The interacting components of everyday life - the weekly supermarket shopping trip, fast food, children's toys - are still largely unremarked by cultural theorists. Grounded in Marxist theory, and guided by feminism, Susan Willis's lucid and entertaining study of the consumer culture broadens the scope of cultural studies to introduce the notion of daily life, with the commodity at its centre. Willis pays particular attention to the influence of commodity fetishism on social relations. Her investigation includes the taken for granted phenomena of modern culture - Barbie dolls, plastic packaging, banana sticker logos and the aerobic workout.A Primer For Daily Life demonstrates that the trivial is crucial for our understanding of capitalist culture, and argues for the necessary development of a critical perspective on daily life.
Bringing together leading authorities, this unique handbook reviews the breadth of current approaches for studying how people think, feel, and behave in everyday environments, rather than in the laboratory. The volume thoroughly describes experience sampling methods, diary methods, physiological measures, and other self-report and non-self-report tools that allow for repeated, real-time measurement in natural settings. Practical guidance is provided to help the reader design a high-quality study, select and implement appropriate methods, and analyze the resulting data using cutting-edge statistical techniques. Applications across a wide range of psychological subfields and research areas are discussed in detail.
This book speaks to concerns which we must address for the Common Good if we are to survive in a civilized fashion. This book speaks about VIRTUE. For a culture in which each individual appears to be given license to decide what is right and wrong in any situation, this book reaffirms the personal and communal virtues and values which common decency requires. This books speaks about LIVING THE GOOD LIFE. For an instant gratification culture starved for guidance on basic values, this book offers guidance on how to live with personal integrity and social responsiblity. This book speaks about the ART OF DYING. For a culture obsessed with longevity and survival at any and all costs, this book provides insights about how to participate in the natural process of dying with dignity. This book provides a map for the by-ways of daily life. It provides an ethical compass which points true north when emotional skies are clouded over and the steering stars of reason and decency seem obscured. Today is the only "here-now" we are given to start living the good life. This primer may help you take a "step in the right direction."
This engaging book introduces key ideas and theorists of consumption in an accessible way. Case studies that describe familiar acts of consumption from areas of everyday life are used to ground relevant debates and ideas.
While the study of ancient civilizations has often focused on holy temples and royal tombs, a substantial part of the archaeological record remains hidden in the understudied day-to-day lives of artisans, farmers, hunters, and other ordinary people of the ancient world. The various chores of a person's daily life can be quite extraordinary and, even though they may seem trivial, such activities can have a powerful effect on society as a whole. Everyday Life Matters develops general methods and theories for studying everyday life applicable in archaeology, anthropology, and a wide range of disciplines. In this groundbreaking work, Cynthia Robin examines the 2,000-year history (800 B.C.-A.D. 1200) of the ancient farming community of Chan in Belize, explaining why the average person should matter to archaeologists studying larger societal patterns. Robin argues that the impact of what is commonly perceived as habitual or quotidian can be substantial, and a study of a polity without regard to the citizenry is woefully incomplete. She also develops general methods and theories for studying everyday life applicable across a wide range of disciplines. Refocusing attention from the Maya elite and offering critical analysis of daily life interwoven with larger anthropological theories, Robin engages us to consider the larger implications of the seemingly mundane and to rethink the constitution of human societies, everyday life, and ordinary people.
Using primary materials, Highmor brings together a wide range of thinkers to provide a comprehensive resource on theories of everyday life. Highmore's introduction surveys the development of thought about everyday life.
In the last twenty years the concept of the quotidien, or the everyday, has been prominent in contemporary French culture and in British and American cultural studies. This book provides the first comprehensive analytical survey of the whole field of approaches to the everyday. It offers, firstly, a historical perspective, demonstrating the importance of mainstream and dissident Surrealism; the indispensable contribution, over a 20-year period (1960-80), of four major figures: Henri Lefebvre, Roland Barthes, Michel de Certeau, and Georges Perec; and the recent proliferation of works that investigate everyday experience. Secondly, it establishes the framework of philosophical ideas on which discourses on the everyday depend, but which they characteristically subvert. Thirdly, it comprises searching analyses of works in a variety of genres, including fiction, the essay, poetry, theatre, film, photography, and the visual arts, consistently stressing how explorations of the everyday tend to question and combine genres in richly creative ways. By demonstrating the enduring contribution of Perec and others, and exploring the Surrealist inheritance, the book proposes a genealogy for the remarkable upsurge of interest in the everyday since the 1980s. A second main objective is to raise questions about the dimension of experience addressed by artists and thinkers when they invoke the quotidien or related concepts. Does the 'everyday' refer to an objective content defined by particular activities, or is it best thought of in terms of rhythm, repetition, festivity, ordinariness, the generic, the obvious, the given? Are there events or acts that are uniquely 'everyday', or is the quotidien a way of thinking about events and acts in the 'here and now' as opposed to the longer term? What techniques or genres are best suited to conveying the nature of everyday life? The book explores these questions in a comparative spirit, drawing new parallels between the work of numerous writers and artists, including André Breton, Raymond Queneau, Walter Benjamin, Michel Leiris, Maurice Blanchot, Michel Foucault, Stanley Cavell, Annie Ernaux, Jacques Réda, and Sophie Calle.
Henri Lefebvre, Boredom, and Everyday Life culls together the scattered fragments of Henri Lefebvre’s (1901–1991) unrealized sociology of boredom. In assembling these fragments, sprinkled through Lefebvre’s vast oeuvre, Patrick Gamsby constructs the core elements of Lefebvre’s latent theory of boredom. Themes of time (modernity, everyday), space (urban, suburban), and mass culture (culture industry, industry culture) are explored throughout the book, unveiling a concealed dialectical movement at work with the experience of boredom. In analyzing the dialectic of boredom, Gamsby argues that Lefebvre’s project of a critique of everyday life is key for making sense of the linkages between boredom and everyday life in the modern world.
Thisbroad-ranging survey of social and cultural theory issues an audacious challenge to contemporary cultural studies' emphasis on speculation, rather than observation. Toby Miller and Alec McHoul invite the reader to question their participation in both dominant and subcultural practices by providing perspectives on the everyday through ethnography, textual reading, discourse analysis and political economy. Following a summary of key ideas on an everyday practice, such as eating' or talking', each chapter considers the discourses that construct these practices, and concludes with one or more empirical investigations, opening up the possibility of a significant departure in cultural studies. The book ends with an excellent glossary of cultural studies terms.
