THE STORY: As described by The New York Post : The play is about a starving young painter living in a Greenwich Village loft...He is immediately established as mildly freaky: beer chilling on top of an ice cube, a mat of hair pasted on his che
This “oral autobiography” of Jimmy Page, the intensely private mastermind behind Led Zeppelin—one of the most enduring bands in rock history—is the most complete and revelatory portrait of the legendary guitarist ever published. More than 30 years after disbanding in 1980, Led Zeppelin continues to be celebrated for its artistic achievements, broad musical influence, and commercial success. The band's notorious exploits have been chronicled in bestselling books; yet none of the individual members of the band has penned a memoir nor cooperated to any degree with the press or a biographer. In Light & Shade, Jimmy Page, the band’s most reticent and inscrutable member, opens up to journalist Brad Tolinski, for the first time exploring his remarkable life and musical journey in great depth and intimate detail. Based on extensive interviews conducted with the guitarist/producer over the past 20 years, Light & Shade encompasses Page’s entire career, beginning with his early years as England’s top session guitarist when he worked with artists ranging from Tom Jones, Shirley Bassey, and Burt Bacharach to the Kinks, The Who, and Eric Clapton. Page speaks frankly about his decadent yet immensely creative years in Led Zeppelin, his synergistic relationships with band members Robert Plant, John Bonham, and John Paul Jones, and his notable post-Zeppelin pursuits. While examining every major track recorded by Zeppelin, including “Stairway to Heaven,” “Whole Lotta Love,” and “Kashmir,” Page reflects on the band’s sensational tours, the filming of the concert movie The Song Remains the Same, his fascination with the occult, meeting Elvis Presley, and the making of the rock masterpiece Led Zeppelin IV, about which he offers a complete behind-the-scenes account. Additionally, the book is peppered with “sidebar” chapters that include conversations between Page and other guitar greats, including his childhood friend Jeff Beck and hipster icon Jack White. Through Page’s own words, Light and Shade presents an unprecedented first-person view of one of the most important musicians of our era.
When my experiences began...* I started writing when I first learned how and when my experiences began, where I am from, and where I am presently. I am excited about an obscurity of suggestion and willing to venture into the unknown to obtain a classification of words and advice for metaphorical composition and creation. Resisting spoiled, misused, commercialized, deformed, mispronounced, and in general, degraded words. Sensitivity to colloquial speech, intrigue with definition and synonyms. When there seems like there is no such thing as free verse but only different kinds of rhythm. Choice and will are always involved for the use of words can be argued in an illuminating way or a misleading way. Direct, elegant and vivid, sudden transitions, connections in logical order, conception, concise word choice, the unrewarding exercise of discovering observation and justification. The poetic idiom given to generalization. Where discouragement and difficulties follow. When words fall densely onto the page, imposing upon comprehension of sensibility. I have written or have started writing many topical stories, including some with difficult vocabulary. I have studied poets, authors, and novelists and have researched their reputable writing concepts. I have currently completed working on condensing (through editing) a book that I have written, which is a series of short topical stories, if that. This is that book. When I write, I have little problem with punctuation and spelling, although I will find some errors in editing. My grammar skills are good, but I could always use more vocabulary skills. Subjective, spontaneous words that fall onto the paper and using as few words as possible to express an idea. I often find myself reading the dictionary to abstract new words, ideas, and topics. Writing, I believe, has at least one distinction, which entitles me to something. A communicational tool used as an explanation for what is to be held true and valued. Inventing accomplished expression sets me to musing, thinking, and searching. Amusing, melancholy expression that seem to fit justly and harmoniously. That which seems to fortify an idea, prompt and unfailing. Accuracy makes it deliver an explosion. Well-used words converge to form an especially planned distinction, in part, losing a special distinction. This is what is difficult. Arranging words justly and harmoniously, which seem to fit into a theme justly and harmoniously. "Honest criticism and sensitive appreciation are directed not upon the poet but upon the poetry."* Starvation for words is always regrettable because I believe writing is the most sophisticated form of communication. A writer may have the prolific arrangements of being confined to the surface, but by a form and method in which the past and present are constantly faced with each other and resulting in a contrast, which fires new interest which is wise and interesting. Perfecting truth and sincerity with an endless imagination...A strange combination of words to represent the brighter side of things. Having judgement with precision and accuracy and written by the testimony of instinct. The problem is that so much has been written with strong and persistent vacancies. It leaves little room for decision. ________________________________________________________________________________________ *The above is taken from the words of Mark Twain, Delmore Schwartz, T. S. Eliot, and William S. Burroughs. *T. S. Eliot, from "Selected Essays of T. S. Eliot." Originally published by Faber and Faber, 1932. (*) Denotes the original source of information.
Dark Shadows remains one of the most popular cult TV shows of all time. Barnabas & Company tells the tale of the marvelous actors and actresses who came together in a tiny studio in New York City to make magic.
Television is one of the most significant and notable inventions of the Twentieth century. Over the years, people have seen an overabundance of glitz and glamour on television. Homo sapiens used to turn on televisions in their living rooms to enjoy their TV dinners while watching the early movie, now we are pulverized by news and fluff. But what is really going on behind the camera? Stage manager Daniel Morgan gives you his insight into how the production crew works together to run and direct
Curtain up! A Must See! proudly presents a visual feast of Broadway ballyhoo. For this compendium of graphic design excellence, theatre historian Steven Suskin combed through rare archives to bring us more than fifty years of plays and 175 compelling pieces of Broadway art. Dazzling shows and their glittering stars spill off the pages in artwork from top illustrators of the day, such as Al Hirshfeld, William Steig, Peter Arno, Alberto Vargas, and even Norman Rockwell. Covering every genre, A Must See! includes great hits (Oklahoma!, A Streetcar Named Desire), ignominious flops (Kelly, Carrie), and assorted delights in between. Throughout, Suskin peppers the text with insider information and juicy asides. Much of this material hasn't been seen since the shows closed eons ago, making A Must See! a bonanza of a browsebook -- shining with well-loved classics and surprising oddities from the beloved world of Broadway.
The “glitzy sequel filled with drama and self-discovery” (Kirkus Reviews) to the instant New York Times bestseller Shine! Crazy Rich Asians meets Gossip Girl in this knockout series from Jessica Jung, K-pop legend, fashion icon, and founder of the international luxury brand, Blanc & Eclare. Couture gowns, press parties, international travel. Rachel Kim is at the top of her game. Girls Forever is now the number-one K-pop group in the world, and her fame skyrockets after her viral airport styling attracts the attention of fashion’s biggest names. Her life’s a swirl of technicolor glamour and adoring fans. Rachel can’t imagine shining any brighter. The only thing that’s missing is love—but Rachel’s determined to follow the rules. In her world, falling in love can cost you everything. Enter Alex. When Rachel literally falls head over designer heels into his lap on a crowded metro, she’s tempted to give up her anti-love vows. Alex is more than just heart-stopping dimples and adorably quirky banter. He believes in Rachel’s future—both in music and in fashion. But the higher you rise, the farther you have to fall. And when a shocking act of betrayal shatters her world, Rachel must finally listen to her heart.
Although not the first V-8 engine ever produced, Henry Ford's side-valve V-8, launched in 1932, certainly qualified as the first mass-produced V-8 sold to the public. Because of Henry Ford's stubbornness, the first versions were less than ideal. The technology was in its infancy and cost-cutting measures limited the output and reliability of the early models. Over time, however, the "Flattie" became the go-to powerplant for a whole generation of new hobbyists who were called "hot rodders." The engine maintained its position in the hobby well into the 1950s, even when more modern overhead-valve designs started coming out of Detroit. It's hard to overstate the impact that this simple little engine had on a whole generation of enthusiasts. Even today, people choose a flathead for period-correct builds over far more powerful options. The style and sound of a modified flathead is an iconic part of American history. In Ford Flathead Engines: How to Rebuild & Modify, veteran author Tony Thacker and flathead guru of H&H Flatheads, Mike Herman, take you step-by-step through rebuilding a vintage flathead. One of the most important steps is to actually find a good, usable core; many have been sitting for a very long time and the engine design is prone to cracking. Running changes are also an important consideration when selecting a core, and include cooling system, ignition, and transmission mount. After you have selected a core, Thacker and Herman take you through the entire process of a rebuild, including teardown, parts inspection, machine shop processes, replacement part selection, re-assembly, start up, and break-in. Also covered is a unique performance build completed at the H&H shop for legendary race car team manager and all-around enthusiast Ray Evernham. It all adds up to more than 500 color photos and insider tips on building what could be called the most iconic engine ever built, the Ford flathead V-8.
Follow the history of hot rodding through this nostalgic look at vintage speed equipment. When most people think of speed parts, they rewind a few decades and think back to the Ford flatheads that were so prevalent in the 1940s and 1950s. However, did you know that the speed parts industry began way back in the Model T era? It's true. As soon as vehicles were mass produced, manufacturers were looking for ways to make them faster. Manufacturers, such as Roof, Rajo, Winfield, Miller, Frontenac, and Holley, made speed parts for 4-cylinder Model T engines and accomplished speeds of up to 100 mph! In Vintage Speed Parts: The Equipment That Fueled the Industry, veteran hot rod historian Tony Thacker looks at the history of hot rodding through the eyes of speed equipment manufacturers. Covered chronologically, the book begins with the early 4-cylinder engines. In 1932, Henry Ford introduced the flathead V-8, which was slow to be adopted as the engine of choice in racing until the parts industry caught up. Once it did, the flathead, although interrupted by the war, was the engine to run until the automobile manufacturers introduced overhead-valve V-8 engines in the late 1940s. Chrysler's early-1950s Hemi and Chevrolet's small-block V-8 in 1955 spelled the end for the flattie. Both mills dominated well into the 1970s, and the speed industry was there to support all platforms in spades. During that period, every auto manufacturer made a V-8 worthy of modification, and the speed industry boomed. Eventually, the speed equipment manufacturers grew to the point of becoming corporate entities, as mergers and acquisitions became the much less interesting story. Parts covered include special cylinder heads, magnetos, camshaft and valvetrain upgrades, downdraft carburetors, headers, multiple-carburetor setups, and even superchargers. Everyone figured out how to make engines more powerful, upgrading with the type of parts that were being produced decades later, even to today. Join in the fun of reviewing the history of speed through this fascinating tale of vintage speed parts.
New York City's Broadway district is by far the most prestigious and lucrative venue for American performers, playwrights, entertainers and technicians. While there are many reference works and critical studies of selected Broadway plays or musicals and even more works about the highlights of the American theater, this is the first single-volume book to cover all of the activities on Broadway between 1919 and 2007. More than 14,000 productions are briefly described, including hundreds of plays, musicals, revivals, and specialty programs. Entries include famous and forgotten works, designed to give a complete picture of Broadway's history and development, its evolution since the early twentieth century, and its rise to unparalleled prominence in the world of American theater. The productions are identified in terms of plot, cast, personnel, critical reaction, and significance in the history of New York theater and culture. In addition to a chronological list of all Broadway productions between 1919 and 2007, the book also includes approximately 600 important productions performed on Broadway before 1919.