This is the story of the career and ideas of one of the twentieth-century's leading intellectuals. Jacques Barzun was the author of some thirty books of biography, history, and cultural criticism, among them the best-sellers "The House of Intellect," an indictment of governmental and foundation interference with the autonomy of scholars and universities, and "From Dawn to Decadence," an argument that the West was falling into decay and incapacity.
A Portrait of the Artist as a Young Man is semi-autobiographical, following Joyce's fictional alter-ego through his artistic awakening. The young artist Steven Dedelus begins to rebel against the Irish Catholic dogma of his childhood and discover the great philosophers and artists. He follows his artistic calling to the continent.
Honoria Keyes isn't the gawky, impressionable fifteen-year-old girl she was when she first met Simon Fairchild. Twelve years have passed, and she's a successful artist, enjoying her independence to the fullest. Simon has changed, too. Gone is the beautiful, gentle boy of Honoria's dreams. In his place is a dangerous, damaged man intent on avoiding human contact-and emotions. It would be unthinkable to fall for this difficult, wounded recluse. But then again, Honoria has never been one to do things the easy way ... Simon returned from Waterloo a bitter, broken shell of the man he once was. As if his scarred body and mind aren't bad enough, he's also financially dependent on his brother, the duke, while he convalesces. The duke's fondest wish is for Simon to marry and produce an heir-something Simon has no intention of doing. The one thing he never anticipated? All the unwanted feelings the lovely, talented, and infinitely intriguing Honoria would awaken in him ... Can Honoria and Simon heal the wounds of the past and build a life together? Or will their attempt at happily ever after end up a portrait of failure? Praise for Minerva Spencer's books: "Lovers of historical romance will be hooked on this twisty story of revenge, redemption, and reversal of fortunes." ★Publishers Weekly STARRED REVIEW of THE FOOTMAN "Spencer serves up an irresistible cocktail of smart characterization, sophisticated sensuality, and sharp wit-all while orchestrating her own clever spin on the popular bluestocking-and-rake trope." ★Booklist STARRED REVIEW of NOTORIOUS "Spencer's characterizations are nuanced and believable, and the passion between the protagonists scorches the pages. Readers will be hooked." ★Publishers Weekly STARRED REVIEW of THE MUSIC OF LOVE "Spencer's brilliant and original tale of the high seas bursts with wonderfully real protagonists, plenty of action, and passionate romance." ★Publishers Weekly STARRED REVIEW of BARBAROUS "Fans of Amanda Quick's early historicals will find much to savor." ★Booklist STARRED REVIEW "Sexy, witty, and fiercely entertaining." ★Kirkus STARRED REVIEW "[A] suavely sophisticated hero with sex appeal to spare, and a cascade of lushly detailed love scenes give Spencer's dazzling debut its deliciously fun retro flavor." ★Booklist STARRED REVIEW
The vividly told, gloriously illustrated memoir of an artist born with disabilities who searches for freedom and connection in a society afraid of strange bodies “Golem Girl is luminous; a profound portrait of the artist as a young—and mature—woman; an unflinching social history of disability over the last six decades; and a hymn to life, love, family, and spirit.”—David Mitchell, author of Cloud Atlas WINNER OF THE BARBELLION PRIZE • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHY • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS What do we sacrifice in the pursuit of normalcy? And what becomes possible when we embrace monstrosity? Can we envision a world that sees impossible creatures? In 1958, amongst the children born with spina bifida is Riva Lehrer. At the time, most such children are not expected to survive. Her parents and doctors are determined to "fix" her, sending the message over and over again that she is broken. That she will never have a job, a romantic relationship, or an independent life. Enduring countless medical interventions, Riva tries her best to be a good girl and a good patient in the quest to be cured. Everything changes when, as an adult, Riva is invited to join a group of artists, writers, and performers who are building Disability Culture. Their work is daring, edgy, funny, and dark—it rejects tropes that define disabled people as pathetic, frightening, or worthless. They insist that disability is an opportunity for creativity and resistance. Emboldened, Riva asks if she can paint their portraits—inventing an intimate and collaborative process that will transform the way she sees herself, others, and the world. Each portrait story begins to transform the myths she’s been told her whole life about her body, her sexuality, and other measures of normal. Written with the vivid, cinematic prose of a visual artist, and the love and playfulness that defines all of Riva's work, Golem Girl is an extraordinary story of tenacity and creativity. With the author's magnificent portraits featured throughout, this memoir invites us to stretch ourselves toward a world where bodies flow between all possible forms of what it is to be human. “Not your typical memoir about ‘what it’s like to be disabled in a non-disabled world’ . . . Lehrer tells her stories about becoming the monster she was always meant to be: glorious, defiant, unbound, and voracious. Read it!”—Alice Wong, founder and director, Disability Visibility Project
Imaginative and creative thought is what distinguishes humans from animals. It is what defines us as Homo sapiens. What it means to have thoughts, and what gives us the remarkable capacity to think, have been subjects of debate for centuries. In The Cradle of Thought, Peter Hobson presents a new and provocative theory about the nature and origins of uniquely human thinking. A prevailing opinion on the acquisition of thought and language is that babies are born with pre-programmed modules in the brain. But this is too narrow and too simplistic an explanation. Professor Hobson's radical view is that what gives us the capacity to think is the quality of a baby's exchanges with other people over the first 18 months of life. As part and parcel of an intellectual revolution in the second year, the child achieves new insight into the minds of itself and others. Human thought, language, and self-awareness are developed in the cradle of emotional engagement between infant and caregiver; social contact has vital significance for mental development. Professor Hobson draws on 20 years of clinical experience and academic research as a developmental psychologist, psychiatrist and psychoanalyst. He follows the thread of mental development over the first 18 months of ababy's life to describe and to explain the emergence of thinking; he shares startling insights into mental development gained from his studies of autism; and he shows how, from infancy to adulthood, disturbances of thinking may be rooted in troubled early relationships. Finally, he pinpoints tiny but momentus changes in the social relations of pre-human primates from which human thought sprang. In this fascinating and thought-provoking book, Peter Hobson shows how very early engagement with others fosters the child's growth out of the cradle of infancy and into the realm of human thought and culture.
“An extraordinary record of a great artist in his studio, it also describes what it feels like to be transformed into a work of art.” —ARTnews Lucian Freud (1922-2011), widely regarded as the greatest figurative painter of our time, spent seven months painting a portrait of the art critic Martin Gayford. The daily narrative of their encounters takes the reader into that most private place, the artist’s studio, and to the heart of the working methods of this modern master—both technical and subtly psychological. From this emerges an understanding of what a portrait is, but something else is also created: a portrait, in words, of Freud himself. This is not a biography, but a series of close-ups: the artist at work and in conversation at restaurants, in taxis, and in his studio. It takes one into the company of the painter for whom Picasso, Giacometti, and Francis Bacon were friends and contemporaries, as were writers such as George Orwell and W. H. Auden. The book is illustrated with many of Lucian Freud’s other works, telling photographs taken by David Dawson of Freud in his studio, and images by such great artists of the past as van Gogh and Titian who are discussed by Freud and Gayford. Full of wry observations, the book reveals the inside story of how it feels to pose for a remarkable artist and become a work of art.
