of Tradition

Pieces of Tradition

Author: Daniel Harrison

Publisher: Oxford University Press

Published: 2016-05-02

Total Pages: 209

ISBN-13: 019024447X

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This book is about how music "in a key" is composed. Further, it is about how such music was composed when it was no longer compulsory to do so, starting a few years before the First World War. In an eclectic journey through the history of compositional technique, Daniel Harrison contends that the tonal system did not simply die out with the dawn of twentieth century, but continued to supplement newer techniques as a compelling means of musical organization, even into current times. Well-known art music composers such as Bartok, Hindemith, Prokofiev, and Messiaen are represented alongside composers whose work moves outside the standard boundaries of art music: Leonard Bernstein, Murice Duruflé, Frank Martin, Xiaoyong Chen. Along the way, the book attends to military bugle calls, a trailer before a movie feature, a recomposition of a famous piece by Arnold Schoenberg, and the music of Neil Diamond, David Shire, and Brian Wilson. A celebration of the awesome variety of musical expressions encompassed in what is called tonal music, Pieces of Tradition is a book for composers seeking ideas and effects, music theorists interested in its innovations, and all those who practice the analysis of composition in all its modern and traditional variations.


Notes

Notes

Author: Music Library Association

Publisher:

Published: 1991

Total Pages: 776

ISBN-13:

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Igor Stravinsky

Igor Stravinsky

Author: James R. Heintze

Publisher: Warren, MI : Harmonie Park Press

Published: 2001

Total Pages: 304

ISBN-13:

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Doctoral dissertations, master's theses, and bachelor's essays are represented by 200 colleges and universities in 18 countries. Included are works that deal primarily with one of the most significant composers of the twentieth century and studies that indirectly contain references to the composer.


Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951)

Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951)

Author: Norton Dudeque

Publisher: Routledge

Published: 2017-07-05

Total Pages: 291

ISBN-13: 1351557173

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Arnold Schoenberg's theory of music has been much discussed but his approach to music theory needs a new historical and theoretical assessment in order to provide a clearer understanding of his contributions to music theory and analysis. Norton Dudeque's achievement in this book involves the synthesis of Schoenberg's theoretical ideas from the whole of the composer's working life, including material only published well after his death. The book discusses Schoenberg's rejection of his German music theory heritage and past approaches to music-theory pedagogy, the need for looking at musical structures differently and to avoid aesthetic and stylistic issues. Dudeque provides a unique understanding of the systematization of Schoenberg's tonal-harmonic theory, thematic/motivic-development theory and the links with contemporary and past music theories. The book is complemented by a special section that explores the practical application of the theoretical material already discussed. The focus of this section is on Schoenberg's analytical practice, and the author's response to it. Norton Dudeque therefore provides a comprehensive understanding of Schoenberg's thinking on tonal harmony, motive and form that has hitherto not been attempted.